{"id":22990,"date":"2022-11-09T17:08:30","date_gmt":"2022-11-09T14:08:30","guid":{"rendered":"https:\/\/orer.eu\/?p=22990"},"modified":"2022-11-09T17:13:36","modified_gmt":"2022-11-09T14:13:36","slug":"festival-prazske-jaro-zahaji-tomas-hanuss-welsh-national-opera-orchestra","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2022\/11\/09\/festival-prazske-jaro-zahaji-tomas-hanuss-welsh-national-opera-orchestra\/","title":{"rendered":"Festival Pra\u017esk\u00e9 jaro zah\u00e1j\u00ed Tom\u00e1\u0161 Hanus
s Welsh National Opera Orchestra"},"content":{"rendered":"\n

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Ji\u017e 78. Mezin\u00e1rodn\u00ed hudebn\u00ed festival Pra\u017esk\u00e9 jaro zah\u00e1j\u00ed 12. a 13. kv\u011btna 2023 Smetanova M\u00e1 vlast v pod\u00e1n\u00ed Orchestru Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery z Cardiffu a jeho \u0161\u00e9fdirigenta Tom\u00e1\u0161e Hanuse. Reziden\u010dn\u00edm um\u011blcem Pra\u017esk\u00e9ho jara bude violista Antoine Tamestit, kter\u00e9ho div\u00e1ci usly\u0161\u00ed na \u010dty\u0159ech koncertech. V \u010dele Symfonick\u00e9ho orchestru Bavorsk\u00e9ho rozhlasu se p\u0159edstav\u00ed Daniel Harding, Essen\u0161t\u00ed filharmonikov\u00e9 p\u0159ijedou se sv\u00fdm \u0161\u00e9fdirigentem Tom\u00e1\u0161em Netopilem.<\/p>\n\n\n\n

\u010cesk\u00e9 orchestry budou dirigovat John Adams, Klaus M\u00e4kel\u00e4 nebo Oksana Lyniv. Reziden\u010dn\u00edm skladatelem v\u00edkendu soudob\u00e9 hudby Prague Offspring bude Georg Friedrich Haas, jemu\u017e zahraje skladby ans\u00e1mbl Klangforum Wien. Starou hudbu bude reprezentovat Les Talens Lyriques se sv\u00fdm zakladatelem Christophem Roussetem nebo kontratenorista Andreas Scholl. <\/p>\n\n\n\n

Festival nav\u00e1\u017ee na tradici z\u00e1v\u011bre\u010dn\u00fdch koncert\u016f s programem Beethovenovy Dev\u00e1t\u00e9<\/em> pod taktovkou Christopha Eschenbacha. <\/p>\n\n\n\n

Prodej vstupenek za\u010d\u00edn\u00e1 v p\u00e1tek 11. listopadu od 11.00 na festival.cz<\/u><\/strong>.<\/p>\n\n\n\n

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Zahajovac\u00ed koncert a \u010desk\u00e9 stopy zahrani\u010d\u00ed<\/p>\n\n\n\n

Tom\u00e1\u0161 Hanus, kter\u00fd je rovn\u011b\u017e \u010dlenem um\u011bleck\u00e9 rady festivalu, \u00fa\u010dinkuje v\u00a0\u010cesku<\/strong>
velmi v\u00fdjime\u010dn\u011b. <\/strong>Na festivalu se objevil naposledy p\u0159ed deseti lety s Ensemble intercontemporain. V \u010dele vel\u0161sk\u00e9ho orchestru stoj\u00ed ji\u017e \u0161est let a d\u00e1le rozv\u00edj\u00ed z\u00e1jem britsk\u00e9ho publika o\u00a0\u010deskou hudbu. Navazuje tak na dirigenta Charlese Mackerrase, kter\u00fd uvedl v\u00a0Cardiffu britskou premi\u00e9ru \u0158eck\u00fdch pa\u0161ij\u00ed<\/em> Bohuslava Martin\u016f, a tak\u00e9 na re\u017eis\u00e9ra Davida Pountneyho, sou\u010dasn\u00e9ho um\u011bleck\u00e9ho \u0159editele Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery. Re\u017eis\u00e9r, jeho\u017e pr\u00e1ci m\u011bli mo\u017enost vid\u011bt tak\u00e9 div\u00e1ci v\u00a0Brn\u011b i Praze, sezn\u00e1mil cardiffsk\u00e9 publikum s\u00a0Jan\u00e1\u010dkovou Jej\u00ed pastorkyn\u00ed<\/em> ji\u017e v\u00a0roce 1975.<\/p>\n\n\n\n

\u201eHostov\u00e1n\u00ed orchestru v\u00a0\u010dele s\u00a0Tom\u00e1\u0161em Hanusem je pro n\u00e1s spln\u011bn\u00fdm snem. Tom\u00e1\u0161ovy \u00fasp\u011bchy v\u00a0zahrani\u010d\u00ed prohlubuj\u00ed na\u0161i zv\u011bdavost, kam sm\u011b\u0159uje jeho hudebn\u00ed uva\u017eov\u00e1n\u00ed a jak se vyv\u00edj\u00ed jeho dirigentsk\u00fd rukopis. \u010cesko-vel\u0161sk\u00e1 M\u00e1 vlast bude jist\u011b slavnostn\u00ed, ale tak\u00e9 sv\u011b\u017e\u00ed a nespoutan\u00e1 hudebn\u00edmi konvencemi,\u201c<\/em> \u0159\u00edk\u00e1 \u0159editel festivalu Pavel Trojan.<\/strong><\/p>\n\n\n\n

\u201eT\u00f3ny M\u00e9 vlasti v dne\u0161n\u00ed dob\u011b velmi pot\u0159ebujeme. Probouzej\u00ed to lep\u0161\u00ed v n\u00e1s, sebeuv\u011bdom\u011bn\u00ed, kdo jsme, co n\u00e1m \u0159\u00edkaj\u00ed na\u0161e d\u011bjiny a jak\u00fd je jejich smysl.
Hudba m\u00e1 moc j\u00edt hloub\u011bji ne\u017e slova. Smetanov\u011b M\u00e9 vlasti se nemus\u00edme povinn\u011b klan\u011bt, tv\u00e1\u0159it se u\u010den\u011b a trochu se u toho nudit. Ona m\u00e1 s\u00edlu si n\u00e1s naj\u00edt sama a obejmout n\u00e1s,\u201c<\/em> sv\u011b\u0159uje se Tom\u00e1\u0161 Hanus.<\/p>\n\n\n\n

\u201eNezd\u00e1 se, \u017ee by ve v\u0159el\u00e9m vztahu Brit\u016f k \u010desk\u00e9 hudb\u011b, kter\u00fd lze vysledovat a\u017e k vystoupen\u00edm Anton\u00edna Dvo\u0159\u00e1ka v Brit\u00e1nii v 80. letech 19. stolet\u00ed, do\u0161lo k n\u011bjak\u00e9mu ochlazen\u00ed,\u201c<\/em> \u0159\u00edk\u00e1 v koment\u00e1\u0159i k hostov\u00e1n\u00ed cardiffsk\u00e9ho orchestru v \u010cesku \u0161\u00e9fredaktor britsk\u00e9ho magaz\u00ednu Opera John Allison. \u201eJe a\u017e na v\u00fdjimky pom\u011brn\u011b neobvykl\u00e9, aby brit\u0161t\u00ed hudebn\u00edci p\u0159in\u00e1\u0161eli \u010deskou hudbu do \u010desk\u00fdch m\u011bst, zejm\u00e9na od smrti skv\u011bl\u00e9ho Charlese Mackerrase. P\u0159esto\u017ee je Orchestr Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery prim\u00e1rn\u011b opern\u00edm orchestrem, uveden\u00ed M\u00e9 vlasti je d\u00edky jeho reputaci v oblasti symfonick\u00e9 hudby dychtiv\u011b o\u010dek\u00e1vanou z\u00e1le\u017eitost\u00ed,\u201c<\/em> dod\u00e1v\u00e1 John Allison.<\/p>\n\n\n\n

Vedle Tom\u00e1\u0161e Hanuse pat\u0159\u00ed k\u00a0nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edm \u010desk\u00fdm dirigent\u016fm ve sv\u011bt\u011b a\u00a0k\u00a0ambasador\u016fm \u010desk\u00e9 hudby tak\u00e9 dirigent Tom\u00e1\u0161 Netopil. Ji\u017e des\u00e1tou sezonu je hudebn\u00edm \u0159editelem a \u0161\u00e9fdirigentem Essen\u0161t\u00edch filharmonik\u016f, s\u00a0nimi\u017e se v\u00a0Praze p\u0159edstav\u00ed s\u00a0programem s d\u00edly Elgara a Dvo\u0159\u00e1ka, a to spole\u010dn\u011b s\u00a0houslistou Frankem Peterem Zimmermannem. <\/strong>\u201eEssensk\u00e1 filharmonie m\u00e1 d\u00edky na\u0161\u00ed dlouholet\u00e9 spolupr\u00e1ci, a mysl\u00edm, \u017ee\u00a0nejen d\u00edky n\u00ed, velmi hlubok\u00fd a intenzivn\u00ed vztah k \u010desk\u00e9 hudb\u011b,\u201c<\/em> \u0159\u00edk\u00e1 Tom\u00e1\u0161 Netopil. B\u011bhem p\u016fsoben\u00ed v Essenu nastudoval s orchestrem nap\u0159\u00edklad \u0158eck\u00e9 pa\u0161ije<\/em> Bohuslava Martin\u016f, Jan\u00e1\u010dkovu Jej\u00ed pastorkyni<\/em>, Dvo\u0159\u00e1kovu Rusalku<\/em>, Smetanovu Prodanou nev\u011bstu<\/em>, ale i\u00a0symfonickou hudbu Josefa Suka, Karla Husy a Anton\u00edna Dvo\u0159\u00e1ka.<\/p>\n\n\n\n

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orer.eu<\/p>\n","protected":false},"excerpt":{"rendered":"

Ji\u017e 78. Mezin\u00e1rodn\u00ed hudebn\u00ed festival Pra\u017esk\u00e9 jaro zah\u00e1j\u00ed 12. a 13. kv\u011btna 2023 Smetanova M\u00e1 vlast v pod\u00e1n\u00ed Orchestru Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery z Cardiffu a jeho \u0161\u00e9fdirigenta Tom\u00e1\u0161e Hanuse. Reziden\u010dn\u00edm um\u011blcem Pra\u017esk\u00e9ho jara bude violista Antoine Tamestit, kter\u00e9ho div\u00e1ci usly\u0161\u00ed na \u010dty\u0159ech koncertech. V \u010dele Symfonick\u00e9ho orchestru Bavorsk\u00e9ho rozhlasu se p\u0159edstav\u00ed Daniel Harding, Essen\u0161t\u00ed filharmonikov\u00e9 p\u0159ijedou se sv\u00fdm…<\/p>\n","protected":false},"author":1,"featured_media":22991,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[366,401,853,101,392,168,998],"tags":[491],"class_list":["post-22990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-armenie-evropa-cz","category-ceske-armenske-zpravy","category-evropske-tvare","category-armenian-european-life-cs","category-hudba","category-concerts-cs","category-novinky","tag-prazske-jaro"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/22990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=22990"}],"version-history":[{"count":6,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/22990\/revisions"}],"predecessor-version":[{"id":23009,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/22990\/revisions\/23009"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/22991"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=22990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=22990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=22990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}