{"id":4962,"date":"2020-06-05T01:38:00","date_gmt":"2020-06-04T22:38:00","guid":{"rendered":"https:\/\/orer.eu\/orer_rebrended\/?p=4962"},"modified":"2022-02-15T01:41:21","modified_gmt":"2022-02-14T22:41:21","slug":"ohlednuti-za-neobvyklym-rocnikem-prazskeho-jara","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2020\/06\/05\/ohlednuti-za-neobvyklym-rocnikem-prazskeho-jara\/","title":{"rendered":"Ohl\u00e9dnut\u00ed za neobvykl\u00fdm ro\u010dn\u00edkem Pra\u017esk\u00e9ho jara"},"content":{"rendered":"\n<p>Pra\u017esk\u00e9 jaro m\u00e1 za sebou v\u00fdjime\u010dn\u00fd ro\u010dn\u00edk \u2013 v&nbsp;alternativn\u00edm programu p\u0159ineslo jeden\u00e1ct koncert\u016f, jejich\u017e p\u0159\u00edm\u00e9 p\u0159enosy mohli div\u00e1ci bezplatn\u011b sledovat prost\u0159ednictv\u00edm webov\u00fdch str\u00e1nek a soci\u00e1ln\u00edch s\u00edt\u00ed festivalu. Vybran\u00e9 koncerty zprost\u0159edkoval \u010cesk\u00fd rozhlas a \u010cesk\u00e1 televize. V sou\u010dtu tyto p\u0159enosy dos\u00e1hly&nbsp;<strong>1,2 milionu zhl\u00e9dnut\u00ed<\/strong>&nbsp;v&nbsp;\u010cesk\u00e9 republice a&nbsp;<strong>53 zem\u00edch sv\u011bta<\/strong>.&nbsp;<em>\u201eZa norm\u00e1ln\u00edch okolnost\u00ed program Pra\u017esk\u00e9ho jara p\u0159ipravujeme s&nbsp;n\u011bkolikalet\u00fdm p\u0159edstihem, alternativn\u00ed program vznikal v&nbsp;\u0159\u00e1du t\u00fddn\u016f. V&nbsp;kr\u00e1tk\u00e9m \u010dase jsme si museli osvojit mnoho nov\u00fdch dovednost\u00ed \u2013&nbsp;na\u0161\u00edm \u00fakolem bylo koncerty vymyslet, organiza\u010dn\u011b zajistit, ale nov\u011b tak\u00e9 zprost\u0159edkovat div\u00e1k\u016fm, kte\u0159\u00ed se z&nbsp;koncertn\u00edch s\u00e1l\u016f p\u0159esunuli k&nbsp;obrazovk\u00e1m a displej\u016fm,\u201c&nbsp;<\/em>popisuje \u0159editel Pra\u017esk\u00e9ho jara&nbsp;<strong>Roman B\u011blor<\/strong>.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\"><strong><\/strong><\/h1>\n\n\n\n<p><em>\u201eCen\u00edm si, v&nbsp;jak\u00e9 podob\u011b za dan\u00fdch okolnost\u00ed prob\u011bhl leto\u0161n\u00ed festival. Cen\u00edm si toho nejen j\u00e1, ale cen\u00ed si toho cel\u00fd sv\u011bt,\u201c&nbsp;<\/em>dod\u00e1v\u00e1 dirigent&nbsp;<strong>Jakub Hr\u016f\u0161a<\/strong>, \u010dlen um\u011bleck\u00e9 rady festivalu.<em>&nbsp;\u201eDost\u00e1v\u00e1m spoustu zpr\u00e1v o tom, jak je \u00fa\u017easn\u00e9, \u017ee festival funguje, \u017ee se hraje, a p\u0159edev\u0161\u00edm \u2013 \u017ee nejsou \u010din\u011bny kompromisy v dramaturgii. N\u011bkter\u00e9 v\u011bci se musely zm\u011bnit, ale v\u017edy byla zachov\u00e1na kvalita programu a v&nbsp;n\u011bkter\u00fdch p\u0159\u00edpadech zm\u011bna p\u0159inesla nov\u00e9 impulzy,\u201c&nbsp;<\/em>zd\u016fraz\u0148uje Hr\u016f\u0161a.<\/p>\n\n\n\n<p><em>\u201eB\u011bhem p\u0159\u00edprav nov\u00e9 dramaturgie jsem c\u00edtil velkou synergii cel\u00e9 dom\u00e1c\u00ed hudebn\u00ed sc\u00e9ny, kter\u00e1 se pevn\u011b semkla. Um\u011blci i managementy orchestr\u016f, s nimi\u017e jsem o programech jednal, m\u011bli obrovskou chu\u0165 n\u011bco vytvo\u0159it. I d\u00edky na\u0161emu spole\u010dn\u00e9mu \u00fasil\u00ed se poda\u0159ilo festival p\u0159ipravit,\u201c<\/em>&nbsp;dopl\u0148uje&nbsp;<strong>Josef T\u0159e\u0161t\u00edk<\/strong>, dramaturg Pra\u017esk\u00e9ho jara.&nbsp;<em>\u201ePandemie koronaviru \u0159ad\u011b um\u011blc\u016f paradoxn\u011b rozv\u00e1zala ruce a umo\u017enila v\u011bnovat se do hloubky nov\u00fdm dramaturgick\u00fdm podn\u011bt\u016fm, na co\u017e by ve standardn\u00edm provozu nem\u011bli pot\u0159ebn\u00fd \u010das a prostor.\u201c<\/em><\/p>\n\n\n\n<p>Ke koncert\u016fm Pra\u017esk\u00e9ho jara se d\u00edky t\u011bmto stream\u016fm dostalo zcela nov\u00e9 publikum \u2013&nbsp;a \u010d\u00edsla o zhl\u00e9dnut\u00ed to jasn\u011b dokazuj\u00ed.&nbsp;<em>\u201eCo n\u00e1s mile p\u0159ekvapilo, obdr\u017eeli jsme&nbsp;mnoho&nbsp;zpr\u00e1v od na\u0161ich pravideln\u00fdch n\u00e1v\u0161t\u011bvn\u00edk\u016f, kte\u0159\u00ed si&nbsp;po l\u00e9ta kupuj\u00ed&nbsp;vstupenky jen na ur\u010ditou v\u00fdse\u010d festivalu, kup\u0159\u00edkladu jen na klav\u00edrn\u00ed recit\u00e1ly. D\u00edky bezplatn\u00fdm stream\u016fm&nbsp;si&nbsp;mohli&nbsp;poslechnout dal\u0161\u00ed koncerty z&nbsp;pestr\u00e9 festivalov\u00e9 nab\u00eddky a v&nbsp;dobr\u00e9m slova smyslu pak&nbsp;byli p\u0159ekvapeni, co v\u0161e Pra\u017esk\u00e9 jaro obs\u00e1hne,\u201c<\/em>&nbsp;uv\u00e1d\u00ed tiskov\u00fd mluv\u010d\u00ed festivalu&nbsp;<strong>Pavel Trojan Jr.<\/strong>&nbsp;&nbsp;<\/p>\n\n\n\n<p>Na tomto m\u00edst\u011b pat\u0159\u00ed d\u00edk na\u0161im spolupracovn\u00edk\u016fm \u2013 filmov\u00e9mu t\u00fdmu re\u017eis\u00e9ra&nbsp;<strong>Petra V\u00e1clava<\/strong>, jen\u017e zajistil \u0161est z&nbsp;jeden\u00e1cti p\u0159\u00edm\u00fdch p\u0159enos\u016f,&nbsp;<strong>\u010cesk\u00e9 televizi<\/strong>&nbsp;a re\u017eis\u00e9rovi&nbsp;<strong>Adamu Rezkovi<\/strong>, v&nbsp;jeho\u017e rukou byly t\u0159i koncerty, p\u0159\u00edm\u00fd p\u0159enos z&nbsp;Brna byl realizov\u00e1n pod veden\u00edm re\u017eis\u00e9ra&nbsp;<strong>Jakuba Ko\u0159\u00ednka<\/strong>&nbsp;a mozartovsk\u00e9 gala \u010cesk\u00e9 filharmonie vedl n\u011bmeck\u00fd re\u017eis\u00e9r&nbsp;<strong>Michael Beyer<\/strong>.&nbsp;<strong>\u010cesk\u00fd rozhlas Vltava<\/strong>&nbsp;do programu za\u0159adil sedm p\u0159\u00edm\u00fdch p\u0159enos\u016f a dva koncerty bude vys\u00edlat ze z\u00e1znamu. Poledn\u00ed koncerty \u010cesk\u00e9ho rozhlasu Vltava v dob\u011b kon\u00e1n\u00ed festivalu pak p\u0159inesly des\u00edtky archivn\u00edch rozhlasov\u00fdch sn\u00edmk\u016f z cel\u00e9 historie Pra\u017esk\u00e9ho jara.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Nov\u00e9 mo\u017enosti audiovize<\/h2>\n\n\n\n<p>Nov\u00fd form\u00e1t online koncert\u016f div\u00e1k\u016fm umo\u017enil&nbsp;<strong>nahl\u00e9dnout do z\u00e1kulis\u00ed<\/strong>&nbsp;a zprost\u0159edkovat rozhovory se zaj\u00edmav\u00fdmi hosty. Kl\u00ed\u010dovou roli v&nbsp;tom sehr\u00e1l&nbsp;<strong>Ond\u0159ej Havelka<\/strong>, jen\u017e se stal pr\u016fvodcem v\u0161ech leto\u0161n\u00edch koncert\u016f.&nbsp;<em>\u201eByla to pro m\u011b velk\u00e1 \u010dest a radost b\u00fdt sou\u010d\u00e1st\u00ed festivalov\u00e9ho d\u011bn\u00ed, sly\u0161et tolik kr\u00e1sn\u00e9 hudby. Vlastn\u011b jsem si u\u017e\u00edval hlavn\u011b jako poslucha\u010d, rozhovory byly pro m\u011b sp\u00ed\u0161 velk\u00e9 dobrodru\u017estv\u00ed,\u201c<\/em>&nbsp;\u0159\u00edk\u00e1 Havelka.&nbsp;<em>\u201ePra\u017esk\u00e9mu jaru samoz\u0159ejm\u011b p\u0159eji, aby se p\u0159\u00ed\u0161t\u00ed rok op\u011bt uskute\u010dnilo tak, jak jsme zvykl\u00ed, tedy na jevi\u0161t\u00edch koncertn\u00edch s\u00edn\u00ed v&nbsp;pln\u00e9m obsazen\u00ed orchestr\u016f a p\u0159ed vyprodan\u00fdmi hledi\u0161ti.\u201c<\/em><\/p>\n\n\n\n<p>Skute\u010dnost, \u017ee obecenstvo nemohlo b\u00fdt p\u0159\u00edtomno v&nbsp;koncertn\u00edch s\u00edn\u00edch, ale soust\u0159edilo se<br>u televizn\u00edch obrazovek, umo\u017enilo filma\u0159\u016fm p\u0159istoupit k&nbsp;jedine\u010dn\u00fdm \u0159e\u0161en\u00edm. A\u0165 u\u017e se jednalo o zp\u016fsob nasv\u00edcen\u00ed \u010di rozestav\u011bn\u00ed kolejnic pro kamery v&nbsp;bezprost\u0159edn\u00ed bl\u00edzkosti um\u011blc\u016f.&nbsp;<em>\u201eNab\u00eddky ujmout se \u0161esti koncert\u016f si velmi v\u00e1\u017e\u00edm.&nbsp;Pestr\u00fd program n\u00e1m poskytl celou \u0161k\u00e1lu p\u0159\u00edle\u017eitost\u00ed,\u201c&nbsp;<\/em>popisuje re\u017eis\u00e9r&nbsp;<strong>Petr V\u00e1clav<\/strong>.&nbsp;<em>\u201eSn\u00edmali jsme od d\u011bt\u00ed ze z\u00e1kladn\u00edch hudebn\u00edch \u0161kol, ke kter\u00fdm jsme p\u0159istoupili s ur\u010ditou dokument\u00e1rn\u00ed oby\u010dejnost\u00ed, a\u017e po Pra\u017esk\u00e9 symfoniky FOK ve Smetanov\u011b s\u00edni, kde jsme se pokusili postihnout interpretaci hudby Suka a Sch\u00f6nberga za pomoci neust\u00e1le se pohybuj\u00edc\u00edch kamer.&nbsp;<\/em>Zimn\u00ed cesta<em>&nbsp;Adama Plachetky n\u00e1m naopak dala mo\u017enost zprost\u0159edkovat p\u0159ednes tohoto velk\u00e9ho p\u011bvce, jeho\u017e ch\u00e1p\u00e1n\u00ed textu a souzn\u011bn\u00ed s jeho v\u00fdznamem byly opravdu mimo\u0159\u00e1dn\u00fdm z\u00e1\u017eitkem. M\u011bl jsem velikou radost, \u017ee jsem mohl tento ojedin\u011bl\u00fd ve\u010der zaznamenat nejen pro leto\u0161n\u00ed festival, ale i pro budoucnost. Ke spolupr\u00e1ci jsem p\u0159izval p\u0159edev\u0161\u00edm kameramany, kte\u0159\u00ed se v\u011bnuj\u00ed filmu. Jak sv\u011btelnou atmosf\u00e9rou, tak z\u00e1b\u011brov\u00e1n\u00edm jsem cht\u011bl slou\u017eit hudb\u011b. Citliv\u011b, pozorn\u011b, se subjektivn\u00edm n\u00e1zorem, ale po\u0159\u00e1d tak, abych na sn\u00edm\u00e1n\u00ed a jeho estetiku nestrh\u00e1val pozornost, abych co nejl\u00e9pe poslou\u017eil interpret\u016fm a dirigent\u016fm. N\u00e1pad Pra\u017esk\u00e9ho jara hledat cestu, jak zachr\u00e1nit leto\u0161n\u00ed ro\u010dn\u00edk skrze audiovizi a internet, bude jist\u00fdm mezn\u00edkem v na\u0161em vn\u00edm\u00e1n\u00ed konzumace klasick\u00e9 hudby i ve hled\u00e1n\u00ed cest k tomu, jak smyslupln\u011b rozv\u00edjet spolupr\u00e1ci audiovize<br>s nenahraditelnou \u017eivou hudbou provozovanou v koncertn\u00edch s\u00e1lech. V\u011b\u0159\u00edm, \u017ee spr\u00e1vn\u00fdm rozv\u00edjen\u00edm a pou\u017e\u00edv\u00e1n\u00edm symbi\u00f3zy \u017eiv\u00e9 hudby, audiovize a internetu dokonce m\u016f\u017eeme zlid\u0161tit v\u00fdvoj na\u0161\u00ed civilizace, kter\u00e1 se ub\u00edr\u00e1 do dob post-humanismu,\u201c&nbsp;<\/em>uzav\u00edr\u00e1 re\u017eis\u00e9r V\u00e1clav<em>.<\/em>&nbsp;&nbsp; &nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/orer.eu\/images\/prazske_jaro_plakat.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Refundace vstupn\u00e9ho a pod\u011bkov\u00e1n\u00ed za dary<\/h2>\n\n\n\n<p>V\u0161em, kte\u0159\u00ed si&nbsp;vstupenky&nbsp;zakoupili na p\u016fvodn\u011b ohl\u00e1\u0161en\u00fd program, je vstupn\u00e9 refundov\u00e1no v\u202fpln\u00e9&nbsp;v\u00fd\u0161i.&nbsp;<em>\u201eNechali jsme&nbsp;na zv\u00e1\u017een\u00ed poslucha\u010d\u016f mo\u017enost darovat \u010d\u00e1st vr\u00e1cen\u00e9ho vstupn\u00e9ho Pra\u017esk\u00e9mu jaru \u2013 jako podporu alternativn\u00edho programu, kter\u00fd&nbsp;byl a je&nbsp;dostupn\u00fd zdarma, a&nbsp;na festivalov\u00e9 projekty budouc\u00ed,\u201c<\/em>&nbsp;up\u0159es\u0148uje \u0159editel festivalu Roman B\u011blor. K&nbsp;dne\u0161n\u00edmu dni byly refundov\u00e1ny vstupenky v&nbsp;hodnot\u011b 13 mil. K\u010d, vstupenky v&nbsp;hodnot\u011b 1,5 mil. K\u010d se poslucha\u010di rozhodli Pra\u017esk\u00e9mu jaru darovat.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Pod\u011bkov\u00e1n\u00ed partner\u016fm<\/h2>\n\n\n\n<p><em>\u201eD\u011bkujeme v\u0161em partner\u016fm, kte\u0159\u00ed n\u00e1m pomohli p\u0159est\u00e1t tuto slo\u017eitou dobu a umo\u017enili n\u00e1m realizovat Pra\u017esk\u00e9 jaro online,\u201c<\/em>&nbsp;uv\u00e1d\u00ed mana\u017eerka sponzoringu&nbsp;<strong>Magdalena Nov\u00e1\u010dkov\u00e1<\/strong>. \u201e<em>N\u00e1\u0161 d\u00edk pat\u0159\u00ed p\u0159edev\u0161\u00edm spole\u010dnosti&nbsp;<strong>innogy<\/strong>, kter\u00e1 se k festivalu zachovala skute\u010dn\u011b velkoryse. Rovn\u011b\u017e d\u011bkujeme spole\u010dnosti&nbsp;<strong>CETIN<\/strong>, je\u017e na pozici technologick\u00e9ho partnera festivalu pln\u011b souzn\u011bla s na\u0161\u00edm z\u00e1m\u011brem p\u0159iv\u00e9st Pra\u017esk\u00e9 jaro k lidem prost\u0159ednictv\u00edm online p\u0159\u00edm\u00fdch p\u0159enos\u016f.\u201c&nbsp;<\/em>V neposledn\u00ed \u0159ad\u011b pat\u0159\u00ed pod\u011bkov\u00e1n\u00ed spole\u010dnostem&nbsp;<strong>Subterra&nbsp;<\/strong>a&nbsp;<strong>Mercedes-Benz<\/strong>, kter\u00e9 se rovn\u011b\u017e&nbsp;rozhodly podpo\u0159it Pra\u017esk\u00e9 jaro v jeho nov\u00e9 podob\u011b.&nbsp;<em>\u201eTak\u00e9 chceme vyj\u00e1d\u0159it vd\u011bk v\u0161em individu\u00e1ln\u00edm d\u00e1rc\u016fm, a\u0165 u\u017e z \u0159ad mecen\u00e1\u0161sk\u00e9ho klubu&nbsp;<strong>P\u0159\u00e1tel Pra\u017esk\u00e9ho jara&nbsp;<\/strong>\u010di<br>z \u0159ad \u0161irok\u00e9&nbsp;ve\u0159ejnosti, za to, \u017ee n\u00e1s \u0161t\u011bd\u0159e podpo\u0159ili, ani\u017e by m\u011bli mo\u017enost se osobn\u011b z\u00fa\u010dastnit koncert\u016f,\u201c<\/em>&nbsp;dod\u00e1v\u00e1 Magdalena Nov\u00e1\u010dkov\u00e1.&nbsp;Z\u00e1v\u011brem chceme pod\u011bkovat t\u011bm nejd\u016fle\u017eit\u011bj\u0161\u00edm \u2013&nbsp;<strong>Ministerstvu kultury \u010cesk\u00e9 republiky<\/strong>&nbsp;a&nbsp;<strong>Hlavn\u00edmu m\u011bstu Praha.&nbsp;<\/strong>Bez jejich sou\u010dinnosti&nbsp;a podpory by se leto\u0161n\u00ed alternativn\u00ed Pra\u017esk\u00e9 jaro nemohlo uskute\u010dnit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pra\u017esk\u00e9 jaro m\u00e1 za sebou v\u00fdjime\u010dn\u00fd ro\u010dn\u00edk \u2013 v&nbsp;alternativn\u00edm programu p\u0159ineslo jeden\u00e1ct koncert\u016f, jejich\u017e p\u0159\u00edm\u00e9 p\u0159enosy mohli div\u00e1ci bezplatn\u011b sledovat prost\u0159ednictv\u00edm webov\u00fdch str\u00e1nek a soci\u00e1ln\u00edch s\u00edt\u00ed festivalu. Vybran\u00e9 koncerty zprost\u0159edkoval \u010cesk\u00fd rozhlas a \u010cesk\u00e1 televize. V sou\u010dtu tyto p\u0159enosy dos\u00e1hly&nbsp;1,2 milionu zhl\u00e9dnut\u00ed&nbsp;v&nbsp;\u010cesk\u00e9 republice a&nbsp;53 zem\u00edch sv\u011bta.&nbsp;\u201eZa norm\u00e1ln\u00edch okolnost\u00ed program Pra\u017esk\u00e9ho jara p\u0159ipravujeme s&nbsp;n\u011bkolikalet\u00fdm p\u0159edstihem, alternativn\u00ed&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4912,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[401,133,392,383],"tags":[491],"class_list":["post-4962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ceske-armenske-zpravy","category-czech-armenian-news-cs","category-hudba","category-kultura","tag-prazske-jaro"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=4962"}],"version-history":[{"count":1,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4962\/revisions"}],"predecessor-version":[{"id":4963,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4962\/revisions\/4963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/4912"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=4962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=4962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=4962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}