{"id":4504,"date":"2022-02-08T02:30:26","date_gmt":"2022-02-07T23:30:26","guid":{"rendered":"https:\/\/orer.eu\/orer_rebrended\/?p=4504"},"modified":"2022-03-27T18:21:57","modified_gmt":"2022-03-27T15:21:57","slug":"ceny-ceske-filmove-kritiky-ovladla-okupace","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2022\/02\/08\/ceny-ceske-filmove-kritiky-ovladla-okupace\/","title":{"rendered":"Ceny \u010desk\u00e9 filmov\u00e9 kritiky ovl\u00e1dla Okupace"},"content":{"rendered":"\n<p><strong>Sn\u00edmek&nbsp;<em>Okupace<\/em>&nbsp;vyhr\u00e1l Ceny \u010desk\u00e9 filmov\u00e9 kritiky za rok 2021. Odnesl si cenu za nejlep\u0161\u00ed film, ale tak\u00e9 za re\u017eii a sc\u00e9n\u00e1\u0159. Re\u017eis\u00e9r Michal Nohejl nav\u00edc dostal i Cenu innogy pro objev roku.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/orer.eu\/images\/OKUPACE_REZ_Michal_Nohejl.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Opil\u00fd sov\u011btsk\u00fd d\u016fstojn\u00edk nav\u0161t\u00edv\u00ed v&nbsp;dob\u011b normalizace ve\u010d\u00edrek oblastn\u00edho divadla pln\u00fd frustrace. Takov\u00fd je n\u00e1m\u011bt prvn\u00edho celove\u010dern\u00edho filmu Michala Nohejla&nbsp;<em>Okupace,&nbsp;<\/em>kter\u00fd prom\u011bnil \u010dty\u0159i ze \u0161esti nominac\u00ed na Ceny \u010desk\u00e9 filmov\u00e9 kritiky. Sdru\u017een\u00ed \u010desk\u00e9 filmov\u00e9 kritiky debut ocenilo jako nejlep\u0161\u00ed film, za re\u017eii i za sc\u00e9n\u00e1\u0159 Marka \u0160indelky a Vojt\u011bcha Ma\u0161ka. Re\u017eis\u00e9r Michal Nohejl byl vyhl\u00e1\u0161en objevem roku.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/orer.eu\/images\/OKUPACE.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p>Dal\u0161\u00ed ocen\u011bn\u00e9 filmy z\u00edskaly po jedn\u00e9 so\u0161ce. V\u00fdpravn\u00e9 biografick\u00e9 drama&nbsp;<em>Z\u00e1topek&nbsp;<\/em>hlasuj\u00edc\u00ed kritici a kriti\u010dky ocenili za hereck\u00fd v\u00fdkon V\u00e1clava Neu\u017eila v&nbsp;tituln\u00ed roli \u010desk\u00e9ho atleta a olympijsk\u00e9ho v\u00edt\u011bze.&nbsp;<em>Chyby<\/em>&nbsp;Jana Pru\u0161inovsk\u00e9ho si odn\u00e1\u0161ej\u00ed cenu pro nejlep\u0161\u00ed \u017eensk\u00fd hereck\u00fd v\u00fdkon Pavly Gajdo\u0161\u00edkov\u00e9. Nejlep\u0161\u00edm kr\u00e1tk\u00fdm filmem je&nbsp;<em>Mil\u00fd tati<\/em>&nbsp;Diany Cam Van Nguyen, sn\u00edmek na pomez\u00ed osobn\u011b pojat\u00e9 fikce, dokumentu a animace. Mezi dokument\u00e1rn\u00edmi filmy \u010desk\u00e9 kritiky a kriti\u010dky nejv\u00edce zas\u00e1hla&nbsp;<em>Jednotka intenzivn\u00edho \u017eivota<\/em>&nbsp;Ad\u00e9ly Komrz\u00fd o paliativn\u00ed p\u00e9\u010di. Denisa Grimmov\u00e1, Jan Buben\u00ed\u010dek a Jan Kurka, tv\u016frci v\u00fdtvarn\u00e9 koncepce animovan\u00e9ho rodinn\u00e9ho filmu&nbsp;<em>My\u0161i pat\u0159\u00ed do nebe<\/em>, si odnesli cenu v&nbsp;kategorii Audiovizu\u00e1ln\u00ed po\u010din.<\/p>\n\n\n\n<p>Kategorii Mimo kino, v\u011bnovanou audiovizu\u00e1ln\u00edm projekt\u016fm bez kinodistribuce, letos ovl\u00e1dl dramatick\u00fd seri\u00e1l \u010cesk\u00e9 televize&nbsp;<em>Ochr\u00e1nce.<\/em>&nbsp;Deset epizod l\u00ed\u010d\u00ed p\u0159\u00edpady, kter\u00fdmi se zab\u00fdv\u00e1 nov\u00fd \u0161kolsk\u00fd ombudsman v&nbsp;pod\u00e1n\u00ed Luk\u00e1\u0161e Vacul\u00edka. Podle sc\u00e9n\u00e1\u0159e Tom\u00e1\u0161e Fe\u0159teka a Mat\u011bje Podzimka seri\u00e1l re\u017e\u00edrovali Tereza Kop\u00e1\u010dov\u00e1 a Tom\u00e1\u0161 Ma\u0161\u00edn.<\/p>\n\n\n\n<p>V\u00edt\u011bzov\u00e9 byli ozn\u00e1meni dnes na slavnostn\u00edm ve\u010deru Cen \u010desk\u00e9 filmov\u00e9 kritiky v&nbsp;pra\u017esk\u00e9m Divadle Archa. Div\u00e1ky j\u00edm v&nbsp;p\u0159\u00edm\u00e9m p\u0159enosu \u010cT art provedly moder\u00e1torky Anita Krausov\u00e1 a Tereza Hofov\u00e1.<\/p>\n\n\n\n<p>Sdru\u017een\u00ed \u010desk\u00e9 filmov\u00e9 kritiky leto\u0161n\u00ed ro\u010dn\u00edk ocen\u011bn\u00ed uspo\u0159\u00e1dalo za podpory hlavn\u00edch partner\u016f, kter\u00fdmi jsou innogy, \u010cesk\u00e1 televize, St\u00e1tn\u00ed fond kinematografie a Ministerstvo kultury. Dal\u0161\u00edmi partnery cen jsou Divadlo Archa, Champagneria a mowshe.<\/p>\n\n\n\n<p>V\u00fdsledky hlasov\u00e1n\u00ed a rozhodov\u00e1n\u00ed jednotliv\u00fdch kritik\u016f a kriti\u010dek jsou ve\u0159ejn\u011b dostupn\u00e9 na webu&nbsp;<a href=\"http:\/\/www.filmovakritika.cz\/\">www.filmovakritika.cz<\/a>.<\/p>\n\n\n\n<p>&nbsp;foto: (c) Eva Ko\u0159\u00ednkov\u00e1,<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/orer.eu\/images\/Vclava_Neuila.jpg\" alt=\"\"\/><\/figure>\n\n\n\n<p><strong>Kompletn\u00ed v\u00fdsledky Cen \u010desk\u00e9 filmov\u00e9 kritiky za rok 2021<\/strong><\/p>\n\n\n\n<p><strong>Nejlep\u0161\u00ed film:<\/strong><\/p>\n\n\n\n<p>Okupace \u2013 producenti Jan Hlavsa, Julie \u017d\u00e1\u010dkov\u00e1<\/p>\n\n\n\n<p><strong>Nejlep\u0161\u00ed dokument:<\/strong><\/p>\n\n\n\n<p>Jednotka intenzivn\u00edho \u017eivota \u2013 Ad\u00e9la Komrz\u00fd<\/p>\n\n\n\n<p><strong>Nejlep\u0161\u00ed re\u017eie:<\/strong><\/p>\n\n\n\n<p>Okupace \u2013 Michal Nohejl<\/p>\n\n\n\n<p><strong>Nejlep\u0161\u00ed sc\u00e9n\u00e1\u0159:<\/strong><\/p>\n\n\n\n<p>Okupace \u2013 Marek \u0160indelka, Vojt\u011bch Ma\u0161ek<\/p>\n\n\n\n<p><strong>Nejlep\u0161\u00ed here\u010dka:<\/strong><\/p>\n\n\n\n<p>Chyby \u2013 Pavla Gajdo\u0161\u00edkov\u00e1<\/p>\n\n\n\n<p><strong>Nejlep\u0161\u00ed herec:<\/strong><\/p>\n\n\n\n<p>Z\u00e1topek \u2013 V\u00e1clav Neu\u017eil<\/p>\n\n\n\n<p><strong>Audiovizu\u00e1ln\u00ed po\u010din:<\/strong><\/p>\n\n\n\n<p>My\u0161i pat\u0159\u00ed do nebe, v\u00fdtvarn\u00e1 koncepce \u2013 Denisa Grimmov\u00e1, Jan Buben\u00ed\u010dek, Jan Kurka<\/p>\n\n\n\n<p><strong>Cena innogy pro objev roku:<\/strong><\/p>\n\n\n\n<p>Michal Nohejl \u2013 Okupace&nbsp;<\/p>\n\n\n\n<p><strong>Mimo kino:<\/strong><\/p>\n\n\n\n<p>Ochr\u00e1nce \u2013 Tereza Kop\u00e1\u010dov\u00e1, Tom\u00e1\u0161 Ma\u0161\u00edn, Tom\u00e1\u0161 Fe\u0159tek, Mat\u011bj Podzimek<\/p>\n\n\n\n<p><strong>Nejlep\u0161\u00ed kr\u00e1tk\u00fd film:<\/strong><\/p>\n\n\n\n<p>Mil\u00fd tati \u2013 Diana Cam Van Nguyen<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sn\u00edmek&nbsp;Okupace&nbsp;vyhr\u00e1l Ceny \u010desk\u00e9 filmov\u00e9 kritiky za rok 2021. Odnesl si cenu za nejlep\u0161\u00ed film, ale tak\u00e9 za re\u017eii a sc\u00e9n\u00e1\u0159. Re\u017eis\u00e9r Michal Nohejl nav\u00edc dostal i Cenu innogy pro objev roku. Opil\u00fd sov\u011btsk\u00fd d\u016fstojn\u00edk nav\u0161t\u00edv\u00ed v&nbsp;dob\u011b normalizace ve\u010d\u00edrek oblastn\u00edho divadla pln\u00fd frustrace. Takov\u00fd je n\u00e1m\u011bt prvn\u00edho celove\u010dern\u00edho filmu Michala Nohejla&nbsp;Okupace,&nbsp;kter\u00fd prom\u011bnil \u010dty\u0159i ze \u0161esti nominac\u00ed&#8230;<\/p>\n","protected":false},"author":1,"featured_media":4505,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[401,400,395,383,369],"tags":[423,424,426,425],"class_list":["post-4504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ceske-armenske-zpravy","category-gratulujeme","category-kino","category-kultura","category-svet-cz","tag-film","tag-kritika","tag-michal-nohejl","tag-okupace"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=4504"}],"version-history":[{"count":1,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4504\/revisions"}],"predecessor-version":[{"id":4509,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/4504\/revisions\/4509"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/4505"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=4504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=4504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=4504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}