Mezin\u00e1rodn\u00ed hudebn\u00ed festival Pra\u017esk\u00e9 jaro mezi 12. kv\u011btnem a 3. \u010dervnem p\u0159inesl na \u010dty\u0159i des\u00edtky koncert\u016f. \u201eC\u00edt\u00edm radost a hrdost, \u017ee po dvou letech pandemie jsme p\u0159inesli opravdu plnohodnotn\u00fd festival, kter\u00fd ve v\u0161ech parametrech naplnil o\u010dek\u00e1v\u00e1n\u00ed do n\u00e1s vkl\u00e1dan\u00e1. Nab\u00eddli jsme hostov\u00e1n\u00ed cel\u00e9 \u0159ady skv\u011bl\u00fdch zahrani\u010dn\u00edch orchestr\u016f, hv\u011bzdn\u00fdch s\u00f3list\u016f, s \u010desk\u00fdmi um\u011blci jsme p\u0159ipravili v\u00fdjime\u010dn\u00e9 festivalov\u00e9 po\u010diny, kter\u00e9 vybo\u010duj\u00ed z nab\u00eddky koncertn\u00edch sez\u00f3n. Zvl\u00e1\u0161tn\u00ed pozornost jsme v\u011bnovali mlad\u00fdm um\u011blc\u016fm a v \u017eivot jsme uvedli velkoryse koncipovan\u00fd projekt v\u011bnovan\u00fd sou\u010dasn\u00e9 hudb\u011b Prague Offspring, kter\u00fd je i ve sv\u011btov\u00e9m kontextu unik\u00e1tn\u00ed. To v\u0161e pova\u017euji \u2013 s p\u0159ihl\u00e9dnut\u00edm k vn\u011bj\u0161\u00edm okolnostem \u2013 za mal\u00fd z\u00e1zrak,\u201c <\/em>uv\u00e1d\u00ed \u0159editel festivalu Roman B\u011blor<\/strong>. \u201eVelice n\u00e1s pot\u011b\u0161il div\u00e1ck\u00fd z\u00e1jem, po dvou pandemick\u00fdch ro\u010dn\u00edc\u00edch bylo kr\u00e1sn\u00e9 vid\u011bt na v\u011bt\u0161in\u011b koncert\u016f pln\u00e9 s\u00e1ly. Dva roky pandemie, na to bezprost\u0159edn\u011b navazuj\u00edc\u00ed turbulentn\u00ed geopolitick\u00e1 situace a s t\u00edm spojen\u00e1 ekonomick\u00e1 nejistota pochopiteln\u011b ovlivnily p\u0159\u00edjmy festivalu \u2013 celkov\u00e9 tr\u017eby z prodeje vstupenek byly p\u0159ibli\u017en\u011b o 25 % ni\u017e\u0161\u00ed, ne\u017e jsme predikovali. V\u011b\u0159\u00edm v\u0161ak, \u017ee tuto situaci ve spolupr\u00e1ci s na\u0161imi partnery a podporovateli zvl\u00e1dneme.\u201c<\/em><\/p>\n\n\n\n \u201eLeto\u0161n\u00ed ro\u010dn\u00edk byl prvn\u00ed, kter\u00fd jsem od sv\u00e9ho p\u0159\u00edchodu do festivalov\u00e9ho t\u00fdmu mohl naplno pro\u017e\u00edt v podob\u011b nepoznamenan\u00e9 pandemi\u00ed. Obzvl\u00e1\u0161t\u011b m\u011b t\u011b\u0161\u00ed kladn\u00fd ohlas v\u0161ech leto\u0161n\u00edch novinek,\u201c<\/em> \u0159\u00edk\u00e1 dramaturg festivalu Josef T\u0159e\u0161t\u00edk<\/strong>. \u201eNaprosto strhuj\u00edc\u00ed byl pro m\u011b dvojit\u00fd debut Fran\u00e7oise-Xaviera Rotha<\/strong>, jeho\u017e pod\u00e1n\u00ed d\u011bl Francka, Debussyho a Strausse m\u016f\u017ee zm\u011bnit, jak se na interpretace d\u011bl t\u011bchto autor\u016f budeme v budoucnu d\u00edvat. Dodnes ve mn\u011b rezonuje \u00fachvatn\u00e9 proveden\u00ed <\/em>\u0160est\u00e9 symfonie Antona Brucknera, kterou Mirga Gra\u017einyt\u0117-Tyla<\/strong> se sv\u00fdm orchestrem z Birminghamu dok\u00e1zala neuv\u011b\u0159iteln\u011b vystav\u011bt a propojit lyrick\u00e9 polohy skladby s t\u011bmi monument\u00e1ln\u00edmi, a p\u0159i tom ka\u017ed\u00fd takt vyzn\u011bl a\u017e s neskute\u010dn\u00fdm smyslem pro detail,\u201c <\/em>popisuje T\u0159e\u0161t\u00edk. \u201eGautier Capu\u00e7on<\/strong> v r\u00e1mci sv\u00e9 rezidence uk\u00e1zal, jak r\u016fznorod\u00fdmi um\u011blcem je, jak naprosto p\u0159esv\u011bd\u010div\u011b dok\u00e1\u017ee publiku p\u0159edat snad jakoukoliv hudbu \u2013 a\u0165 u\u017e hraje extr\u00e9mn\u011b obt\u00ed\u017enou s\u00f3lovou son\u00e1tu Zolt\u00e1na Kod\u00e1lye, Brahmse \u010di Debussyho s doprovodem klav\u00edru, nebo Elgar\u016fv koncert po boku symfonick\u00e9ho orchestru,\u201c<\/em> uzav\u00edr\u00e1 T\u0159e\u0161t\u00edk.<\/p>\n\n\n\n K\u00a0jeho slov\u016fm se p\u0159ipojuje skladatel Miroslav Srnka<\/strong>, \u010dlen um\u011bleck\u00e9 rady festivalu. \u201eMimo\u0159\u00e1dn\u011b m\u011b t\u011b\u0161\u00ed, \u017ee prob\u011bhl prvn\u00ed pln\u011b \u017eiv\u00fd ro\u010dn\u00edk pod veden\u00edm nov\u00e9 um\u011bleck\u00e9 rady festivalu a dramaturga Josefa T\u0159e\u0161t\u00edka, \u017ee publikum ocenilo nap\u00ednav\u00e9 programy a \u017ee opravdu srde\u010dn\u011b p\u0159iv\u00edtalo v Praze zat\u00edm nezn\u00e1m\u00e9 hudebn\u00edky a hudebnice. Osobn\u011b jsem se po p\u011bti letech do\u010dkal spln\u011bn\u00e9ho snu: Prague Offspring<\/strong> jako m\u00edsta setk\u00e1v\u00e1n\u00ed, sd\u00edlen\u00ed a v\u00fdm\u011bny pohled\u016f na nejnov\u011bj\u0161\u00ed hudbu. M\u00edsta, kde se propojily energie reziden\u010dn\u00edho ans\u00e1mblu Klangforum Wien, reziden\u010dn\u00ed skladatelky Olgy Neuwirth, panelist\u016f ze sp\u0159\u00e1telen\u00fdch evropsk\u00fdch festival\u016f. Byli jsme sv\u011bdky neuv\u011b\u0159iteln\u00e9ho ensemblov\u00e9ho \u201ahran\u00ed z\u00a0listu\u2018 nov\u00fdch kus\u016f mlad\u00fdch skladatel\u016f a skladatelek, mistrovsk\u00fdch kurz\u016f \u010dlen\u016f Klangfora. Praha se vr\u00e1tila na evropskou mapu festival\u016f soudob\u00e9 hudby, kam se vyplat\u00ed jet,\u201c<\/em> zd\u016fraz\u0148uje Srnka.<\/p>\n\n\n\n orer.eu<\/p>\n","protected":false},"excerpt":{"rendered":" Mezin\u00e1rodn\u00ed hudebn\u00ed festival Pra\u017esk\u00e9 jaro mezi 12. kv\u011btnem a 3. \u010dervnem p\u0159inesl na \u010dty\u0159i des\u00edtky koncert\u016f. \u201eC\u00edt\u00edm radost a hrdost, \u017ee po dvou letech pandemie jsme p\u0159inesli opravdu plnohodnotn\u00fd festival, kter\u00fd ve v\u0161ech parametrech naplnil o\u010dek\u00e1v\u00e1n\u00ed do n\u00e1s vkl\u00e1dan\u00e1. Nab\u00eddli jsme hostov\u00e1n\u00ed cel\u00e9 \u0159ady skv\u011bl\u00fdch zahrani\u010dn\u00edch orchestr\u016f, hv\u011bzdn\u00fdch s\u00f3list\u016f, s \u010desk\u00fdmi um\u011blci jsme p\u0159ipravili v\u00fdjime\u010dn\u00e9 festivalov\u00e9…<\/p>\n","protected":false},"author":1,"featured_media":12617,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[392,383,998],"tags":[491],"class_list":["post-12615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba","category-kultura","category-novinky","tag-prazske-jaro"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/12615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=12615"}],"version-history":[{"count":2,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/12615\/revisions"}],"predecessor-version":[{"id":12621,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/12615\/revisions\/12621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/12617"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=12615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=12615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=12615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}