Libert\u00e9 [trigger warning]<\/strong><\/p>\n\n\n\n25. a 26. \u0159\u00edjna 2026, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX<\/p>\n\n\n\n
Milo Rau a Servane D\u00e8cle (Wiener Festwochen): Proces Pelicot (koprodukce \u010cinohry N\u00e1rodn\u00edho divadla a Dejvick\u00e9ho divadla) <\/strong><\/strong><\/p>\n\n\n\n22., 26. a 27. listopadu 2026, Kulturn\u00ed stanice Galaxie<\/p>\n\n\n\n
Dakh Theater: Field of Memory<\/strong> (v\u00fdstava)<\/p>\n\n\n\n24. listopadu \u2013 11. prosince 2026, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX <\/p>\n\n\n\n
Dakh Daughters:<\/strong> Antidote <\/strong>(koncert)<\/strong><\/p>\n\n\n\n30. listopadu 2026, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX <\/p>\n\n\n\n
Mohamed El Khatib a Israel Galv\u00e1n (Zirlib a IGalv\u00e1n Company): Israel a Mohamed<\/strong><\/strong><\/p>\n\n\n\n10. a 11. prosince 2026, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX <\/p>\n\n\n\n
M\u00e9lissa Guex a Katerina Andreou: SHOUT TWICE<\/strong><\/strong><\/p>\n\n\n\n24. a 25. ledna 2027, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX <\/p>\n\n\n\n
Lola Arias: Zn\u00e1siln\u011bn\u00ed Lukr\u00e9cie: Casting<\/strong><\/strong><\/p>\n\n\n\n\u00fanor 2027, Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX <\/p>\n\n\n\n
Linda Du\u0161kov\u00e1, dramaturgyn\u011b Pra\u017esk\u00fdch k\u0159i\u017eovatek, zve na festival<\/strong><\/p>\n\n\n\nT\u00e9matem, kter\u00e9 prostupuje celou dramaturgii leto\u0161n\u00edho ro\u010dn\u00edku, je vl\u00eddn\u00e1 rezistence<\/em>. Laskav\u00fd vzdor, kter\u00fd nen\u00ed \u00fatokem, ale rozhodn\u00fdm udr\u017een\u00edm pozic. Ust\u00e1t opresi na \u00farovni intimn\u00edho, rodinn\u00e9ho nebo ob\u010dansk\u00e9ho \u017eivota m\u00e1 v\u017edycky v\u011bt\u0161\u00ed \u00fa\u010dinek, pokud je sou\u010d\u00e1st\u00ed na\u0161eho odporu taky velkorysost. Pevn\u011b v\u011b\u0159\u00edm, \u017ee hledat nen\u00e1siln\u00e9 cesty je jedn\u00edm ze z\u00e1kladn\u00edch projev\u016f lidskosti. Co se ale odehr\u00e1v\u00e1 v \u017eivotech t\u011bch, kte\u0159\u00ed museli n\u00e1sil\u00ed p\u0159ijmout jako sou\u010d\u00e1st ka\u017edodenn\u00edho boje za ochranu sv\u00fdch hranic a hodnot? Aktu\u00e1ln\u00ed sv\u011btov\u00e9 d\u011bn\u00ed n\u00e1m denn\u011b p\u0159ipom\u00edn\u00e1, \u017ee na ne\u00fastupnou agresi vl\u00eddn\u00e1 rezistence nesta\u010d\u00ed. M\u016f\u017eeme si ji v\u0161ak uchovat jako nedosti\u017en\u00fd c\u00edl, jako tolik pot\u0159ebnou iluzi.<\/p>\n\n\n\nV p\u0159\u00edvalu spole\u010densk\u00e9ho a politick\u00e9ho tlaku stoj\u00ed i n\u00e1\u0161 prvn\u00ed host, gruz\u00ednsk\u00fd re\u017eis\u00e9r Data Tavadze se sv\u00fdm divadlem Royal District Theatre. Jeho evropsky proslulou inscenaci Libert\u00e9 [trigger warning]<\/strong>, kter\u00e1 se stav\u00ed za pr\u00e1va utla\u010dovan\u00e9 queer komunity a stala se v Gruzii objektem cenzury, m\u016f\u017eete vid\u011bt v \u0159\u00edjnu. Dv\u011b repr\u00edzy dopln\u00ed tak\u00e9 tv\u016fr\u010d\u00ed d\u00edlna pod veden\u00edm samotn\u00e9ho re\u017eis\u00e9ra.<\/p>\n\n\n\n\u00da\u010dast t\u00e9to inscenace na festivalu podpo\u0159ila platforma Prospero NEW, kter\u00e1 je spolufinancov\u00e1na z programu Evropsk\u00e9 unie Kreativn\u00ed Evropa.<\/p>\n\n\n\n
V listopadu p\u0159ivezeme kyjevsk\u00e9 dokument\u00e1rn\u00ed divadlo Dakh Theatre, kter\u00e9 se u\u017e n\u011bkolik let programov\u011b vymezuje v\u016f\u010di rusk\u00e9 invazi. Jeho um\u011bleck\u00fd \u0161\u00e9f Vladyslav Trojickyj v Praze nejprve p\u0159edstav\u00ed putovn\u00ed v\u00fdstavu Field of Memory<\/strong>, kter\u00e1 se v\u011bnuje vlivu v\u00e1lky na osud ukrajinsk\u00fdch d\u011bt\u00ed. Na v\u00fdstavu nav\u00e1\u017ee podmaniv\u00fd performativn\u00ed koncert \u00fasp\u011b\u0161n\u00e9 kapely Dakh Daughters s n\u00e1zvem Antidote<\/strong>. T\u00e9ma uzav\u0159eme panelovou diskuz\u00ed o stavu um\u011bleck\u00e9 tvorby v okupovan\u00e9 zemi.<\/p>\n\n\n\nNa podzim se tak\u00e9 poprv\u00e9 na jednom jevi\u0161ti setkaj\u00ed hereck\u00e9 soubory \u010cinohry a Dejvick\u00e9ho divadla, a sice p\u0159i zkou\u0161en\u00ed sc\u00e9nick\u00e9ho oratoria Proces Pelicot<\/strong>. P\u0159epis ned\u00e1vn\u00e9ho soudn\u00edho procesu s francouzsk\u00fdm sexu\u00e1ln\u00edm n\u00e1siln\u00edkem uvedemejako \u010deskou premi\u00e9ruv re\u017eii rakousko-francouzsk\u00e9ho tandemu Mila Rau a Servane D\u00e8cle. Tento projekt vznikl pro festival Wiener Festwochen a od premi\u00e9ry v minul\u00e9m roce ho uvedla cel\u00e1 \u0159ada sv\u011btov\u00fdch divadel.<\/p>\n\n\n\nNa t\u00e9ma vzdoru proti vlastn\u00ed rodin\u011b se t\u011bsn\u011b p\u0159ed V\u00e1noci nalad\u00edme v dokument\u00e1rn\u011b-tane\u010dn\u00ed inscenaci Israel a Mohamed<\/strong>. V\u016f\u010di sv\u00fdm otc\u016fm se v n\u00ed n\u011b\u017en\u011b a nekompromisn\u011b vymezuj\u00ed francouzsk\u00fd re\u017eis\u00e9r Mohamed El Khatib a \u0161pan\u011blsk\u00fd tane\u010dn\u00edk flamenca Israel Galv\u00e1n.<\/p>\n\n\n\nNov\u00fd rok p\u0159iv\u00edt\u00e1me v lednu euforickou tane\u010dn\u00ed performance SHOUT TWICE <\/strong>Kateriny Andreou a M\u00e9lissy Guex, ve kter\u00e9 se vztek m\u011bn\u00ed v \u0161epot a k\u0159ik v katarzi. \u010cek\u00e1 n\u00e1s ritu\u00e1ln\u00ed z\u00e1\u017eitek, b\u011bhem kter\u00e9ho se tep performerek pomalu slad\u00ed s tepem publika.<\/p>\n\n\n\nPosledn\u00ed te\u010dkou za vl\u00eddnou rezistenc\u00ed bude nov\u00e1 inscenace z produkce Theater Basel \u2013 Zn\u00e1siln\u011bn\u00ed Lukr\u00e9cie: Casting<\/strong>. Nezam\u011bniteln\u00fd re\u017eijn\u00ed rukopis argentinsk\u00e9 re\u017eis\u00e9rky Loly Arias \u010desk\u00e9mu publiku \u00fapln\u011b poprv\u00e9 p\u0159edstav\u00edme v \u00fanoru. Jej\u00ed autorsk\u00e9 zpracov\u00e1n\u00ed slavn\u00e9 Shakespearovy b\u00e1sn\u011b je citlivou a odv\u00e1\u017enou v\u00fdpov\u011bd\u00ed o t\u011blesn\u00e9m zneu\u017eit\u00ed a instrumentalizaci t\u011bla nejen v um\u011bleck\u00e9 komunit\u011b.<\/p>\n\n\n\nCentrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX a Pra\u017esk\u00e9 k\u0159i\u017eovatky<\/strong><\/p>\n\n\n\nStejn\u011b jako festival Pra\u017esk\u00e9 k\u0159i\u017eovatky nach\u00e1z\u00ed Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX<\/p>\n\n\n\n
inspiraci a hodnotov\u00e9 vymezen\u00ed v odkazu V\u00e1clava Havla. Ob\u011b instituce kladou d\u016fraz<\/p>\n\n\n\n
na otev\u0159enost, ob\u010danskou anga\u017eovanost, dialog a kritick\u00e9 my\u0161len\u00ed a dlouhodob\u011b ve<\/p>\n\n\n\n
sv\u00e9 dramaturgii prost\u0159ednictv\u00edm um\u011bleck\u00fdch forem tematizuj\u00ed ot\u00e1zky svobody slova,<\/p>\n\n\n\n
odpov\u011bdnosti, moci, pam\u011bti nebo lidsk\u00fdch pr\u00e1v. Ob\u011b instituce se zam\u011b\u0159uj\u00ed na<\/p>\n\n\n\n
interdisciplin\u00e1rn\u00ed projekty, v nich\u017e se propojuje divadlo, v\u00fdtvarn\u00e9 um\u011bn\u00ed, literatura,<\/p>\n\n\n\n
performance s kritickou reflex\u00ed sou\u010dasnosti.<\/p>\n\n\n\n
Centrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX<\/strong><\/p>\n\n\n\nCentrum sou\u010dasn\u00e9ho um\u011bn\u00ed DOX vzniklo d\u00edky soukrom\u00e9 iniciativ\u011b jej\u00edho sou\u010dasn\u00e9ho<\/p>\n\n\n\n
\u0159editele Leo\u0161e V\u00e1lky a v \u010cesk\u00e9 republice je nejv\u011bt\u0161\u00ed nest\u00e1tn\u00ed neziskovou instituc\u00ed<\/p>\n\n\n\n
zam\u011b\u0159enou na sou\u010dasn\u00e9 um\u011bn\u00ed. Od roku 2008 je jeho posl\u00e1n\u00edm vytv\u00e1\u0159et prost\u0159ed\u00ed<\/p>\n\n\n\n
pro zkoum\u00e1n\u00ed, diskusi a um\u011bleckou prezentaci d\u016fle\u017eit\u00fdch spole\u010densk\u00fdch t\u00e9mat.<\/p>\n\n\n\n
Vizu\u00e1ln\u00ed um\u011bn\u00ed, architektura, literatura, hudba, divadlo a dal\u0161\u00ed discipl\u00edny zde umo\u017e\u0148uj\u00ed kritick\u00fd p\u0159\u00edstup k tzv. realit\u011b dne\u0161n\u00edho sv\u011bta a z\u00e1rove\u0148 p\u0159etv\u00e1\u0159ej\u00ed ka\u017edodenn\u00ed zku\u0161enost.<\/p>\n\n\n\n
\u017div\u00e9 um\u011bn\u00ed jako jednu z programov\u00fdch lini\u00ed Centra DOX vede re\u017eis\u00e9r a choreograf<\/p>\n\n\n\n
Viliam Do\u010dolomansk\u00fd. V kontextu sou\u010dasn\u00e9 autorsk\u00e9 tvorby v divadle, tanci, hudb\u011b<\/p>\n\n\n\n
a performance se zam\u011b\u0159uje na v\u00fdrazn\u00e9 tv\u016frce s nezam\u011bniteln\u00fdm rukopisem<\/p>\n\n\n\n
a mezin\u00e1rodn\u00edm p\u0159esahem, kte\u0159\u00ed \u010dasto tvo\u0159\u00ed na rozhran\u00ed um\u011bleck\u00fdch discipl\u00edn<\/p>\n\n\n\n
a \u201emimo mainstream\u201c. DOX se tak st\u00e1v\u00e1 inkub\u00e1torem sou\u010dasn\u00e9ho performativn\u00edho<\/p>\n\n\n\n
jazyka. St\u00e1l\u00fdm divadeln\u00edm t\u011blesem DOXu je mezin\u00e1rodn\u00ed soubor Farma v jeskyni.<\/p>\n\n\n\n
Program Centra DOX p\u0159ekra\u010duje \u017e\u00e1nry a vytv\u00e1\u0159\u00ed prostor pro ve\u0159ejnou diskusi<\/p>\n\n\n\n
o t\u00e9matech, kter\u00e1 utv\u00e1\u0159ej\u00ed n\u00e1\u0161 sv\u011bt. Odvaha a p\u0159esv\u011bd\u010den\u00ed, \u017ee v\u011bci lze d\u011blat jinak.<\/p>\n\n\n\n
To je DOX.<\/p>\n\n\n\n
www.dox.cz<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Pra\u017esk\u00e9 k\u0159i\u017eovatky nejsou a nikdy nebyly typick\u00fdm festivalem, kter\u00fd se odehraje b\u011bhem jednoho intenzivn\u00edho obdob\u00ed a potom se zase na \u010das odml\u010d\u00ed. Pomalu ale jist\u011b se st\u00e1vaj\u00ed etablovanou dramaturgickou lini\u00ed \u010cinohry N\u00e1rodn\u00edho divadla. Dev\u00e1t\u00fd ro\u010dn\u00edk mezin\u00e1rodn\u00edho divadeln\u00edho festivalu prob\u011bhne v \u010dasov\u00e9m rozp\u011bt\u00ed od \u0159\u00edjna 2026 do \u00fanora 2027. Program leto\u0161n\u00edho ro\u010dn\u00edku nab\u00edz\u00ed rozmanitost nejen ze…<\/p>\n","protected":false},"author":1,"featured_media":98794,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[153,401,383,998,386,48],"tags":[],"class_list":["post-98793","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-czech-republic-cs","category-ceske-armenske-zpravy","category-kultura","category-novinky","category-umeni","category-uncategorized-cs"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/98793","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=98793"}],"version-history":[{"count":1,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/98793\/revisions"}],"predecessor-version":[{"id":98798,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/98793\/revisions\/98798"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/98794"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=98793"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=98793"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=98793"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}