{"id":4814,"date":"2019-09-03T14:10:00","date_gmt":"2019-09-03T11:10:00","guid":{"rendered":"https:\/\/orer.eu\/orer_rebrended\/?p=4814"},"modified":"2022-02-14T14:15:18","modified_gmt":"2022-02-14T11:15:18","slug":"jeden-z-nejlepsich-houslistu-soucasnosti-sergej-chacatrjan-zahraje-v-ostrave-a-v-praze","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2019\/09\/03\/jeden-z-nejlepsich-houslistu-soucasnosti-sergej-chacatrjan-zahraje-v-ostrave-a-v-praze\/","title":{"rendered":"Jeden z nejlep\u0161\u00edch houslist\u016f sou\u010dasnosti Sergej Cha\u010datrjan zahraje v Ostrav\u011b a v Praze"},"content":{"rendered":"\n
\"\"\/<\/figure>\n\n\n\n

A1 Zahajovac\u00ed koncert 66. sez\u00f3ny<\/a>– Ostrava-  12. z\u00e1\u0159\u00ed 2019<\/strong><\/h3>\n\n\n\n

Sez\u00f3nu s Jan\u00e1\u010dkovou filharmoni\u00ed zah\u00e1j\u00ed Sergey Khachatryan<\/a><\/h2>\n\n\n\n

Technick\u00e9 n\u00e1roky Brahmsova koncertu jsou impozantn\u00ed, proto se s\u00f3lov\u00e9ho partu ujme jeden z nejpovolan\u011bj\u0161\u00edch \u2013 arm\u00e9nsk\u00fd houslista Sergey Khachatryan \u2013 v\u00edt\u011bz sout\u011b\u017ee kr\u00e1lovny Al\u017eb\u011bty (2005).<\/p>\n\n\n\n

S\u00f3lista zahajovac\u00edho koncertu<\/a> 66. sez\u00f3ny Jan\u00e1\u010dkovy filharmonie houslista Sergey Khachatryan<\/strong> se narodil v Jerevanu v Arm\u00e9nii.  V roce 2000 z\u00edskal prvn\u00ed cenu na VIII. Mezin\u00e1rodn\u00ed sout\u011b\u017ei Jeana Sibelia v Helsink\u00e1ch a stal se tak nejmlad\u0161\u00edm v\u00edt\u011bzem v historii sout\u011b\u017ee. O p\u011bt let pozd\u011bji pak triumfoval na presti\u017en\u00ed sout\u011b\u017ei kr\u00e1lovny Al\u017eb\u011bty v Bruselu<\/strong>.
Od t\u00e9 doby eskalovala jeho kari\u00e9ra. Vystoupil s p\u0159edn\u00edmi sv\u011btov\u00fdmi orchestry pod veden\u00edm renomovan\u00fdch dirigent\u016f v mnoha zem\u00edch sv\u011bta.
Sergey Khachatryan hraje na housle Guarneri del Gesu z roku 1740<\/strong> \u201eYsa\u00ffe\u201c, kter\u00e9 mu byly zap\u016fj\u010deny Nippon Music Foundation.<\/p>\n\n\n\n

\u201eHousle byla volba m\u00fdch rodi\u010d\u016f. Moje star\u0161\u00ed sestra, Lusine, stejn\u011b jako moji rodi\u010de, ji\u017e hr\u00e1li na klav\u00edr a mysleli si, \u017ee \u010dty\u0159i klav\u00edrist\u00e9 v dom\u011b budou p\u0159\u00edli\u0161 mnoho ( sm\u00edch<\/em> )! Tak jsem skon\u010dil u housl\u00ed. V Arm\u00e9nii platilo a st\u00e1le plat\u00ed, \u017ee se d\u011bti hudb\u011b v\u011bnuj\u00ed od ran\u00e9ho v\u011bku; hudba je prost\u011b sou\u010d\u00e1st\u00ed v\u00fdchovy. Tak\u017ee i j\u00e1 jsem za\u010dal hr\u00e1t velmi brzy. 
Od za\u010d\u00e1tku jsem m\u011bl r\u00e1d ve\u0159ejn\u00e9 vystupov\u00e1n\u00ed! U\u017e jako d\u00edt\u011b jsem se \u0161\u00edlen\u011b zamiloval do t\u00e9 zvl\u00e1\u0161tn\u00ed atmosf\u00e9ry, kter\u00e1 vznik\u00e1 b\u011bhem vystoupen\u00ed: st\u00e1t na jevi\u0161ti, poslouchat potlesk. Bylo a je to prost\u011b \u00fachvatn\u00e9!  
Moje l\u00e1ska k housl\u00edm a hudb\u011b obecn\u011b ale p\u0159i\u0161la mnohem pozd\u011bji, kdy jsem u\u017e vystupoval na v\u011bt\u0161\u00edch koncertech. V ur\u010dit\u00e9m okam\u017eiku jsem opravdu propadl kr\u00e1se hudby a od t\u00e9 doby jsou housle m\u016fj hlas, nejlep\u0161\u00ed zp\u016fsob, jak vyj\u00e1d\u0159it sv\u00e9 emoce. Ale pravd\u011bpodobn\u011b bych nakonec na\u0161el stejnou v\u00e1\u0161e\u0148 pro hudbu i prost\u0159ednictv\u00edm jin\u00e9ho n\u00e1stroje,\u201c \u0159\u00edk\u00e1 Sergey Kahachatryan.<\/p>\n\n\n\n

Na zahajovac\u00edm koncert\u011b sez\u00f3ny 2019\/2020 dne 12. z\u00e1\u0159\u00ed 2019<\/strong> uvede Khachatryan Brahms\u016fv Houslov\u00fd koncert, kter\u00fd hr\u00e1l nap\u0159. s Orchestre National du Capitole de Toulouse Conductor za \u0159\u00edzen\u00ed Tugana Sokhieva.<\/p>\n\n\n\n

Johannes Brahms
<\/strong>Koncert pro housle a orchestr D dur op. 77<\/p>\n\n\n\n

Josef Suk
<\/strong>Poh\u00e1dka, suita na motivy sc\u00e9nick\u00e9 hudby k Rad\u00fazovi a Mahulen\u011b op. 16 <\/strong><\/p>\n\n\n\n

Sergey Khachatryan <\/strong>\u2013 housle
Jan\u00e1\u010dkova filharmonie Ostrava<\/strong>
Vassily Sinaisky<\/strong> \u2013 dirigent<\/p>\n\n\n\n

 Johaness Brahms byl zap\u0159is\u00e1hl\u00fdm zast\u00e1ncem tzv. absolutn\u00ed hudby, byl p\u0159esv\u011bd\u010den, \u017ee kr\u00e1sa hudby spo\u010d\u00edv\u00e1 v\u00fdlu\u010dn\u011b v t\u00f3nech a jejich spojen\u00ed nez\u00e1visle na obsahu. Po poslechu jeho houslov\u00e9ho koncertu, jen\u017e vznikal ve spolupr\u00e1ci se skv\u011bl\u00fdm houslistou J. Joachimem, kritici prohl\u00e1sili, \u017ee je to \u201esymfonie s velk\u00fdm houslov\u00fdm s\u00f3lem\u201c. Technick\u00e9 n\u00e1roky skladby jsou impozantn\u00ed, proto se s\u00f3lov\u00e9ho partu ujme jeden z nejpovolan\u011bj\u0161\u00edch \u2013 vynikaj\u00edc\u00ed arm\u00e9nsk\u00fd houslista (*1985), nejmlad\u0161\u00ed v\u00edt\u011bz Sibeliovy sout\u011b\u017ee v Helsink\u00e1ch (2000) a tak\u00e9 dal\u0161\u00ed z v\u00edt\u011bz\u016f nejpresti\u017en\u011bj\u0161\u00ed sout\u011b\u017ee kr\u00e1lovny Al\u017eb\u011bty v Bruselu (2005), kter\u00fd do Ostravy zav\u00edt\u00e1.
Sukova Poh\u00e1dka pak stoj\u00ed vlastn\u011b kontrastu v\u016f\u010di Brahmsov\u011b hudebn\u00ed filozofii, proto\u017ee jako inspira\u010dn\u00ed zdroj poslou\u017eila autorovi poh\u00e1dka Rad\u00faz a Mahulena Julia Zeyera. P\u016fvodn\u00ed hudbu k cel\u00e9mu dramatu Josef Suk pozd\u011bji zredukoval do samostan\u00e9 symfonick\u00e9 suity, ve kter\u00e9 se cel\u00fd milostn\u00fd p\u0159\u00edb\u011bh odehr\u00e1v\u00e1.
Koncert povede \u017eij\u00edc\u00ed legenda rusk\u00e9 dirigentsk\u00e9 \u0161koly, kter\u00e1 s JFO \u00fasp\u011b\u0161n\u011b vystoupila ji\u017e loni, Vassily Sinaisky.<\/p>\n\n\n\n

Zde se m\u016f\u017eete pod\u00edvat<\/a> na Khachatryanovu interpretaci Brahmsova Houslov\u00e9ho koncertu.<\/p>\n\n\n\n

Klasika ve filmu<\/strong>
Brahms\u016fv Houslov\u00fd koncert<\/strong> vyu\u017eili re\u017eis\u00e9\u0159i ve filmech Imperium <\/em>(2016) a Camilla (1994, s Bridget Fonda).<\/p>\n\n\n\n

http:\/\/vstupenky.jfo.cz\/janackova-filharmonie\/standard\/Hall\/Index\/17881\/ZOhijAOdpjo_rov__xcodex_AGA1gFbU4wgmiQZp7pS5bIZyqMY9NfAfzUAL3g__?<\/a><\/p>\n\n\n\n

V p\u00e1tek 27. z\u00e1\u0159\u00ed zah\u00e1j\u00ed Symfonick\u00fd orchestr \u010cesk\u00e9ho rozhlasu novou s\u00e9rii abonentn\u00edch koncert\u016f. Ve Dvo\u0159\u00e1kov\u011b s\u00edni Rudolfina se p\u0159edstav\u00ed reziden\u010dn\u00ed um\u011blec sezony, \u0161pi\u010dkov\u00fd houslista arm\u00e9nsk\u00e9ho p\u016fvodu Sergej Cha\u010datrjan.<\/strong><\/h2>\n\n\n\n
\"\"\/<\/figure>\n\n\n\n

Sv\u00e9 um\u011bn\u00ed vlo\u017e\u00ed do \u0160ostakovi\u010dova Prvn\u00edho houslov\u00e9ho koncertu a moll<\/a>. \u00davod je zad\u00e1n pro Lutos\u0142awsk\u00e9ho Ouverturu pro smy\u010dce, z\u00e1v\u011br pak pro Dvo\u0159\u00e1kovu Osmou symfonii. V tento slavnostn\u00ed zahajovac\u00ed ve\u010der budou rozhlasov\u00ed symfonikov\u00e9 hr\u00e1t pod taktovkou sv\u00e9ho \u0161\u00e9fdirigenta a um\u011bleck\u00e9ho \u0159editele Alexandra Liebreicha.<\/p>\n\n\n\n

Vztah k polsk\u00e9 hudb\u011b je p\u0159irozen\u00fdm d\u016fsledkem Liebreichova um\u011bleck\u00e9ho p\u016fsoben\u00ed v Katowic\u00edch \u2013 v \u010dele N\u00e1rodn\u00edho symfonick\u00e9ho orchestru Polsk\u00e9ho rozhlasu st\u00e1l v letech 2012\u201319. Lutos\u0142awsk\u00e9ho Ouvertura pro smy\u010dce m\u00e1 ov\u0161em z\u00e1rove\u0148 sep\u011bt\u00ed i s histori\u00ed rozhlasov\u00e9ho orchestru z Prahy. Jeho n\u011bkdej\u0161\u00edmu \u0159editeli, sv\u00e9ho \u010dasu t\u00e9\u017e programov\u00e9mu \u0159editeli \u010ceskoslovensk\u00e9ho rozhlasu Mirko O\u010dadl\u00edkovi je kompozice v\u011bnov\u00e1na a jej\u00ed premi\u00e9ra se uskute\u010dnila v Praze v listopadu 1949, tedy p\u0159ed 70 lety, za \u0159\u00edzen\u00ed Grzegorze Fitelberga.<\/p>\n\n\n\n

Ze stejn\u00e9ho obdob\u00ed poch\u00e1z\u00ed \u0160ostakovi\u010d\u016fv Houslov\u00fd koncert \u010d. 1. Autor ho rozepsal roku 1948, v \u010dase neblaze proslul\u00fdch v\u00fdpad\u016f Andreje \u017ddanova, Stalinova bl\u00edzk\u00e9ho spolupracovn\u00edka pro kulturn\u00ed z\u00e1le\u017eitosti. Nastal\u00e9 obdob\u00ed temn\u00e9 \u00e9ry v hudebn\u00edm sv\u011bt\u011b Sov\u011btsk\u00e9ho svazu se uzav\u0159elo a\u017e po p\u011bti letech, se Stalinovou smrt\u00ed.<\/p>\n\n\n\n

\u0160ostakovi\u010d koncert rad\u011bji odlo\u017eil, s premi\u00e9rou vy\u010dkal na lep\u0161\u00ed \u010dasy. V\u011bnoval ho Davidu Oistrachovi, s n\u00edm\u017e o skladb\u011b intenzivn\u011b diskutoval a pod jeho\u017e vlivem provedl n\u011bkolik \u00faprav. K premi\u00e9\u0159e do\u0161lo v \u0159\u00edjnu 1955 v Leningradu \u2013 hr\u00e1l David Oistrach a Leningradsk\u00e1 filharmonie s Jevgenijem Mravinsk\u00fdm.<\/p>\n\n\n\n

Sergej Cha\u010datrjan opakovan\u011b zaz\u00e1\u0159il na hudebn\u00edm nebi \u2013 kup\u0159\u00edkladu kdy\u017e roku 2000 z\u00edskal prvn\u00ed cenu v Mezin\u00e1rodn\u00ed houslov\u00e9 sout\u011b\u017ei Jeana Sibelia v Helsink\u00e1ch a stal se tak historicky nejmlad\u0161\u00edm v\u00edt\u011bzem t\u00e9to renomovan\u00e9 sout\u011b\u017ee. \u017de ne\u0161lo o sm\u011bsici n\u00e1hody a \u0161t\u011bst\u00ed potvrdil o p\u011bt let pozd\u011bji, kdy\u017e vybojoval zlatou p\u0159\u00ed\u010dku v dal\u0161\u00edm presti\u017en\u00edm projektu, Sout\u011b\u017ei kr\u00e1lovny Al\u017eb\u011bty v Bruselu.<\/p>\n\n\n\n

Na p\u00f3di\u00edch se dnes potk\u00e1v\u00e1 s nejlep\u0161\u00edmi sv\u011btov\u00fdmi dirigenty, jak\u00fdmi jsou Herbert Blomstedt, Valerij Gergijev, Gianandrea Noseda, Vasilij Petrenko, Juraj Val\u010duha. Jeho dosud posledn\u00ed nahr\u00e1vka s titulem My Armenia, kde je mu u klav\u00edru partnerkou jeho sestra Lusine, vy\u0161la jako p\u0159ipom\u00ednka st\u00e9ho v\u00fdro\u010d\u00ed arm\u00e9nsk\u00e9 genocidy a uct\u011bn\u00ed pam\u00e1tky jej\u00edch ob\u011bt\u00ed. Album z\u00edskalo cenu Echo Klassik.<\/p>\n\n\n\n

S fenomen\u00e1ln\u00edm houslistou se v sezon\u011b SO\u010cRu znovu potk\u00e1me v dubnu 2020<\/a>, kdy p\u0159ednese Koncert D dur Johannesa Brahmse.<\/p>\n\n\n\n

Fin\u00e1le slavnostn\u00edho zahajovac\u00edho koncertu je v p\u00e1tek 27. z\u00e1\u0159\u00ed zad\u00e1no pro Symfonii \u010d. 8 G dur Anton\u00edna Dvo\u0159\u00e1ka z roku 1889, optimisticky lad\u011bn\u00e9 d\u00edlo, je\u017e vznikalo v mimo\u0159\u00e1dn\u011b p\u0159\u00edjemn\u00e9m tv\u016fr\u010d\u00edm rozpolo\u017een\u00ed na letn\u00edm s\u00eddle ve Vysok\u00e9 u P\u0159\u00edbrami.Koupit vstupenku  https:\/\/online.colosseum.eu\/socr\/standard\/Hall\/Index\/327667\/hKAFbIQ1gau7VlEogWNz_plu_Q_rov__rov__xcodex_AGA1gFbU4wjCxLZfqfY2B9dFPt3Ecii5bXtFQg__?<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A1 Zahajovac\u00ed koncert 66. sez\u00f3ny– Ostrava-  12. z\u00e1\u0159\u00ed 2019 Sez\u00f3nu s Jan\u00e1\u010dkovou filharmoni\u00ed zah\u00e1j\u00ed Sergey Khachatryan Technick\u00e9 n\u00e1roky Brahmsova koncertu jsou impozantn\u00ed, proto se s\u00f3lov\u00e9ho partu ujme jeden z nejpovolan\u011bj\u0161\u00edch \u2013 arm\u00e9nsk\u00fd houslista Sergey Khachatryan \u2013 v\u00edt\u011bz sout\u011b\u017ee kr\u00e1lovny Al\u017eb\u011bty (2005). S\u00f3lista zahajovac\u00edho koncertu 66. sez\u00f3ny Jan\u00e1\u010dkovy filharmonie houslista Sergey Khachatryan se narodil v Jerevanu v Arm\u00e9nii.  V roce 2000 z\u00edskal…<\/p>\n","protected":false},"author":1,"featured_media":4815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[100,401,133,392,168,383],"tags":[498,497],"class_list":["post-4814","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-armenia-cs","category-ceske-armenske-zpravy","category-czech-armenian-news-cs","category-hudba","category-concerts-cs","category-kultura","tag-hudba","tag-sergej-chacatrjan"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=4814"}],"version-history":[{"count":1,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4814\/revisions"}],"predecessor-version":[{"id":4819,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4814\/revisions\/4819"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/4815"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=4814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=4814"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=4814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}