{"id":70805,"date":"2025-01-02T21:03:47","date_gmt":"2025-01-02T18:03:47","guid":{"rendered":"https:\/\/orer.eu\/?p=70805"},"modified":"2025-01-02T21:30:00","modified_gmt":"2025-01-02T18:30:00","slug":"festival-vecna-nadeje-2025-zavede-divaky-na-nevsedni-koncertni-mista","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2025\/01\/02\/festival-vecna-nadeje-2025-zavede-divaky-na-nevsedni-koncertni-mista\/","title":{"rendered":"Festival V\u011b\u010dn\u00e1 nad\u011bje 2025 zavede div\u00e1ky na nev\u0161edn\u00ed koncertn\u00ed m\u00edsta"},"content":{"rendered":"\n

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Osm\u00fd ro\u010dn\u00edk hudebn\u00edho Festivalu V\u011b\u010dn\u00e1 nad\u011bje se uskute\u010dn\u00ed od 2. \u00fanora do 20. b\u0159ezna 2025 na sedmi r\u016fzn\u00fdch m\u00edstech Prahy a p\u0159edstav\u00ed nejenom hudbu terez\u00ednsk\u00fdch skladatel\u016f, ale tak\u00e9 d\u00edla, kter\u00e1 reaguj\u00ed na p\u0159\u00edko\u0159\u00ed a nespravedlnost nebo je vytvo\u0159ili um\u011blci na \u00fat\u011bku p\u0159ed bezpr\u00e1v\u00edm \u010di pron\u00e1sledov\u00e1n\u00edm. Skladby za\u0159azen\u00e9 do festivalov\u00e9ho programu v\u0161ak z hudebn\u00ed podstaty nep\u0159in\u00e1\u0161ej\u00ed pouze z\u00e1va\u017en\u00e9 ot\u00e1zky, ale tak\u00e9 nab\u00edzej\u00ed p\u0159ekvapiv\u00e1 v\u00fdchodiska, nespoutanou radost i nepopsatelnou nad\u011bji. \u201eNadch\u00e1zej\u00edc\u00ed osm\u00fd ro\u010dn\u00edk reflektuje v\u00fdro\u010d\u00ed v\u00e1le\u010dn\u00fdch ud\u00e1lost\u00ed roku 1945. Krom\u011b hudebn\u00edch koncert\u016f poprv\u00e9 p\u0159in\u00e1\u0161\u00edme tak\u00e9 divadeln\u00ed p\u0159edstaven\u00ed,\u201c<\/em> upozor\u0148uje \u010dlenka spr\u00e1vn\u00ed rady Nada\u010dn\u00edho fondu Hudba pro V\u011b\u010dnou nad\u011bji Martina Jankovsk\u00e1<\/strong>.<\/p>\n\n\n\n

Program poprv\u00e9 vytvo\u0159ila nov\u00e1 dramaturgyn\u011b festivalu, violoncellistka a \u010dlenka Trio Boh\u00e9mo Kristina Vocetkov\u00e1<\/strong>. \u201eOsm\u00fd ro\u010dn\u00edk festivalu V\u011b\u010dn\u00e1 nad\u011bje p\u0159inese vyv\u00e1\u017een\u00fd balanc mezi skladbami zn\u00e1m\u011bj\u0161\u00edmi i t\u011bmi, kter\u00e9 v Praze sly\u0161\u00edme m\u00e1lokdy. Jsem r\u00e1da, \u017ee pozv\u00e1n\u00ed na festival p\u0159ijali v\u0161ichni osloven\u00ed um\u011blci, a d\u00edky tomu se m\u016f\u017eeme t\u011b\u0161it na mimo\u0159\u00e1dn\u00e9 koncertn\u00ed z\u00e1\u017eitky od \u010desk\u00fdch i zahrani\u010dn\u00edch muzikant\u016f v\u0161ech generac\u00ed. P\u0159\u00e1la bych si, aby n\u00e1m hudba v p\u0159\u00ed\u0161t\u00edm roce dodala s\u00edlu a pozn\u00e1n\u00ed, \u017ee nic nen\u00ed nemo\u017en\u00e9, pokud m\u00e1me nad\u011bji,\u201c<\/em> \u0159\u00edk\u00e1 dramaturgyn\u011b Festivalu V\u011b\u010dn\u00e1 nad\u011bje Kristina Vocetkov\u00e1.<\/p>\n\n\n\n

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Kristina_Vocetkova_FOTO-Andrej Grilcscaled<\/figcaption><\/figure>\n\n\n\n

Festival zah\u00e1j\u00ed 2. \u00fanora 2025 koncert se t\u0159emi symfonick\u00fdmi d\u00edly na neobvykl\u00e9m m\u00edst\u011b Prahy\u00a05, v neogotick\u00e9m kostele v are\u00e1lu n\u011bkdej\u0161\u00edho kl\u00e1\u0161tera \u017eensk\u00e9 kongregace Nejsv\u011bt\u011bj\u0161\u00edho Srdce P\u00e1n\u011b, pam\u00e1tkov\u011b chr\u00e1n\u011bn\u00e9m komplexu Sacr\u00e9 Coeur. Ans\u00e1mbly Pra\u017e\u0161t\u00ed komorn\u00ed s\u00f3list\u00e9<\/strong> a\u00a0Pra\u017e\u0161t\u00ed vok\u00e1ln\u00ed s\u00f3list\u00e9<\/strong> povede Radek Babor\u00e1k<\/strong>, dirigent, um\u011bleck\u00fd \u0159editel n\u011bkolika soubor\u016f, jeho\u017e um\u011bleck\u00e1 presti\u017e je stvrzena deseti sezonami na pozici s\u00f3lov\u00e9ho hornisty Berl\u00ednsk\u00fdch filharmonik\u016f. Spole\u010dn\u011b p\u0159edstav\u00ed dv\u011b m\u00e1lo zn\u00e1m\u00e1 d\u00edla, a to spole\u010dn\u011b s Honeggerovou Symfoni\u00ed \u010d. 2 pro smy\u010dcov\u00fd orchestr a trubku<\/em>. V z\u00e1v\u011bru t\u0159et\u00ed v\u011bty t\u00e9to symfonie zazn\u00ed s\u00f3lov\u00e1 trubka s\u00a0\u00fap\u011bnlivou prosbou o m\u00edr. Honegger napsal d\u00edlo na objedn\u00e1vku multimilion\u00e1\u0159e, mecen\u00e1\u0161e a\u00a0dirigenta Paula Sachera a sv\u00e9 premi\u00e9ry se do\u010dkalo uprost\u0159ed 2. sv\u011btov\u00e9 v\u00e1lky v \u017denev\u011b. M\u00e9n\u011b zn\u00e1m\u00fdmi d\u00edly zahajovac\u00edho koncertu jsou \u0158eck\u00fd pam\u00e1tn\u00edk Lidic\u00edm pro smy\u010dcov\u00fd orchestr a<\/em>\u00a0klarinet<\/em> Mariose Christoua<\/strong>, skladatele a dirigenta kypersk\u00e9ho p\u016fvodu, kter\u00fd \u017eije a tvo\u0159\u00ed v\u00a0Praze. S\u00f3lov\u00fd part sv\u011b\u0159ila festivalov\u00e1 dramaturgie p\u0159edn\u00edmu \u010desk\u00e9mu klarinetistovi Karlu Dohnalovi<\/strong>. <\/p>\n\n\n\n

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Tigran Mansurian- Foto- ORER.eu<\/figcaption><\/figure>\n\n\n\n

Posledn\u00edm \u010d\u00edslem koncertu je Requiem<\/em> na latinsk\u00fd text od arm\u00e9nsk\u00e9ho skladatele narozen\u00e9ho v Libanonu Tigrana Mansuriana,<\/strong> kter\u00e9 je v\u011bnovan\u00e9 ob\u011btem arm\u00e9nsk\u00e9 genocidy z\u00a0let 1915 a\u017e 1918. S\u00f3lov\u00fdch vok\u00e1ln\u00edch part\u016f se ujmou sopranistka Tamara Morozov\u00e1<\/strong>, je\u017e p\u0159ed dv\u011bma lety debutovala v N\u00e1rodn\u00edm divadle v Schrekerov\u011b Vzd\u00e1len\u00e9m zvuku<\/em>, a barytonista Pavel K\u0161ica<\/strong>, student HAMU ve t\u0159\u00edd\u011b Martina B\u00e1rty. D\u00edlo nejv\u00fdznamn\u011bj\u0161\u00edho \u017eij\u00edc\u00edho arm\u00e9nsk\u00e9ho autora, jeho\u017e t\u00e9matem je lidsk\u00e1 k\u0159ehkost, ale tak\u00e9 nezlomn\u00e1 nad\u011bje, vzniklo v roce 2011 na objedn\u00e1vku Mnichovsk\u00e9ho komorn\u00edho orchestru, berl\u00ednsk\u00e9ho sboru RIAS a dirigenta Alexandra Liebreicha, kter\u00fd ho uvedl ve sv\u011btov\u00e9 premi\u00e9\u0159e a tak\u00e9 nahr\u00e1l pro presti\u017en\u00ed mnichovsk\u00fd label EMC. \u201e\u010cesk\u00e1 premi\u00e9ra Mansurianova Requiem v roce 2020 pr\u00e1v\u011b pod veden\u00edm Alexandra Liebreicha s Filharmoni\u00ed Brno byla pro m\u011b nezapomenuteln\u00fdm z\u00e1\u017eitkem, proto d\u00edlo p\u0159in\u00e1\u0161\u00edme nejen pra\u017esk\u00e9mu publiku,\u201c<\/em> \u0159\u00edk\u00e1 \u010dlenka spr\u00e1vn\u00ed rady Nada\u010dn\u00edho fondu Hudba pro v\u011b\u010dnou nad\u011bji Martina Jankovsk\u00e1 a dod\u00e1v\u00e1: \u201eChceme pr\u00e1v\u011b t\u00edmto programem p\u0159ipomenout 80. v\u00fdro\u010d\u00ed konce druh\u00e9 sv\u011btov\u00e9 v\u00e1lky a v\u011b\u0159it, \u017ee st\u00e1le m\u00e1me nad\u011bji na zastaven\u00ed n\u00e1sil\u00ed, nen\u00e1visti a diskriminace.\u201c<\/em><\/p>\n\n\n\n

Ve stejn\u00fd den dopoledne, v ned\u011bli 2. \u00fanora 2025 v 11.00, je\u0161t\u011b p\u0159ed samotn\u00fdm slavnostn\u00edm zah\u00e1jen\u00edm, d\u00e1 festival v M\u011bstsk\u00e9 knihovn\u011b na Mari\u00e1nsk\u00e9m n\u00e1m\u011bst\u00ed v Praze prostor rodinn\u00e9mu programu se sc\u00e9nick\u00fdm proveden\u00edm Brou\u010dk\u016f<\/em> skladatele V\u00e1clava Trojana z roku 1943 na motivy zn\u00e1m\u00fdch poh\u00e1dek spisovatele Jana Karafi\u00e1ta. K\u00fchn\u016fv d\u011btsk\u00fd sbor<\/strong> zde rovn\u011b\u017e nab\u00eddne v\u00fdb\u011br lidov\u00fdch p\u00edsn\u00ed v \u00faprav\u011b Otakara Jeremi\u00e1\u0161e pro d\u011btsk\u00fd sbor. Pr\u00e1v\u011b Karafi\u00e1tovo d\u00edlo ve verzi hudebn\u00edho divadla se v terez\u00ednsk\u00e9m ghettu t\u011b\u0161ilo velk\u00e9 oblib\u011b d\u011btsk\u00fdch div\u00e1k\u016f.<\/p>\n\n\n\n

Festival bude pokra\u010dovat v \u00fater\u00fd 4. \u00fanora 2025 vystoupen\u00edm jednoho z nejv\u00fdrazn\u011bj\u0161\u00edch \u010desk\u00fdch komorn\u00edch ans\u00e1mbl\u016f Belfiato Quintet<\/strong> v pra\u017esk\u00e9 \u0160pan\u011blsk\u00e9 synagoze. Vedle hrav\u00fdch a elegantn\u00edch T\u0159\u00ed kr\u00e1tk\u00fdch kus\u016f<\/em> Jacquese Iberta a nostalgick\u00e9ho Milhaudova Krbu kr\u00e1le Ren\u00e9<\/em> zazn\u00ed i energick\u00e1 Kleine Kammermusik<\/em> Paula Hindemitha, autora \u201ezvrhl\u00e9 hudby\u201c, kter\u00fd musel kv\u016fli sv\u00e9 tvorb\u011b a \u017eidovsk\u00e9mu p\u016fvodu sv\u00e9 \u017eeny uprchnout p\u0159ed nacisty do Spojen\u00fdch st\u00e1t\u016f. Pr\u00e1v\u011b posledn\u00ed \u010d\u00e1st tohoto d\u00edla si festival vybral pro leto\u0161n\u00ed zn\u011blku. \u0160\u00edpkov\u00e1 R\u016f\u017eenka, Kr\u00e1ska a zv\u00ed\u0159e nebo Kouzeln\u00e1 zahrada o\u017eij\u00ed d\u00edky poh\u00e1dkov\u00e9mu charakteru Ravelova cyklu M\u00e1 matka husa<\/em> prostoupen\u00e9ho l\u00edbeznost\u00ed, fantazi\u00ed a kouzelnou atmosf\u00e9rou. Na koncert\u011b zazn\u00ed tak\u00e9 v\u00edt\u011bzn\u00e1 skladba sout\u011b\u017ee Nada\u010dn\u00edho fondu Hudba pro V\u011b\u010dnou nad\u011bji, kter\u00e1 m\u00e1 uz\u00e1v\u011brku na konci listopadu. V\u00edt\u011bze vybere odborn\u00e1 porota, kterou krom\u011b \u010dlen\u016f Belfiata Quintet tvo\u0159\u00ed hudebn\u00ed skladatel a kytarista Luk\u00e1\u0161 Sommer<\/strong>, hudebn\u00ed skladatel a klarinetista Ale\u0161 Pavlorek<\/strong>, \u010dlenka spr\u00e1vn\u00ed rady Nada\u010dn\u00edho fondu Hudba pro V\u011b\u010dnou nad\u011bji Martina Jankovsk\u00e1, dramaturgyn\u011b festivalu V\u011b\u010dn\u00e1 nad\u011bje Kristina Vocetkov\u00e1 a izraelsk\u00fd hudebn\u00ed skladatel a muzikolog Yuval Shaked<\/strong>.<\/p>\n\n\n\n

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Marek_Kozak_FOTO-Tom\u00e1\u03c4 Krist<\/figcaption><\/figure>\n\n\n\n

Dal\u0161\u00edm neobvykl\u00fdm d\u011bji\u0161t\u011bm hudebn\u00edho Festivalu V\u011b\u010dn\u00e1 nad\u011bje bude sp\u0159\u00e1telen\u00e1 Beseder Gallery na pra\u017esk\u00e9 Balabence, kde se ve \u010dtvrtek 6. b\u0159ezna 2025 potkaj\u00ed dva nep\u0159ehl\u00e9dnuteln\u00ed instrumentalist\u00e9 nejmlad\u0161\u00ed generace, violoncellista Vil\u00e9m Vl\u010dek<\/strong> a klav\u00edrista Marek Koz\u00e1k<\/strong>. Po Beethovenov\u011b Violoncellov\u00e9 son\u00e1t\u011b \u010d. 5 D dur<\/em> p\u0159edstav\u00ed nep\u0159\u00edli\u0161 zn\u00e1mou tvorbu francouzsk\u00e9 skladatelky Nadii Boulanger. U pedago\u017eky Pa\u0159\u00ed\u017esk\u00e9 konzervato\u0159e sice studovali Aaron Copland nebo Philip Glass, nicm\u00e9n\u011b jej\u00ed vlastn\u00ed hudba si musela cestu na koncertn\u00ed p\u00f3dia a opern\u00ed jevi\u0161t\u011b slo\u017eit\u011b hledat. Srovnateln\u00e9 o\u010dek\u00e1v\u00e1n\u00ed vzbuzuje tak\u00e9 kompozice Krzysztofa Pendereck\u00e9ho Divertimento pro s\u00f3lo cello<\/em>, kterou v roce 1994 premi\u00e9roval v Kol\u00edn\u011b nad R\u00fdnem rusk\u00fd cellista Boris Pergamen\u0161\u010dikov. Leningradsk\u00fd rod\u00e1k zv\u00edt\u011bzil v roce 1974 v \u010cajkovsk\u00e9ho sout\u011b\u017ei v Moskv\u011b a t\u0159i roky nato emigroval na Z\u00e1pad. Koncert v galerii, kter\u00e1 je d\u00edky p\u0159ilehl\u00e9 restauraci u\u017e \u0159adu let \u017eivou spole\u010denskou k\u0159i\u017eovatkou, zakon\u010d\u00ed Son\u00e1ta pro violoncello a klav\u00edr \u010d. 3<\/em> Bohuslava Martin\u016f, je\u017e vznikala ve Francii i v USA a poprv\u00e9 zazn\u011bla v roce 1953 ve Washingtonu. Skladatel, s\u00e1m uprchl\u00edk p\u0159ed nacismem, ji v\u011bnoval violoncellistovi, dirigentovi a zakladateli National Symphony Orchestra v hlavn\u00edm m\u011bst\u011b USA, Hansu Kindlerovi. Rod\u00e1ka z holandsk\u00e9ho Rotterdamu p\u0159inutila k pobytu v USA v roce 1914 1. sv\u011btov\u00e1 v\u00e1lka. D\u011bji\u0161t\u011b koncertu, Galerie Beseder (hebrejsky: OK), prezentuje p\u0159edev\u0161\u00edm sou\u010dasn\u00e9 um\u011bn\u00ed v\u00fdtvarn\u00edk\u016f s ko\u0159eny v post-imperi\u00e1ln\u00edch zem\u00edch.<\/p>\n\n\n\n

Jazzovou podobu festivalu tentokr\u00e1t vtiskne \u017eij\u00edc\u00ed legenda \u010desk\u00e9ho jazzu Emil Viklick\u00fd<\/strong>. V Jazz Docku na Jan\u00e1\u010dkov\u011b n\u00e1b\u0159e\u017e\u00ed na sm\u00edchovsk\u00e9m b\u0159ehu Vltavy se p\u0159edstav\u00ed 8. b\u0159ezna 2025 se sv\u00fdm triem (klav\u00edr, kontrabas, bic\u00ed).<\/p>\n\n\n\n

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Emil Viklick Trio<\/figcaption><\/figure>\n\n\n\n

Festival V\u011b\u010dn\u00e1 nad\u011bje nab\u00eddne ve sv\u00e9m osm\u00e9m ro\u010dn\u00edku tak\u00e9 divadeln\u00ed p\u0159edstaven\u00ed Gido \u2013 portr\u00e9t skladatele<\/em> podle n\u00e1m\u011btu a sc\u00e9n\u00e1\u0159e p\u0159edn\u00edho odborn\u00edka na hudbu Gideona Kleina, pedagoga z Royal Northern College of Music v Manchesteru ve Velk\u00e9 Brit\u00e1nii, Davida Fligga. Klav\u00edrista a skladatel Gideon Klein pat\u0159il mezi j\u00e1dro terez\u00ednsk\u00fdch um\u011blc\u016f, kte\u0159\u00ed byli zavra\u017ed\u011bni v koncentra\u010dn\u00edch t\u00e1borech. V p\u00e1tek 14. b\u0159ezna 2025 v pra\u017esk\u00e9 Venu\u0161i ve \u0160vehlovce se v re\u017eii Moniky Hlin\u011bnsk\u00e9<\/strong> p\u0159edstav\u00ed herci Michael Goldschmid<\/strong> a Lenka<\/strong> a Eli\u0161ka Zbrankovy<\/strong> spole\u010dn\u011b se smy\u010dcov\u00fdm kvartetem fama Q<\/strong>, kter\u00e9 se specializuje na hudbu autor\u016f 20. a 21. stolet\u00ed, jejich\u017e d\u00edla \u010dasto uv\u00e1d\u00ed ve sv\u011btov\u00e9 premi\u00e9\u0159e. Tentokr\u00e1t budou tvo\u0159it reperto\u00e1r skladby Wolfganga Amadea Mozarta, Leo\u0161e Jan\u00e1\u010dka, Paula Hindemitha a samoz\u0159ejm\u011b Gideona Kleina. Divadeln\u00ed hra m\u011bla premi\u00e9ru v roce 2016 v Madisonu ve Wisconsinu v USA, posl\u00e9ze byla uvedena ve Velk\u00e9 Brit\u00e1nii a v roce 2019 tak\u00e9 v \u010cesk\u00e9 republice.<\/p>\n\n\n\n

Vrcholem Festivalu V\u011b\u010dn\u00e1 nad\u011bje bude 20. b\u0159ezna 2025 koncert Wiener Klavierquartett<\/strong> na Novom\u011bstsk\u00e9 radnici. Ans\u00e1mbl, kter\u00fd za\u010dal p\u016fsobit na evropsk\u00e9 sc\u00e9n\u011b p\u0159ed dvan\u00e1cti lety je\u0161t\u011b jako Stratos Quartett, z\u00edskal \u0159adu presti\u017en\u00edch cen a pozv\u00e1n\u00ed mj. do v\u00edde\u0148sk\u00e9ho Musikvereinu, lond\u00fdnsk\u00e9 Wigmore Hall, ale tak\u00e9 mimo evropsk\u00fd kontinent. Na violoncello hraje v kvartetu \u010desk\u00fd hudebn\u00edk, absolvent HAMU a Universit\u00e4t f\u00fcr Musik und darstellende Kunst ve V\u00eddni, \u010dlen jednoho z orchestr\u016f V\u00edde\u0148sk\u00e9 st\u00e1tn\u00ed opery, Jan Ryska. Koncert s Brahmsov\u00fdm Klav\u00edrn\u00edm kvartetem \u010d. 3 c moll<\/em> a Dvo\u0159\u00e1kov\u00fdm Klav\u00edrn\u00edm kvartetem \u010d. 2 Es dur<\/em> je replikou programu, kter\u00fd Gideon Klein prov\u00e1d\u011bl se sv\u00fdmi spoluv\u011bzni v terez\u00ednsk\u00e9m ghettu.<\/p>\n\n\n\n

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Od 1. do 14. listopadu maj\u00ed festivalov\u00ed poslucha\u010di mo\u017enost zakoupit vstupenky na 8. ro\u010dn\u00edk s 20% zv\u00fdhodn\u011bn\u00edm na jak\u00fdkoliv koncert. Pro nejv\u011brn\u011bj\u0161\u00ed z\u00e1jemce jsou p\u0159ipraven\u00e9 permanentky oprav\u0148uj\u00edc\u00ed ke vstupu na v\u0161ech sedm festivalov\u00fdch akc\u00ed.<\/p>\n\n\n\n

Partne\u0159i: ALEF NULA, \u010cEPS, PRE, Ministerstvo kultury \u010cR, Hlavn\u00ed m\u011bsto Praha, St\u00e1tn\u00ed fond kultury, Cyrrus, RSBC Advisory, Storage One; Medi\u00e1ln\u00ed partne\u0159i: Respekt, Harmonie, Klasika Plus, Operaplus.cz, R\u00e1dio Classic, \u010cesk\u00fd rozhlas D-dur.<\/p>\n\n\n\n

Odkaz na web: https:\/\/vecnanadeje.org\/koncert\/zahajovaci-koncert\/<\/a><\/p>\n\n\n\n

Odkaz na Ud\u00e1lost na FB: https:\/\/fb.me\/e\/FZ58HYt0T<\/a><\/p>\n\n\n\n

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Osm\u00fd ro\u010dn\u00edk hudebn\u00edho Festivalu V\u011b\u010dn\u00e1 nad\u011bje se uskute\u010dn\u00ed od 2. \u00fanora do 20. b\u0159ezna 2025 na sedmi r\u016fzn\u00fdch m\u00edstech Prahy a p\u0159edstav\u00ed nejenom hudbu terez\u00ednsk\u00fdch skladatel\u016f, ale tak\u00e9 d\u00edla, kter\u00e1 reaguj\u00ed na p\u0159\u00edko\u0159\u00ed a nespravedlnost nebo je vytvo\u0159ili um\u011blci na \u00fat\u011bku p\u0159ed bezpr\u00e1v\u00edm \u010di pron\u00e1sledov\u00e1n\u00edm. Skladby za\u0159azen\u00e9 do festivalov\u00e9ho programu v\u0161ak z hudebn\u00ed podstaty nep\u0159in\u00e1\u0161ej\u00ed…<\/p>\n","protected":false},"author":1,"featured_media":70819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[153,133,392,168,998],"tags":[],"class_list":["post-70805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-czech-republic-cs","category-czech-armenian-news-cs","category-hudba","category-concerts-cs","category-novinky"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/70805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=70805"}],"version-history":[{"count":5,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/70805\/revisions"}],"predecessor-version":[{"id":70832,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/70805\/revisions\/70832"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/70819"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=70805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=70805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=70805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}