{"id":78190,"date":"2025-05-26T10:19:02","date_gmt":"2025-05-26T07:19:02","guid":{"rendered":"https:\/\/orer.eu\/?p=78190"},"modified":"2025-05-26T10:31:39","modified_gmt":"2025-05-26T07:31:39","slug":"univerzitni-orchestry-s-haigem-utidjianem-uspesne-provedly-verdiho-requiem-v-rajske-budove-vse-a-ceskem-muzeu-hudby-v-praze","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2025\/05\/26\/univerzitni-orchestry-s-haigem-utidjianem-uspesne-provedly-verdiho-requiem-v-rajske-budove-vse-a-ceskem-muzeu-hudby-v-praze\/","title":{"rendered":"Univerzitn\u00ed orchestry s\u00a0Haigem Utidjianem \u00fasp\u011b\u0161n\u011b provedly Verdiho Requiem v\u00a0Rajsk\u00e9 budov\u011b V\u0160E a \u010cesk\u00e9m muzeu hudby v Praze"},"content":{"rendered":"\n

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S velk\u00fdm z\u00e1jmem a ohlasem publika se setkala kv\u011btnov\u00e1 produkce univerzitn\u00edch orchestr\u016f pod veden\u00edm dirigenta Haiga Utidjiana, kter\u00fd s nimi tentokr\u00e1t nastudoval Requiem<\/em> Giuseppe Verdiho.<\/p>\n\n\n\n

Po patn\u00e1cti letech op\u011bt vystoupil 14. 5. v Atriu Rajsk\u00e9 budovy Vysok\u00e9 \u0161koly ekonomick\u00e9 v Praze Symfonick\u00fd orchestr V\u0160E. Do nastudov\u00e1n\u00ed Verdiho Requiem zapojil Haig Utidjian spole\u010dn\u011b se sv\u00fdm  Sborem Univerzity Karlovy v Praze je\u0161t\u011b sbory Arytmie Praha (sbm. Lenka Menclov\u00e1) a Labyrint (sbm. Lenka \u0160tukheilov\u00e1). S\u00f3lov\u00e9 party interpretovaly renomovan\u00e9 p\u011bvkyn\u011b sopranistka Miroslava \u010casarov\u00e1 vystupuj\u00edc\u00ed na tuzemsk\u00fdch opern\u00edch sc\u00e9n\u00e1ch, mezzosopranistka pra\u017esk\u00e9ho N\u00e1rodn\u00edho divadla Kate\u0159ina Jalovcov\u00e1 a koncertn\u00ed p\u011bvci dlouhodob\u011b spjat\u00ed s produkcemi orchestru, tenorista Stanislav Mistr a basista Petr Sejpal. S Orchestrem Univerzity Karlovy, t\u00fdmi\u017e sbory a s\u00f3listy pak zazn\u011blo Requiem<\/em> znovu pod taktovkou Haiga Utidjiana 16. 5. v \u010cesk\u00e9m muzeu hudby. Proveden\u00ed Requiem<\/em> v Rajsk\u00e9m dom\u011b bylo v\u011bnov\u00e1no pam\u00e1tce zesnul\u00e9ho pape\u017ee Franti\u0161ka I.<\/p>\n\n\n\n

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Je obdivuhodn\u00e9, k jak\u00e9mu v\u00fdkonu dovedl Haig Utidjian studentsk\u00e9 orchestry a jak vyrovnan\u00e9 bylo proveden\u00ed v\u0161ech sborov\u00fdch part\u016f. Orchestry jdou technicky velmi dob\u0159e disponov\u00e1ny a Haig Utidjian  vypracoval Verdiho partituru pe\u010dliv\u011b. U orchestru i sbor\u016f doc\u00edlil \u0161irok\u00e9 dynamick\u00e9 \u0161k\u00e1ly od pianissim a\u017e po odpov\u00eddaj\u00edc\u00ed forte, vystihl tak dramatick\u00e9 kontrasty d\u00edla. Vyv\u00e1\u017een\u00e9 byly zvukov\u011b v\u0161echny slo\u017eky \u2013 orchestr, sbory a s\u00f3list\u00e9. P\u016fsobiv\u00fd byl u\u017e samotn\u00fd za\u010d\u00e1tek v jemn\u00e9m pianissimu violoncell a sbor\u016f, vyniklo sugestivn\u00ed Dies irae<\/em>, efektn\u00ed byla vyrovnan\u00e1 trubkov\u00e1 s\u00f3la; kr\u00e1sn\u011b vyzn\u011blo z\u00e1v\u011bre\u010dn\u00e9 Libera me<\/em>. S\u00f3list\u00e9 provedli sv\u00e9 party proc\u00edt\u011bn\u011b s intona\u010dn\u00ed jistotou. Verdiho Requiem<\/em> bylo ve v\u00fdsledku p\u0159i obou proveden\u00edch silnou, p\u016fsobivou produkc\u00ed. P\u0159inesla toti\u017e skute\u010dnou hudbu, ne jen odehran\u00e9 noty.<\/p>\n\n\n\n

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Prostorn\u00e9 Atrium Rajsk\u00e9 budovy m\u00e1 v\u00fdborn\u00e9 dispozice a pro koncerty ide\u00e1ln\u00ed akustiku a bylo skv\u011bl\u00e9, \u017ee Verdiho d\u00edlo mohlo zazn\u00edt pr\u00e1v\u011b tam. \u010cesk\u00e9 muzeum hudby m\u00e1 komorn\u011bj\u0161\u00ed r\u00e1z a samoz\u0159ejm\u011b odli\u0161n\u00fd charakter, kter\u00fd p\u0159in\u00e1\u0161\u00ed specifick\u00fd prvek intimity. Po\u010detn\u00e9 publikum, kter\u00e9 se p\u0159edev\u0161\u00edm do \u010cesk\u00e9ho muzea hudby ve\u0161lo jen st\u011b\u017e\u00ed,  ocenilo v\u0161echny \u00fa\u010dinkuj\u00edc\u00ed dlouh\u00fdm srde\u010dn\u00fdm aplausem.<\/p>\n\n\n\n

Milovn\u00edci klasick\u00e9 hudby se mohou t\u011b\u0161it na podzim leto\u0161n\u00edho roku, kdy nov\u00fd semestr p\u0159inese nejen znovu Verdiho Requiem <\/em>v pod\u00e1n\u00ed univerzitn\u00edho orchestru v Betl\u00e9msk\u00e9 kapli, ale i zcela nov\u00fd reperto\u00e1r obou orchestr\u016f i Sboru Univerzity Karlovy.<\/p>\n\n\n\n

GABRIELA \u0160PALKOV\u00c1<\/strong><\/p>\n\n\n\n

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S velk\u00fdm z\u00e1jmem a ohlasem publika se setkala kv\u011btnov\u00e1 produkce univerzitn\u00edch orchestr\u016f pod veden\u00edm dirigenta Haiga Utidjiana, kter\u00fd s nimi tentokr\u00e1t nastudoval Requiem Giuseppe Verdiho. Po patn\u00e1cti letech op\u011bt vystoupil 14. 5. v Atriu Rajsk\u00e9 budovy Vysok\u00e9 \u0161koly ekonomick\u00e9 v Praze Symfonick\u00fd orchestr V\u0160E. Do nastudov\u00e1n\u00ed Verdiho Requiem zapojil Haig Utidjian spole\u010dn\u011b se sv\u00fdm  Sborem Univerzity Karlovy v Praze…<\/p>\n","protected":false},"author":1,"featured_media":78204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[153,401,392,383,998],"tags":[1107,498],"class_list":["post-78190","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-czech-republic-cs","category-ceske-armenske-zpravy","category-hudba","category-kultura","category-novinky","tag-haig-utidjian","tag-hudba","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/78190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=78190"}],"version-history":[{"count":3,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/78190\/revisions"}],"predecessor-version":[{"id":78218,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/78190\/revisions\/78218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/78204"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=78190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=78190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=78190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}