{"id":12576,"date":"2022-06-02T17:50:44","date_gmt":"2022-06-02T14:50:44","guid":{"rendered":"https:\/\/orer.eu\/?p=12576"},"modified":"2022-06-02T17:54:20","modified_gmt":"2022-06-02T14:54:20","slug":"vidensti-filharmonikove-zavrsi-77-rocnik-prazskeho-jara","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2022\/06\/02\/vidensti-filharmonikove-zavrsi-77-rocnik-prazskeho-jara\/","title":{"rendered":"V\u00edde\u0148\u0161t\u00ed filharmonikov\u00e9 zavr\u0161\u00ed 77. ro\u010dn\u00edk Pra\u017esk\u00e9ho jara"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\"><\/h1>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/06\/nelsons-1024x683.jpg\" alt=\"\" class=\"wp-image-12578\" srcset=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/06\/nelsons-1024x683.jpg 1024w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/06\/nelsons-300x200.jpg 300w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/06\/nelsons-768x512.jpg 768w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/06\/nelsons-1536x1024.jpg 1536w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/06\/nelsons.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Andris Nelsons<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Z\u00e1v\u011bre\u010dn\u00fd koncert 77. ro\u010dn\u00edku mezin\u00e1rodn\u00edho hudebn\u00edho festivalu Pra\u017esk\u00e9 jaro bude v&nbsp;p\u00e1tek 3. \u010dervna \u0159\u00eddit jedna z nejv\u00fdrazn\u011bj\u0161\u00edch dirigentsk\u00fdch osobnost\u00ed <strong>Andris Nelsons<\/strong>, kter\u00fd stane v \u010dele <strong>V\u00edde\u0148sk\u00fdch filharmonik\u016f. <\/strong>Sotva bychom na\u0161li t\u011bleso t\u011bsn\u011bji spjat\u00e9 s&nbsp;bohatou histori\u00ed a tradic\u00ed evropsk\u00e9 klasick\u00e9 hudby. V&nbsp;prvn\u00ed polovin\u011b jejich koncertu na sv\u011b\u017e\u00ed kombinaci d\u011bl Dmitrije \u0160ostakovi\u010de a mezi novodob\u00e9 klasiky pat\u0159\u00edc\u00ed Sofie&nbsp;Gubajduliny. <em>\u201e<\/em><em>Obzvl\u00e1\u0161t\u011b m\u011b t\u011b\u0161\u00ed, \u017ee do programu byla jako z\u00e1v\u011bre\u010dn\u00e1 skladba za\u0159azena <\/em>\u0160est\u00e1 symfonie<em>&nbsp;Anton\u00edna Dvo\u0159\u00e1ka,\u201c<\/em> \u0159\u00edk\u00e1 \u0159editel festivalu Roman B\u011blor. <em>\u201eD\u00edlo nonkonformn\u00ed rusk\u00e9 autorky vych\u00e1z\u00ed z \u010desk\u00e9 poh\u00e1dky o erudici a fantazii,\u201d <\/em>\u0159\u00edk\u00e1 o Gubajdulin\u011b skladb\u011b prezident V\u00edde\u0148sk\u00fdch filharmonik\u016f Daniel Froschauer. <em>\u201eN\u00e1sledovat bude <\/em>Dev\u00e1t\u00e1 symfonie<em> Dmitrije \u0160ostakovi\u010de \u2013 po\u010din balancuj\u00edc\u00ed na pomez\u00ed ironie a kritiky re\u017eimu. A jako znak na\u0161ich bl\u00edzk\u00fdch vazeb jsme zvolili Dvo\u0159\u00e1kovu <\/em>\u0160estou symfonii<em>, radostnou hudebn\u00ed b\u00e1se\u0148, kterou vzd\u00e1v\u00e1 hold sv\u00e9 \u010desk\u00e9 domovin\u011b.\u201c<\/em><\/p>\n\n\n\n<p>V\u00edde\u0148\u0161t\u00ed filharmonikov\u00e9 pat\u0159\u00ed k&nbsp;pravideln\u00fdm host\u016fm Pra\u017esk\u00e9ho jara u\u017e v\u00edce ne\u017e p\u016flstolet\u00ed \u2013 od&nbsp;koncert\u016f s&nbsp;Herbertem von Karajanem a&nbsp;Karlem B\u00f6hmem v&nbsp;60. letech minul\u00e9ho stolet\u00ed a\u017e po&nbsp;nezapomenuteln\u00fd zahajovac\u00ed koncert s&nbsp;Danielem Barenboimem v&nbsp;roce 2017 se Smetanovou <em>Mou vlast\u00ed<\/em>.<\/p>\n\n\n\n<p><strong>Andris Nelsons<\/strong> (1978), jeden z&nbsp;nejrenomovan\u011bj\u0161\u00edch dirigent\u016f sou\u010dasnosti a dr\u017eitel n\u011bkolika cen Grammy, je od sezony 2014\/2015 hudebn\u00edm \u0159editelem Bostonsk\u00e9ho symfonick\u00e9ho orchestru a od \u00fanora 2018 jednadvac\u00e1t\u00fdm \u201ekapellmeisterem\u201c Orchestru lipsk\u00e9ho Gewandhausu. U obou orchestr\u016f rozv\u00edj\u00ed sv\u00e9 dirigentsk\u00e9 vize, podnik\u00e1 s&nbsp;nimi v\u0159ele p\u0159ij\u00edman\u00e1 turn\u00e9 a iniciuje mezi nimi spolupr\u00e1ci, jej\u00edm\u017e dosavadn\u00edm vrcholem se stal koncert, kter\u00fd se uskute\u010dnil na podzim 2019 v&nbsp;Bostonu a na n\u011bm\u017e vystoupil orchestr slo\u017een\u00fd z&nbsp;hudebn\u00edk\u016f obou t\u011bles.<\/p>\n\n\n\n<p>Nelsons tak\u00e9 pravideln\u011b spolupracuje s&nbsp;Berl\u00ednsk\u00fdmi filharmoniky, Symfonick\u00fdm orchestrem Bavorsk\u00e9ho rozhlasu, orchestrem amsterdamsk\u00e9ho Concertgebouw \u010di V\u00edde\u0148sk\u00fdmi filharmoniky, kter\u00e9 v roce 2020 \u0159\u00eddil na jejich presti\u017en\u00edm novoro\u010dn\u00edm koncert\u011b a p\u0159i p\u0159\u00edle\u017eitosti oslav 250. v\u00fdro\u010d\u00ed narozen\u00ed Ludwiga van Beethovena s&nbsp;nimi uvedl cyklus symfoni\u00ed tohoto skladatele v&nbsp;Pa\u0159\u00ed\u017esk\u00e9 filharmonii, mnichovsk\u00e9m Gasteigu a Labsk\u00e9 filharmonii v Hamburku. Je tak\u00e9 pravideln\u00fdm hostem v&nbsp;Royal Opera House v&nbsp;Covent Garden a na Hudebn\u00edch slavnostech v&nbsp;Bayreuthu.<\/p>\n\n\n\n<p>Jeho spolupr\u00e1ci s orchestry chv\u00e1l\u00ed odborn\u00e1 kritika na cel\u00e9m sv\u011bt\u011b. <em>\u201eA\u0165 u\u017e diriguje Orchestr lipsk\u00e9ho Gewandhausu v&nbsp;Brucknerovi nebo V\u00edde\u0148sk\u00e9 filharmoniky v&nbsp;Mahlerovi, Andris Nelsons si je v\u011bdom hlubok\u00e9ho, nedefinovateln\u00e9ho propojen\u00ed mezi dirigentem a jeho hudebn\u00edky,\u201c<\/em> napsal o dirigentovi presti\u017en\u00ed britsk\u00fd \u010dasopis Gramophone. <em>\u201eNelsons vedl d\u00edlo s&nbsp;jasn\u00fdm smyslem pro kulminaci a zd\u016fraz\u0148oval jeho \u010detn\u00e9 detaily,\u201c<\/em> uvedl zase Boston Classical Review.<\/p>\n\n\n\n<p>Nelsonsova exkluzivn\u00ed smlouva s Deutsche Grammophon d\u00e1v\u00e1 vzniknout n\u011bkolika v\u00fdjime\u010dn\u00fdm nahr\u00e1vac\u00edm projekt\u016fm, mj. komplet\u016fm symfoni\u00ed \u0160ostakovi\u010dov\u00fdch (s&nbsp;Bostonsk\u00fdm symfonick\u00fdm orchestrem), Brucknerov\u00fdch (s&nbsp;orchestrem Gewandhausu) a Beethovenov\u00fdch (s&nbsp;V\u00edde\u0148sk\u00fdmi filharmoniky).<\/p>\n\n\n\n<p>Pozoruhodn\u00e1 je ov\u0161em i Nelsonsova ran\u00e1 kari\u00e9ra. Rod\u00e1k z&nbsp;loty\u0161sk\u00e9 Rigy je\u0161t\u011b p\u0159ed studiem dirigov\u00e1n\u00ed p\u016fsobil jako trumpetista v&nbsp;orchestru Loty\u0161sk\u00e9 n\u00e1rodn\u00ed opery. Pozd\u011bji byl hudebn\u00edm \u0159editelem Symfonick\u00e9ho orchestru m\u011bsta Birminghamu (2008\u20132015), \u0161\u00e9fdirigentem Severoz\u00e1padn\u00ed n\u011bmeck\u00e9 filharmonie v&nbsp;Herfordu (2006\u20132009) a v&nbsp;letech 2003\u20132007 hudebn\u00edm \u0159editelem Loty\u0161sk\u00e9 n\u00e1rodn\u00ed opery.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Z\u00e1v\u011bre\u010dn\u00fd koncert 77. ro\u010dn\u00edku mezin\u00e1rodn\u00edho hudebn\u00edho festivalu Pra\u017esk\u00e9 jaro bude v&nbsp;p\u00e1tek 3. \u010dervna \u0159\u00eddit jedna z nejv\u00fdrazn\u011bj\u0161\u00edch dirigentsk\u00fdch osobnost\u00ed Andris Nelsons, kter\u00fd stane v \u010dele V\u00edde\u0148sk\u00fdch filharmonik\u016f. Sotva bychom na\u0161li t\u011bleso t\u011bsn\u011bji spjat\u00e9 s&nbsp;bohatou histori\u00ed a tradic\u00ed evropsk\u00e9 klasick\u00e9 hudby. V&nbsp;prvn\u00ed polovin\u011b jejich koncertu na sv\u011b\u017e\u00ed kombinaci d\u011bl Dmitrije \u0160ostakovi\u010de a mezi novodob\u00e9 klasiky pat\u0159\u00edc\u00ed&#8230;<\/p>\n","protected":false},"author":1,"featured_media":12578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[392,383,998],"tags":[1415,491],"class_list":["post-12576","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-hudba","category-kultura","category-novinky","tag-andris-nelsons","tag-prazske-jaro","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/12576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=12576"}],"version-history":[{"count":2,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/12576\/revisions"}],"predecessor-version":[{"id":12582,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/12576\/revisions\/12582"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/12578"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=12576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=12576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=12576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}