{"id":17166,"date":"2022-08-12T14:05:37","date_gmt":"2022-08-12T11:05:37","guid":{"rendered":"https:\/\/orer.eu\/?p=17166"},"modified":"2022-08-12T14:10:18","modified_gmt":"2022-08-12T11:10:18","slug":"ve-triceti-zacinala-znovu-od-zacatku-nyni-se-asmik-grigorjan-chysta-na-rusalku-s-ceskou-filharmonii","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2022\/08\/12\/ve-triceti-zacinala-znovu-od-zacatku-nyni-se-asmik-grigorjan-chysta-na-rusalku-s-ceskou-filharmonii\/","title":{"rendered":"Ve t\u0159iceti za\u010d\u00ednala znovu od za\u010d\u00e1tku. Nyn\u00ed se Asmik Grigorjan chyst\u00e1 na Rusalku s \u010ceskou filharmoni\u00ed"},"content":{"rendered":"\n

Sopranistka v posledn\u00edch letech uchv\u00e1tila publikum na festivalech v Bayreuthu i v Salcburku. Jej\u00ed cesta do \u0161pi\u010dkov\u00fdch opern\u00edch divadel v\u0161ak nebyla ani zdaleka p\u0159\u00edmo\u010dar\u00e1.<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201eNeboj\u00edm se ni\u010deho. Zvl\u00e1\u0161t\u011b ne v\u011bc\u00ed, kter\u00e9 nemohu zm\u011bnit,\u201c<\/em><\/strong> \u0159\u00edk\u00e1 o sob\u011b litevsko-arm\u00e9nsk\u00e1 sopranistka Asmik Grigorjan, kter\u00e1 mezi sv\u00e9 z\u00e1sadn\u00ed role po\u010d\u00edt\u00e1 tak\u00e9 Rusalku. V z\u00e1\u0159\u00ed ji provede s \u010ceskou filharmoni\u00ed hned t\u0159ikr\u00e1t v r\u00e1mci festivalu Dvo\u0159\u00e1kova Praha<\/strong><\/a>.<\/p>\n\n\n\n

Po premi\u00e9\u0159e Pikov\u00e9 d\u00e1my v mil\u00e1nsk\u00e9 La Scale se Grigorjan ocitla v neobvykl\u00e9 situaci: m\u011bla p\u0159ed sebou tak\u0159ka cel\u00fd t\u00fdden volna, kter\u00e9 mohla str\u00e1vit v rodn\u00e9m Vilniusu, kde m\u00e1 dodnes sv\u016fj domov. V rozhovoru, kter\u00fd jsme vedli, inscenaci v Mil\u00e1n\u011b chv\u00e1lila, \u00fazkostliv\u011b se ale vyh\u00fdbala jak\u00e9koliv zm\u00ednce o tom, \u017ee divadlo ukon\u010dilo spolupr\u00e1ci s dirigentem Valerijem Gergijevem, podporovatelem Vladimira Putina. U\u010dinila tak ostatn\u011b tak\u00e9 Dvo\u0159\u00e1kova Praha a \u0159ada dal\u0161\u00edch sv\u011btov\u00fdch hudebn\u00edch instituc\u00ed.<\/p>\n\n\n\n

Mnohem uvoln\u011bn\u011bji sopranistka mluvila o tom, jak se stav\u00ed ke sv\u00e9 vlastn\u00ed pr\u00e1ci. \u201eNahr\u00e1v\u00e1m si v\u0161echna svoje vystoupen\u00ed, po\u0159\u00e1d je poslouch\u00e1m a zkoum\u00e1m, co bych mohla p\u0159\u00ed\u0161t\u011b ud\u011blat jinak a l\u00edp,\u201c<\/em> p\u0159izn\u00e1v\u00e1 Grigorjan a jako samoz\u0159ejmost zmi\u0148uje pot\u0159ebu neust\u00e1le pracovat sama na sob\u011b. C\u00edt\u00ed se t\u00edm zav\u00e1z\u00e1na i sv\u00fdm rodi\u010d\u016fm, arm\u00e9nsk\u00e9mu tenoristovi Gegamu Grigorjanovi a litevsk\u00e9 sopranistce Iren\u011b Milkevi\u010di\u016bt\u0117. D\u00edky n\u00ed se Grigorjan poprv\u00e9 setkala s operou, je\u0161t\u011b ne\u017e se narodila: jej\u00ed matka v dob\u011b t\u011bhotenstv\u00ed zp\u00edvala tituln\u00ed roli v Pucciniho Madam Butterfly. Pozd\u011bji se spolu ob\u011b \u017eeny na jevi\u0161ti skute\u010dn\u011b setkaly, v inscenac\u00edch Ev\u017eena On\u011bgina a Pikov\u00e9 d\u00e1my.<\/p>\n\n\n\n

\"akademieklasickehudby-clanek-asmik-grigorian-s.jpg\u201eJe to n\u00e1dhern\u00e1 hudba i postava, a dokonce bych \u0159ekla, \u017ee je to jedna z m\u00fdch erbovn\u00edch rol\u00ed,\u201c \u0159\u00edk\u00e1 o Rusalce Asmik Grigorian | \u00a9 foto: P. Gasiunas<\/p>\n\n\n\n

Sopranistka v posledn\u00edch letech uchv\u00e1tila publikum na festivalech v Bayreuthu i v Salcburku. Jej\u00ed cesta do \u0161pi\u010dkov\u00fdch opern\u00edch divadel v\u0161ak nebyla ani zdaleka p\u0159\u00edmo\u010dar\u00e1. Hudb\u011b se v\u011bnovala od d\u011btstv\u00ed a rodi\u010de byli jej\u00edmi prvn\u00edmi u\u010diteli, sama ale tvrd\u00ed, \u017ee opravdu zp\u00edvat se nau\u010dila a\u017e po t\u0159ic\u00edtce. P\u0159edt\u00edm si pro\u0161la dlouholet\u00fdm vy\u010derp\u00e1vaj\u00edc\u00edm koloto\u010dem rol\u00ed v men\u0161\u00edch divadlech, kter\u00fd m\u011bl za n\u00e1sledek hlasovou i psychickou krizi. Ve t\u0159iceti letech za\u010d\u00ednala od za\u010d\u00e1tku.\u00a0\u201eSe sv\u00fdmi tehdej\u0161\u00edmi probl\u00e9my se netaj\u00edm. Mysl\u00edm, \u017ee je d\u016fle\u017eit\u00e9, aby i mlad\u00ed p\u011bvci v\u011bd\u011bli, \u017ee nemaj\u00ed zbyte\u010dn\u011b sp\u011bchat,\u201c<\/em>\u00a0otev\u0159en\u011b \u0159\u00edk\u00e1 Grigorjan.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Jedna a ta sam\u00e1 \u017eena<\/h2>\n\n\n\n

Pro \u010dty\u0159icetiletou zp\u011bva\u010dku nen\u00ed d\u016fle\u017eit\u00e9, jak bl\u00edzk\u00e1 je j\u00ed postava, kterou pr\u00e1v\u011b ztv\u00e1r\u0148uje. \u201eJedn\u00e1 se v\u017edy o jednu a tu samou \u017eenu, kter\u00e1 se nach\u00e1z\u00ed v extr\u00e9mn\u011b odli\u0161n\u00fdch situac\u00edch. Sna\u017e\u00edm se ka\u017ed\u00e9 postav\u011b porozum\u011bt tak, aby byla pochopiteln\u00e1 v prvn\u00ed \u0159ad\u011b pro m\u011b,\u201c<\/em> vysv\u011btluje sopranistka, kter\u00e9 si dirigenti i re\u017eis\u00e9\u0159i cen\u00ed pro jej\u00ed komplexn\u00ed p\u0159\u00edstup.<\/p>\n\n\n\n


P\u0159esv\u011bd\u010dit se o tom mohlo publikum v madridsk\u00e9m Teatro Real, kde ztv\u00e1rnila tituln\u00ed roli Rusalky v inscenaci situovan\u00e9 do baletn\u00edho divadla. S obdivuhodnou gr\u00e1ci\u00ed tehdy zvl\u00e1dla i tane\u010dn\u00ed slo\u017eku sv\u00e9 role. \u201eSt\u00e1lo m\u011b to hodn\u011b pr\u00e1ce, nikdy p\u0159edt\u00edm jsem v baletn\u00edch bot\u00e1ch na \u0161pi\u010dk\u00e1ch nest\u00e1la,\u201c<\/em> l\u00ed\u010d\u00ed Grigorjan, kter\u00e1 musela obt\u00ed\u017enou dovednost tr\u00e9novat doslova krok za krokem, a je\u0161t\u011b se u\u010dit, jak s nezvykl\u00fdm pohybem koordinovat zp\u011bv. \u201eMo\u017en\u00e1 jsem ale v sob\u011b objevila nov\u00fd talent,<\/em>\u201c sm\u011bje se. Pomohla j\u00ed p\u0159i tom i fyzick\u00e1 kondice. \u201eOb\u010das d\u011bl\u00e1m tai-chi nebo break dance, ale nedok\u00e1\u017eu j\u00edt do posilovny a prov\u00e1d\u011bt tam n\u011bjak\u00e9 cviky.\u201c<\/em><\/p>\n\n\n\n


S rol\u00ed Rusalky se poprv\u00e9 setkala asi p\u0159ed patn\u00e1cti lety. \u201eJe to n\u00e1dhern\u00e1 hudba i postava, a dokonce bych \u0159ekla, \u017ee je to jedna z m\u00fdch erbovn\u00edch rol\u00ed,\u201c<\/em> vyzn\u00e1v\u00e1 se sopranistka. Z \u010desk\u00e9ho reperto\u00e1ru jmenuje je\u0161t\u011b jednu obl\u00edbenou postavu. Jen\u016ffou minul\u00fd rok okouzlila publikum v lond\u00fdnsk\u00e9 Covent Garden.<\/p>\n\n\n\n


Jen\u016ffa a Rusalka maj\u00ed n\u011bco spole\u010dn\u00e9ho: ne\u0159\u00edd\u00ed se dob\u0159e m\u00edn\u011bn\u00fdmi radami star\u0161\u00edch, co\u017e pro n\u011b m\u00e1 tragick\u00e9 n\u00e1sledky. Grigorjan ale sama podot\u00fdk\u00e1, \u017ee kdy\u017e je \u010dlov\u011bk v teenagersk\u00e9m v\u011bku, jsou mu i ty nejrozumn\u011bj\u0161\u00ed rady rodi\u010d\u016f \u010dasto proti srsti, proto\u017ee si chce d\u011blat v\u0161echno po sv\u00e9m. \u201eSama jsem m\u011bla ohromn\u00e9 \u0161t\u011bst\u00ed, proto\u017ee otec m\u011b nikdy do ni\u010deho netla\u010dil,\u201c<\/em> vzpom\u00edn\u00e1 sopranistka s l\u00e1skou na sv\u00e9ho prvn\u00edho u\u010ditele, kter\u00fd j\u00ed ponech\u00e1val volnost p\u0159i ve\u0161ker\u00fdch rozhodnut\u00edch.<\/p>\n\n\n\n


Svoje litevsk\u00e9 i arm\u00e9nsk\u00e9 ko\u0159eny vn\u00edm\u00e1 Grigorjan velmi siln\u011b, v oblib\u011b m\u00e1 i diametr\u00e1ln\u011b odli\u0161n\u00fd folklor a kultury obou zem\u00ed. P\u0159ed deseti lety se jako s\u00f3listka v\u00fdznamn\u011b pod\u00edlela na Koncert\u011b na pam\u00e1tku ob\u011bt\u00ed arm\u00e9nsk\u00e9 genocidy, kter\u00fd se uskute\u010dnil ve Vilniusu.<\/p>\n\n\n\n


O \u0161est let d\u0159\u00edve ve sv\u00e9m rodn\u00e9m m\u011bst\u011b st\u00e1la u vzniku sdru\u017een\u00ed Vilnius City Opera, kter\u00e9 se z nez\u00e1vazn\u00e9ho spolku mlad\u00fdch opern\u00edch interpret\u016f zm\u011bnilo v regul\u00e9rn\u00ed divadeln\u00ed instituci, je\u017e dodnes \u00fasp\u011b\u0161n\u011b funguje.\u00a0\u201eKdy\u017e jsme se dali dohromady, ne\u0161lo n\u00e1m ani v nejmen\u0161\u00edm o zalo\u017een\u00ed nov\u00e9 opern\u00ed spole\u010dnosti,\u201c<\/em>\u00a0vzpom\u00edn\u00e1 Grigorjan na bezstarostn\u00e9 za\u010d\u00e1tky v roce 2006, kdy se setkalo p\u00e1r mlad\u00fdch lid\u00ed, kter\u00fdm spolu bylo dob\u0159e a cht\u011bli d\u011blat operu tro\u0161ku jinak a po sv\u00e9m.\u00a0\u201eP\u0159it\u00e1hli jsme k ope\u0159e spoustu nov\u00e9ho a mlad\u00e9ho publika, vlastn\u011b jsme si t\u00edm vytvo\u0159ili celou generaci p\u0159\u00edznivc\u016f,\u201c<\/em>\u00a0p\u0159ipom\u00edn\u00e1 zp\u011bva\u010dka dal\u0161\u00ed pozitivn\u00ed d\u016fsledky vzniku Vilnius City Opera.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Bolestn\u00e9 rozpory doby<\/h2>\n\n\n\n

Asmik Grigorjan po celou dobu sv\u00e9 kari\u00e9ry projevuje ohromnou energii, kter\u00e1 j\u00ed umo\u017e\u0148uje velk\u00e9 pracovn\u00ed nasazen\u00ed. Nap\u0159\u00edklad b\u011bhem zkou\u0161ek na Ev\u017eena On\u011bgina v Komick\u00e9 ope\u0159e v Berl\u00edn\u011b roku 2016 zvl\u00e1dla je\u0161t\u011b doj\u00ed\u017ed\u011bt do Vilniusu, kde zp\u00edvala v muzik\u00e1lu Sweeney Todd. Kdy\u017e v b\u0159eznu 2020 onemocn\u011bla covidem, jeho\u017e n\u00e1sledky ji je\u0161t\u011b dlouho pron\u00e1sledovaly, p\u0159ijala v\u0161e jako motivaci k dal\u0161\u00ed pr\u00e1ci. Podobn\u011b jako p\u0159i d\u0159\u00edv\u011bj\u0161\u00ed hlasov\u00e9 krizi se nenechala odradit a do n\u00e1sleduj\u00edc\u00edho l\u00e9ta stihla vytvo\u0159it hlavn\u00ed role v p\u011bti nov\u00fdch produkc\u00edch.<\/p>\n\n\n\n

Letos v b\u0159eznu vydala sopranistka sv\u00e9 prvn\u00ed s\u00f3lov\u00e9 album: p\u00edsn\u011b Sergeje Rachmaninova nahr\u00e1la s klav\u00edristou Lukasem Geniu\u0161asem. V dob\u011b nat\u00e1\u010den\u00ed ani jeden z nich nedok\u00e1zal \u0159\u00edct, pro\u010d si pro sv\u016fj spole\u010dn\u00fd projekt vybrali n\u00e1zev Dissonance. Paradoxn\u011b a\u017e aktu\u00e1ln\u00ed d\u011bn\u00ed Grigorjan p\u0159ivedlo k my\u0161lence, \u017ee se vlastn\u011b jedn\u00e1 o dokonal\u00e9 vyj\u00e1d\u0159en\u00ed bolestn\u00fdch rozpor\u016f v jej\u00edm srdci. \u201eNa jedn\u00e9 stran\u011b je moje l\u00e1ska k rusk\u00e9 kultu\u0159e, hudb\u011b, literatu\u0159e, p\u0159\u00e1tel\u016fm, rodin\u011b i p\u0159\u00edbuzn\u00fdm, na t\u00e9 druh\u00e9 stoj\u00ed nepochopiteln\u00e1, hanebn\u00e1, nesmysln\u00e1 a zlo\u010dinn\u00e1 katastrofa, kter\u00e1 se dot\u00fdk\u00e1 n\u00e1s v\u0161ech.\u201c<\/em><\/p>\n\n\n\n

Vy\u0161lo v Magaz\u00ednu \u010cesk\u00e9 filharmonie 3\/2022.<\/p>\n\n\n\n

Akademie klasick\u00e9 hudby (akademieklasickehudby.cz)<\/a><\/p>\n\n\n\n

RUSALKA NA DVO\u0158\u00c1KOV\u011a PRAZE 2022
<\/strong><\/p>\n\n\n\n

Pond\u011bl\u00ed 19. 9. 2022, 19.00 Rudolfinum <\/strong>\u2014 Dvo\u0159\u00e1kova s\u00ed\u0148 <\/strong><\/a><\/p>\n\n\n\n

St\u0159eda 21. 9. 2022, 19.00 Rudolfinum \u2014 Dvo\u0159\u00e1kova s\u00ed\u0148<\/a><\/strong><\/p>\n\n\n\n

P\u00e1tek 23. 9. 2022, 19.00 Rudolfinum \u2014 Dvo\u0159\u00e1kova s\u00ed\u0148<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Sopranistka v posledn\u00edch letech uchv\u00e1tila publikum na festivalech v Bayreuthu i v Salcburku. Jej\u00ed cesta do \u0161pi\u010dkov\u00fdch opern\u00edch divadel v\u0161ak nebyla ani zdaleka p\u0159\u00edmo\u010dar\u00e1. \u201eNeboj\u00edm se ni\u010deho. Zvl\u00e1\u0161t\u011b ne v\u011bc\u00ed, kter\u00e9 nemohu zm\u011bnit,\u201c \u0159\u00edk\u00e1 o sob\u011b litevsko-arm\u00e9nsk\u00e1 sopranistka Asmik Grigorjan, kter\u00e1 mezi sv\u00e9 z\u00e1sadn\u00ed role po\u010d\u00edt\u00e1 tak\u00e9 Rusalku. V z\u00e1\u0159\u00ed ji provede s \u010ceskou filharmoni\u00ed hned…<\/p>\n","protected":false},"author":1,"featured_media":17176,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[401,133,392,168,539,998],"tags":[1717,1719,427,1718],"class_list":["post-17166","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-ceske-armenske-zpravy","category-czech-armenian-news-cs","category-hudba","category-concerts-cs","category-litva","category-novinky","tag-asmik-grigorjan","tag-dvorakova-praha","tag-opera","tag-rusalka","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/17166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=17166"}],"version-history":[{"count":2,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/17166\/revisions"}],"predecessor-version":[{"id":17181,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/17166\/revisions\/17181"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/17176"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=17166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=17166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=17166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}