{"id":87998,"date":"2025-12-04T15:00:45","date_gmt":"2025-12-04T12:00:45","guid":{"rendered":"https:\/\/orer.eu\/?p=87998"},"modified":"2025-12-04T15:02:17","modified_gmt":"2025-12-04T12:02:17","slug":"verdiho-requiem-v-betlemske-kapli-oslovilo-ve-svatecni-den-silou-hudebni-vypovedi","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2025\/12\/04\/verdiho-requiem-v-betlemske-kapli-oslovilo-ve-svatecni-den-silou-hudebni-vypovedi\/","title":{"rendered":"Verdiho Requiem v\u00a0Betl\u00e9msk\u00e9 kapli oslovilo ve sv\u00e1te\u010dn\u00ed den silou hudebn\u00ed v\u00fdpov\u011bdi"},"content":{"rendered":"\n
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Slavnostn\u00ed ve\u010der uspo\u0159\u00e1dala Hl\u00e1vkova nadace v den st\u00e1tn\u00edho sv\u00e1tku Dne boje za svobodu a demokracii a Mezin\u00e1rodn\u00edho dne studenstva 17. 11. v Betl\u00e9msk\u00e9 kapli. Kr\u00e1sn\u00fd hudebn\u00ed z\u00e1\u017eitek p\u0159inesl Symfonick\u00fd orchestr a sbor Univerzity Karlovy pod taktovkou Haiga Utidjina, kter\u00fd proved Requiem<\/em> Giuseppe Verdiho.<\/p>\n\n\n\n

Na \u00favod ve\u010dera hovo\u0159il prorektor pov\u011b\u0159en\u00fd veden\u00edm \u010cVUT v Praze, prof. Ing. Zbyn\u011bk \u0160kvor, CSc., a p\u0159edseda Nadace “Nad\u00e1n\u00ed Josefa, Marie a Zde\u0148ky Hl\u00e1vkov\u00fdch” prof. JUDr. V\u00e1clav Pavl\u00ed\u010dek, CSc., kter\u00fd poslucha\u010de na koncert\u011b p\u0159iv\u00edtal. Prof. Pavl\u00ed\u010dek p\u0159ipomn\u011bl ve sv\u00e9m projevu historick\u00e9 ud\u00e1losti, p\u0159edev\u0161\u00edm rok 1939 a v\u00fdro\u010d\u00ed, kter\u00e1 na leto\u0161n\u00ed rok v t\u00e9to souvislosti p\u0159ipadaj\u00ed \u2013 80 let od skon\u010den\u00ed 2.sv\u011btov\u00e9 v\u00e1lky, zalo\u017een\u00ed OSN v \u0159\u00edjnu 1945 a kon\u00e1n\u00ed sv\u011btov\u00e9ho kongresu student\u016f na Univerzit\u011b Karlov\u011b v listopadu 1945.  Publiku n\u00e1sledn\u011b p\u0159ibl\u00ed\u017eil v\u00fdznam a charakter Verdiho Requiem<\/em>, t\u00e9to \u201eopery v liturgick\u00e9m h\u00e1vu<\/em>\u201c. \u201eT\u00e9ma svobody prostupuje cel\u00fdm Verdiho d\u00edlem<\/em>,\u201c uvedl a zd\u016fraznil z\u00e1v\u011bre\u010dn\u00e9 \u201eLibera me\u201c (“Osvobo\u010f m\u011b<\/em>“) jako symbol touhy po osobn\u00ed a duchovn\u00ed svobod\u011b. \u201eTato symbolika nabyla aktu\u00e1ln\u00edho v\u00fdznamu znovu ve 20.stolet\u00ed a uplatnila se tak\u00e9 v tragick\u00fdch pom\u011brech terez\u00ednsk\u00e9ho ghetta. P\u0159esto\u017ee jde o latinskou m\u0161i, Verdiho \u201eRequiem\u201c se stalo pro \u017eidovsk\u00e9 v\u011bzn\u011b hlubok\u00fdm symbolem odporu a nad\u011bje. Dirigent Rafael Sch\u00e4chter (1905-1944) se odhodlal k “neuv\u011b\u0159iteln\u00e9mu \u010dinu” a se sborem terez\u00ednsk\u00fdch \u017eidovsk\u00fdch v\u011bz\u0148\u016f provedl Verdiho \u0159\u00edmskokatolick\u00e9 \u201eRequiem\u201c patn\u00e1ctkr\u00e1t, v\u017edy pouze s doprovodem klav\u00edru. Dvakr\u00e1t musel sbor obnovit, nebo\u0165 nacist\u00e9 jeho \u010dleny deportovali do vyhlazovac\u00edch t\u00e1bor\u016f. Po posledn\u00edm proveden\u00ed byl Sch\u00e4chter deportov\u00e1n do Osv\u011btimi, kde zahynul. Jeho odvaha v\u0161ak u\u010dinila z \u201eRequiem\u201c symbol duchovn\u00edho odporu, v\u0161eobecn\u00e9 touhy po svobod\u011b a nezlomn\u00e9 v\u016fle k \u017eivotu platn\u00e9 bez rozd\u00edlu n\u00e1bo\u017eenstv\u00ed nebo n\u00e1rodnosti,\u201c<\/em> uvedl prof. Pavl\u00ed\u010dek.<\/p>\n\n\n\n

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Verdiho Requiem <\/em>pod taktovkou Haiga Utidjiana v emocion\u00e1ln\u011b rozjit\u0159en\u00e9 atmosf\u00e9\u0159e sv\u00e1te\u010dn\u00edho dne hluboce oslovilo poslucha\u010de. Vysok\u00e1 muzikalita nastudov\u00e1n\u00ed a proveden\u00ed dala vyniknout nuanc\u00edm Verdiho strhuj\u00edc\u00edho d\u00edla. B\u00e1je\u010dn\u00e1 dynamika plynule a pru\u017en\u011b oscilovala mezi k\u0159ehk\u00fdm pianissimem a p\u016fsobiv\u00fdm forte, dirigent volil vhodn\u00e1 tempa, adekv\u00e1tn\u00edm zp\u016fsobem pracoval s agogikou. V\u0161echny sekce studentsk\u00e9ho orchestru byly pln\u011b vyrovnan\u00e9, vyzdvihnout je t\u0159eba u\u017e \u00favodn\u00ed jemn\u00e9 \u0161um\u011bn\u00ed violoncell,  souhru a kr\u00e1sn\u00e9 t\u00f3ny trubek, p\u0159es vypjat\u00e9 Dies irae<\/em> a\u017e po z\u00e1v\u011bre\u010dn\u00e9 apelativn\u00ed i meditativn\u00ed Libera me<\/em>.<\/p>\n\n\n\n

Spolehliv\u011b provedli sv\u00e9 party s\u00f3list\u00e9 zn\u00e1m\u00ed ze s\u00f3lov\u00fdch rol\u00ed na na\u0161ich opern\u00edch sc\u00e9n\u00e1ch \u2013 sopranistka Miroslava \u010casarov\u00e1 se z\u00e1\u0159iv\u00fdmi v\u00fd\u0161kami, mezzosopranistka Kate\u0159ina Jalovcov\u00e1 se sonorn\u00edm mezzosopr\u00e1nem, tenorista Du\u0161an R\u016f\u017ei\u010dka se syt\u00fdm tenorem p\u0159\u00edjemn\u00e9ho t\u00e9mbru, v\u00fdrazn\u00fd byl sv\u00fdm soust\u0159ed\u011bn\u00fdm projevem koncertn\u00ed p\u011bvec Petr Sejpal se sametov\u011b zn\u011bj\u00edc\u00edm zvu\u010dn\u00fdm basem. S\u00f3list\u00e9 p\u0159edn\u00e1\u0161eli sv\u00e9 party z prostoru mezi orchestrem a sborem, jejich hlasy se p\u0159i tomto \u0159e\u0161en\u00ed kr\u00e1sn\u011b nesly auditoriem. Velmi dobr\u00e1 byla u v\u0161ech s\u00f3list\u016f i srozumitelnost zp\u00edvan\u00e9ho textu. Po\u010detn\u00fd sbor Univerzity Karlovy provedl party vyrovnan\u011b v cel\u00e9m rozsahu, byl p\u0159esn\u00fd, a tak\u00e9 jemu bylo velmi dob\u0159e rozum\u011bt. P\u0159ipome\u0148me jen na okraj, \u017ee pro sbor UK to nebylo v tom dni vystoupen\u00ed jedin\u00e9 \u2013 d\u00edla \u010desk\u00e9 sborov\u00e9 tvorby 19. a 20. stolet\u00ed zp\u00edvali dopoledne jeho \u010dlenky a \u010dlenov\u00e9 p\u0159i pietn\u00edm aktu p\u0159ed Hl\u00e1vkovou kolej\u00ed, kde p\u0159edstavitel Hl\u00e1vkovy nadace a z\u00e1stupci studentsk\u00fdch organizac\u00ed p\u0159ipomn\u011bli rovn\u011b\u017e ud\u00e1losti 17. 11. 1989, a n\u00e1sledn\u011b na Vy\u0161ehrad\u011b.<\/p>\n\n\n\n

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Dirigent Haig Utidjian provedl n\u00e1ro\u010dn\u00e9 Requiem<\/em> Giuseppe Verdiho s Orchestrem UK a sborem UK ji\u017e na ja\u0159e leto\u0161n\u00edho roku, a jestli\u017ee se setkalo s mimo\u0159\u00e1dn\u011b v\u0159el\u00fdm p\u0159ijet\u00edm a srde\u010dn\u00fdm ohlasem publika tehdy, nyn\u00ed v listopadov\u00fdch dnech je zas\u00e1hlo silou hudebn\u00ed v\u00fdpov\u011bdi a duchovn\u00ed hloubkou, kter\u00e1 byla umocn\u011bna i prostorem Betl\u00e9msk\u00e9 kaple. Bylo monument\u00e1ln\u00ed i nitern\u00e9, a p\u0159ineslo z\u00e1\u017eitek, jen\u017e poslucha\u010di ocenili up\u0159\u00edmn\u00fdm a dlouhotrvaj\u00edc\u00edm aplausem vstoje kter\u00fd ne a ne skon\u010dit. Orchestr u\u017e opustil sv\u00e1 m\u00edsta, sbor odch\u00e1zel, ale publikum z\u016fst\u00e1valo a tleskalo. Proto\u017ee Verdi a jeho hudba z\u016fstala v srdc\u00edch a mysl\u00edch poslucha\u010d\u016f.<\/p>\n\n\n\n

Hl\u00e1vkova nadace zvolila pro slavnostn\u00ed ve\u010der reprezentativn\u00ed produkci. M\u016f\u017eeme jen doufat, \u017ee to nebylo naposledy, kdy hudebn\u00ed t\u011blesa Univerzity Karlovy v Praze Verdiho Requiem<\/em> provedla a \u017ee se orchestr, sbor a s\u00f3list\u00e9 pod taktovkou Haiga Utidjiana sejdou p\u0159i jeho proveden\u00ed znovu. A ne jednou.<\/p>\n\n\n\n

GABRIELA \u0160PALKOV\u00c1<\/strong><\/p>\n\n\n\n

Foto\u0589 Richard Cai<\/p>\n\n\n\n

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Slavnostn\u00ed ve\u010der uspo\u0159\u00e1dala Hl\u00e1vkova nadace v den st\u00e1tn\u00edho sv\u00e1tku Dne boje za svobodu a demokracii a Mezin\u00e1rodn\u00edho dne studenstva 17. 11. v Betl\u00e9msk\u00e9 kapli. Kr\u00e1sn\u00fd hudebn\u00ed z\u00e1\u017eitek p\u0159inesl Symfonick\u00fd orchestr a sbor Univerzity Karlovy pod taktovkou Haiga Utidjina, kter\u00fd proved Requiem Giuseppe Verdiho. Na \u00favod ve\u010dera hovo\u0159il prorektor pov\u011b\u0159en\u00fd veden\u00edm \u010cVUT v Praze, prof. Ing. Zbyn\u011bk \u0160kvor,…<\/p>\n","protected":false},"author":1,"featured_media":88011,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[153,401,392,168,998],"tags":[498],"class_list":["post-87998","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-czech-republic-cs","category-ceske-armenske-zpravy","category-hudba","category-concerts-cs","category-novinky","tag-hudba","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/87998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=87998"}],"version-history":[{"count":3,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/87998\/revisions"}],"predecessor-version":[{"id":88022,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/87998\/revisions\/88022"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/88011"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=87998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=87998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=87998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}