U p\u0159\u00edle\u017eitosti p\u0159edsednictv\u00ed \u010cesk\u00e9 republiky v Rad\u011b Evropsk\u00e9 unie p\u0159ipravila Vysok\u00e1
\u0161kola um\u011bleckopr\u016fmyslov\u00e1 v Praze (UMPRUM) ve spolupr\u00e1ci s Moravskou galeri\u00ed v
Brn\u011b, \u00da\u0159adem vl\u00e1dy \u010cR a dal\u0161\u00edmi vl\u00e1dn\u00edmi institucemi v\u00fdstavu \u201eDesign a
transformace. P\u0159\u00edb\u011bhy \u010desk\u00e9ho designu 1990\u20132020\u201c. Dv\u011b \u010d\u00e1sti v\u00fdstavy budou k
vid\u011bn\u00ed v Pra\u017esk\u00e9m dom\u011b v Bruselu (od 8. z\u00e1\u0159\u00ed do 2. \u0159\u00edjna) a v Design Museu Brussels
(od 7. z\u00e1\u0159\u00ed do 8. ledna). N\u00e1v\u0161t\u011bvn\u00edci si budou moci prohl\u00e9dnout produkty
v\u00fdznamn\u00fdch \u010desk\u00fdch firem a zna\u010dek spolupracuj\u00edc\u00edch s p\u0159edn\u00edmi \u010desk\u00fdmi
design\u00e9ry. Doprovodn\u00fd program bude zahrnovat p\u0159edn\u00e1\u0161ky, workshopy a hudebn\u00ed
produkce.<\/p>\n\n\n\n
V\u00fdstava ukazuje, \u017ee pod pojmem \u010desk\u00fd design se ukr\u00fdv\u00e1 cel\u00e1 \u0159ada pozoruhodn\u00fdch
v\u00fdrobk\u016f a d\u011bl. Sleduje vztahy transformace spole\u010dnosti a designov\u00e9 produkce. Neukazuje
pouze kr\u00e1sn\u00e9 p\u0159edm\u011bty, ale sna\u017e\u00ed se p\u0159ibl\u00ed\u017eit pozad\u00ed jejich vzniku \u2013 p\u0159\u00edb\u011bhy firem, kter\u00e9
sv\u00fdmi osudy dokumentuj\u00ed specifika st\u0159edoevropsk\u00e9 situace \u2013 stalet\u00e9 kulturn\u00ed a \u0159emesln\u00e9
tradice a z\u00e1rove\u0148 neust\u00e1l\u00e9 prom\u011bny st\u00e1tn\u00edch \u00fatvar\u016f, ekonomick\u00fdch a politick\u00fdch r\u00e1mc\u016f.
Rektor UMPRUM, Jind\u0159ich Vyb\u00edral, up\u0159es\u0148uje: \u201eDesign s\u00e1m dnes proch\u00e1z\u00ed transformac\u00ed,
v jej\u00edm\u017e d\u016fsledku se design\u00e9\u0159i a design\u00e9rky vedle vytv\u00e1\u0159en\u00ed re\u00e1ln\u00fdch, na trh
orientovan\u00fdch produkt\u016f sna\u017e\u00ed navrhovat tak\u00e9 hypotetick\u00e9 mo\u017enosti, utopick\u00e9 koncepty a
alternativn\u00ed \u201aproti-produkty\u2018. Nejen sou\u010dasn\u00fd design hled\u00e1 odpov\u011b\u010f na probl\u00e9my, kter\u00e9
p\u0159ed n\u00e1mi vyvst\u00e1vaj\u00ed v dob\u00e1ch transformace a krize \u2013 a na to v\u0161e se sna\u017e\u00ed v\u00fdstava
pouk\u00e1zat.\u201c
Kur\u00e1torka v\u00fdstavy, Daniela Kramerov\u00e1, dod\u00e1v\u00e1: \u201eJedn\u00edm z hlavn\u00edch t\u00e9mat jsou
diskontinuity \u2013 schopnost reagovat na zm\u011bny a navazovat na p\u0159eru\u0161ovan\u00e9 tradice v
sou\u010dasn\u00e9m my\u0161lenkov\u00e9m a technologick\u00e9m kontextu. Transformace tradi\u010dn\u00ed inspirace je
tak obsa\u017eena nap\u0159\u00edklad ve foukan\u00fdch sklen\u011bn\u00fdch sv\u00edtidlech firmy Bomma dekorovan\u00fdch
robotick\u00fdm brusem, v d\u00edlech sou\u010dasn\u00fdch design\u00e9r\u016f a student\u016f inspirovan\u00fdch cibulov\u00fdm
dekorem porcel\u00e1nu, \u010di v nejnov\u011bj\u0161\u00ed kolekci sedac\u00edho n\u00e1bytku firmy TON, v n\u00ed\u017e se \u0161v\u00e9d\u0161t\u00ed
auto\u0159i ze studia Claesson Koivisto Rune inspirovali modernistick\u00fdm k\u0159eslem Josefa
Hoffmanna z roku 1930. Vedle lok\u00e1ln\u00edch specifik tak prezentujeme sv\u011btov\u00fd rozm\u011br
\u010desk\u00e9ho designu (spolupr\u00e1ci se sv\u011btov\u00fdmi tv\u016frci i \u00fasp\u011b\u0161n\u00e9 realizace \u010desk\u00fdch tv\u016frc\u016f v \u0159ad\u011b
zem\u00ed).\u201d
\u201eStoj\u00edme p\u0159ed \u00fakolem pos\u00edlit spole\u010densk\u00e9 uv\u011bdom\u011bn\u00ed firem, jejich ochotu pod\u00edlet se na
spole\u010dn\u00e9 prezentaci a na budov\u00e1n\u00ed st\u00e1tn\u00ed zna\u010dky. A to jak z idealismu a p\u0159esv\u011bd\u010den\u00ed, tak
s vidinou dlouhodob\u00e9ho profitu, kter\u00fd mohou v\u00fdrobci pos\u00edlen\u00edm presti\u017ee \u010desk\u00e9ho
designu z\u00edskat. Mo\u017enost prezentovat na\u0161i pr\u00e1ci jinak ne\u017e \u00fa\u010dast\u00ed na veletrhu odpov\u00edd\u00e1
hodnot\u011b kulturn\u00edho kapit\u00e1lu, kter\u00fd dnes \u010cesk\u00e1 republika m\u00e1,\u201c dopl\u0148uje prorektor
UMPRUM Radek Sidun.<\/p>\n\n\n\n
<\/p>\n\n\n\n
Vernis\u00e1\u017ee:<\/p>\n\n\n\n
orer.eu<\/p>\n","protected":false},"excerpt":{"rendered":"
U p\u0159\u00edle\u017eitosti p\u0159edsednictv\u00ed \u010cesk\u00e9 republiky v Rad\u011b Evropsk\u00e9 unie p\u0159ipravila Vysok\u00e1\u0161kola um\u011bleckopr\u016fmyslov\u00e1 v Praze (UMPRUM) ve spolupr\u00e1ci s Moravskou galeri\u00ed vBrn\u011b, \u00da\u0159adem vl\u00e1dy \u010cR a dal\u0161\u00edmi vl\u00e1dn\u00edmi institucemi v\u00fdstavu \u201eDesign atransformace. P\u0159\u00edb\u011bhy \u010desk\u00e9ho designu 1990\u20132020\u201c. Dv\u011b \u010d\u00e1sti v\u00fdstavy budou kvid\u011bn\u00ed v Pra\u017esk\u00e9m dom\u011b v Bruselu (od 8. z\u00e1\u0159\u00ed do 2. \u0159\u00edjna) a v Design Museu…<\/p>\n","protected":false},"author":1,"featured_media":17556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[401,998,48],"tags":[1757,1756,618],"class_list":["post-17555","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-ceske-armenske-zpravy","category-novinky","category-uncategorized-cs","tag-cr","tag-design-a-transformace","tag-eu-2","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/17555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=17555"}],"version-history":[{"count":2,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/17555\/revisions"}],"predecessor-version":[{"id":17562,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/17555\/revisions\/17562"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/17556"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=17555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=17555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=17555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}