{"id":11116,"date":"2022-05-23T22:36:58","date_gmt":"2022-05-23T19:36:58","guid":{"rendered":"https:\/\/orer.eu\/?p=11116"},"modified":"2022-05-23T22:49:08","modified_gmt":"2022-05-23T19:49:08","slug":"debut-prazskeho-jara-marek-prasil","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2022\/05\/23\/debut-prazskeho-jara-marek-prasil\/","title":{"rendered":"Debut Pra\u017esk\u00e9ho jara. Marek Pr\u00e1\u0161il"},"content":{"rendered":"\n

<\/h1>\n\n\n\n

\u201ePat\u0159\u00ed k nejlep\u0161\u00edm \u010desk\u00fdm dirigent\u016fm sv\u00e9 generace, ale v Praze se doposud na velk\u00e9m p\u00f3diu nep\u0159edstavil,\u201c <\/em>prohla\u0161uje o Marku Pr\u00e1\u0161ilovi<\/strong> dramaturg Pra\u017esk\u00e9ho jara Josef T\u0159e\u0161t\u00edk. Pr\u00e1\u0161il je hlavn\u00edm hostuj\u00edc\u00edm dirigentem Jiho\u010desk\u00e9 filharmonie v \u010cesk\u00fdch Bud\u011bjovic\u00edch a dirigentem ostravsk\u00e9ho N\u00e1rodn\u00edho divadla moravskoslezsk\u00e9ho. V r\u00e1mci Debutu Pra\u017esk\u00e9ho jara stane v \u00fater\u00fd 24. kv\u011btna v \u010dele PKF \u2013 Prague Philharmonia, s\u00f3listou ve\u010dera bude mlad\u00fd klav\u00edrista Dongha Lee<\/strong>, laure\u00e1t Mezin\u00e1rodn\u00ed hudebn\u00ed sout\u011b\u017ee Pra\u017esk\u00e9ho jara z roku 2021. \u201eJe pro m\u011b ct\u00ed hr\u00e1t v tak kr\u00e1sn\u00e9m m\u011bst\u011b s tak skv\u011bl\u00fdm orchestrem. Loni jsem v Praze hr\u00e1l pro pr\u00e1zdn\u00e9 auditorium, div\u00e1ci byli p\u0159ed obrazovkami streamu. Tentokr\u00e1t se t\u011b\u0161\u00edm, \u017ee op\u011bt bude moci b\u00fdt s\u00e1l pln\u00fd publika!\u201c<\/em> \u0159\u00edk\u00e1 korejsk\u00fd um\u011blec a Marek Pr\u00e1\u0161il dopl\u0148uje. \u201eNesm\u00edrnou poctou a v\u00fdzvou z\u00e1rove\u0148 je pro mne mo\u017enost debutovat na festivalu Pra\u017esk\u00e9 jaro.\u202f O to v\u00edce, \u017ee mne um\u011bleck\u00e1 rada festivalu navrhla jako prvn\u00edho absolventa JAMU, kter\u00fd tuto kr\u00e1snou p\u0159\u00edle\u017eitost
k dirigentsk\u00e9mu debutu dostal,\u201c<\/em> \u0159\u00edk\u00e1 ostravsk\u00fd rod\u00e1k a patriot Marek Pr\u00e1\u0161il.<\/p>\n\n\n\n

Program koncertu zah\u00e1j\u00ed D\u011btsk\u00fd koutek<\/em> Clauda Debussyho v n\u00e1padit\u011b barevn\u00e9 instrumentaci autorova p\u0159\u00edtele Andr\u00e9ho Capleta, prvn\u00ed polovina ve\u010dera pak vyvrchol\u00ed proveden\u00edm Koncertu pro klav\u00edr a orchestr \u010d. 23 A dur<\/em> Wolfganga Amadea Mozarta. Druh\u00e1 polovina p\u0159inese kontrast. \u201eBude to oslava p\u0159\u00edrody a folklorismu v tom nejryzej\u0161\u00edm slova smyslu,\u201c <\/em>\u0159\u00edk\u00e1 Marek Pr\u00e1\u0161il. \u201eZazn\u00ed m\u00e9n\u011b uv\u00e1d\u011bn\u00e1 <\/em>Suita op. 3 Leo\u0161e Jan\u00e1\u010dka, autora, kter\u00fd je m\u00e9mu srdci, a to nejen m\u00edstopisn\u011b, a\u017e bytostn\u011b bl\u00edzk\u00fd a s jeho\u017e hudbou se m\u00e1m to \u0161t\u011bst\u00ed potk\u00e1vat \u010d\u00edm d\u00e1le t\u00edm \u010dast\u011bji,\u201c<\/em> sv\u011b\u0159uje se dirigent. Cel\u00fd ve\u010der pak zavr\u0161\u00ed Rumunsk\u00fd koncert<\/em> klasika 20. stolet\u00ed Gy\u00f6rgyho Ligetiho. \u201eJe to jedno z jeho ran\u00fdch d\u011bl, je oslavou skladatelova vztahu k transylv\u00e1nsk\u00e9mu folkl\u00f3ru, kter\u00fd intenzivn\u011b studoval,\u201c<\/em> vysv\u011btluje Pr\u00e1\u0161il.<\/p>\n\n\n\n

Marek Pr\u00e1\u0161il<\/h1>\n\n\n\n

Marek Pr\u00e1\u0161il<\/strong> (nar. 1986) vystudoval hru na klarinet na Ostravsk\u00e9 univerzit\u011b a paraleln\u011b se sv\u00fdm prvn\u00edm anga\u017em\u00e1 v orchestru N\u00e1rodn\u00edho divadla moravskoslezsk\u00e9ho za\u010dal studia dirigov\u00e1n\u00ed na konzervato\u0159i. V nich pokra\u010doval pod veden\u00edm Tom\u00e1\u0161e Hanuse na Jan\u00e1\u010dkov\u011b akademii m\u00fazick\u00fdch um\u011bn\u00ed v Brn\u011b, kde je v sou\u010dasnosti poslucha\u010dem doktorsk\u00e9ho studijn\u00edho programu. Prvn\u00ed dirigentsk\u00e9 p\u0159\u00edle\u017eitosti se mu naskytly z\u00e1hy, a to zejm\u00e9na v oblasti muzik\u00e1lu.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

D\u00edky sv\u00e9mu pedagogovi m\u011bl tak\u00e9 mo\u017enost pod\u00edlet se jako asistent na nejpresti\u017en\u011bj\u0161\u00edch zahrani\u010dn\u00edch opern\u00edch produkc\u00edch, jako byla nap\u0159\u00edklad Jan\u00e1\u010dkova V\u011bc Makropulos<\/em> (2014) \u010di Smetanova Prodan\u00e1 nev\u011bsta<\/em> (2018) v Bayerische Staatsoper v Mnichov\u011b, Strauss\u016fv R\u016f\u017eov\u00fd kaval\u00edr <\/em>ve Welsh National Opera (2017) nebo \u010cajkovsk\u00e9ho Jolanta<\/em> v Pa\u0159\u00ed\u017ei (2019).<\/p>\n\n\n\n

V roce 2015 mu bylo ud\u011bleno Stipendium Bayreuther Festspiele.<\/p>\n\n\n\n

Na z\u00e1klad\u011b p\u0159edchoz\u00ed \u00fasp\u011b\u0161n\u00e9 spolupr\u00e1ce se Marek Pr\u00e1\u0161il stal od sez\u00f3ny 2020\/21 hlavn\u00edm hostuj\u00edc\u00edm dirigentem Jiho\u010desk\u00e9 filharmonie v \u010cesk\u00fdch Bud\u011bjovic\u00edch. O jeho dirigentsk\u00fdch ambic\u00edch mj. sv\u011bd\u010d\u00ed, \u017ee na inaugura\u010dn\u00edm koncert\u011b v t\u00e9to pozici provedl Stravinsk\u00e9ho Sv\u011bcen\u00ed jara<\/em>.<\/p>\n\n\n\n

V srpnu 2016 dv\u011bma koncerty debutoval u \u0161v\u00fdcarsk\u00e9ho Sinfonie Orchester Biel Solothurn. V roce 2020 pak u Litevsk\u00e9ho n\u00e1rodn\u00edho symfonick\u00e9ho orchestru proveden\u00edm Dvo\u0159\u00e1kova Te Deum<\/em>. Do Vilniusu se vr\u00e1t\u00ed v roce 2022, aby se stejn\u00fdm orchestrem v litevsk\u00e9 premi\u00e9\u0159e provedl Jan\u00e1\u010dkovu Sinfoniettu<\/em>.<\/p>\n\n\n\n

Dal\u0161\u00ed hostov\u00e1n\u00ed Marka Pr\u00e1\u0161ila zahrnuj\u00ed nap\u0159. Jan\u00e1\u010dkovu, Plze\u0148skou i Brn\u011bnskou filharmonii, opern\u00ed anga\u017em\u00e1 jej zavedla do St\u00e1tn\u00edho divadla Ko\u0161ice (Belliniho N\u00e1m\u011bs\u00ed\u010dn\u00e1<\/em>) a do Slezsk\u00e9ho divadla v Opav\u011b (K\u00e1lm\u00e1nova Hrab\u011bnka Marica<\/em>).<\/p>\n\n\n\n

Diskografie Marka Pr\u00e1\u0161ila zahrnuje mimo jin\u00e9 z\u00e1znamy s Jiho\u010deskou filharmoni\u00ed a houslistou Romanem Pato\u010dkou, violoncellistou Ji\u0159\u00edm B\u00e1rtou nebo sopranistkou Patrici\u00ed Jane\u010dkovou, kter\u00e9 vznikaly b\u011bhem covidov\u00e9ho roku. D\u00e1le m\u00e1 na kont\u011b p\u0159edev\u0161\u00edm crossoverov\u00e9 projekty \u2013 CD nazvan\u00e9 Hana\/Edith<\/em> s nejzn\u00e1m\u011bj\u0161\u00edmi \u0161ansony Edith Piaf v pod\u00e1n\u00ed dr\u017eitelky Ceny Th\u00e1lie Hany Fialov\u00e9, v\u00e1no\u010dn\u00ed CD Hallelujah<\/em> Martina Chod\u00fara s Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava, v N\u00e1rodn\u00edm divadle moravskoslezsk\u00e9m vznikla nahr\u00e1vka \u010desk\u00e9 premi\u00e9ry komorn\u00edho muzik\u00e1lu The last five years<\/em> (P\u011bt let zp\u011bt).<\/p>\n\n\n\n

Nen\u00ed bez zaj\u00edmavosti, \u017ee svou pohotovost a p\u0159ipravenost Marek Pr\u00e1\u0161il, zan\u00edcen\u00fd sportovec, osv\u011bd\u010duje nejen p\u0159i zvl\u00e1d\u00e1n\u00ed ne\u010dekan\u00fdch situac\u00ed v divadle a na p\u00f3diu, ale tak\u00e9 jako dlouholet\u00fd dobrovoln\u00fd z\u00e1chran\u00e1\u0159 \u010cesk\u00e9ho \u010derven\u00e9ho k\u0159\u00ed\u017ee.<\/p>\n\n\n\n

Dongha Lee<\/h1>\n\n\n\n
\"\"<\/figure>\n\n\n\n

V historii Mezin\u00e1rodn\u00ed hudebn\u00ed sout\u011b\u017ee Pra\u017esk\u00e9ho jara se stalo z\u0159\u00eddka, aby celkov\u00fd v\u00edt\u011bz sou\u010dasn\u011b posb\u00edral v\u0161echny zvl\u00e1\u0161tn\u00ed ceny. Mlad\u00fd pianista z Ji\u017en\u00ed Koreje Dongha Lee<\/strong> v\u0161ak vloni porotce uhranul natolik, \u017ee si spolu s titulem laure\u00e1ta odnesl tak\u00e9 Cenu hlavn\u00edho m\u011bsta Prahy, Cenu \u010cesk\u00e9ho rozhlasu a cenu za nejlep\u0161\u00ed proveden\u00ed d\u00edla Jany V\u00f6r\u00f6\u0161ov\u00e9, kter\u00e9 vzniklo speci\u00e1ln\u011b pro sout\u011b\u017e. Ve fin\u00e1le Dongha Lee za doprovodu Symfonick\u00e9ho orchestru hl. m\u011bsta Prahy FOK a dirigenta Marka \u0160ediv\u00e9ho zahr\u00e1l Beethoven\u016fv \u010ctvrt\u00fd klav\u00edrn\u00ed koncert<\/em>. V\u011broslav N\u011bmec v \u010dasopisu Harmonie napsal, \u017ee o \u201evynikaj\u00edc\u00ed technice net\u0159eba mluvit (\u2026) Dongha Lee m\u011bl Beethovena zjevn\u011b dlouhodob\u011b za\u017eit\u00e9ho a hr\u00e1l ho s o\u010dividn\u00fdm nadhledem.\u201c<\/em> Ve stejn\u00e9 recenzi d\u00e1le uvedl, \u017ee \u201eDongha Lee p\u0159ipom\u00ednal v\u00edno vyzr\u00e1l\u00e9 a ve v\u0161ech slo\u017ek\u00e1ch vyv\u00e1\u017een\u00e9.\u201c<\/em><\/p>\n\n\n\n

\u201eJamile sout\u011b\u017e skon\u010dila, dostal jsem pozv\u00e1n\u00ed z mnoha m\u00edst,\u201c<\/em> sv\u011b\u0159uje se radostn\u011b klav\u00edrista. \u010cekaj\u00ed ho tak vystoupen\u00ed t\u0159eba v jihokorejsk\u00e9m Arts Center, v lipsk\u00e9m Gewandhausu nebo n\u011bmeck\u00e9m Kirchheimbolandenu.<\/p>\n\n\n\n

\u201eKorej\u0161t\u00ed hudebn\u00edci se sna\u017e\u00ed pochopit ducha evropsk\u00e9 hudby,\u201c <\/em>\u0159\u00edk\u00e1 Dongha Lee. Proto zvolil za m\u00edsto sv\u00e9ho studia N\u011bmecko. Nejprve na Hochschule f\u00fcr Musik v Hannoveru absolvoval s vyznamen\u00e1n\u00edm ve t\u0159\u00edd\u011b Ewy Kupiec. Nyn\u00ed je poslucha\u010dem Vysok\u00e9 hudebn\u00ed \u0161koly v M\u00fcnsteru u Arnulfa von Arnim.<\/p>\n\n\n\n

Slovo o programu<\/h1>\n\n\n\n

Program koncertu zah\u00e1j\u00ed D\u011btsk\u00fd koutek<\/em> Clauda Debussyho<\/strong> v n\u00e1padit\u011b barevn\u00e9 instrumentaci autorova p\u0159\u00edtele Andr\u00e9ho Capleta. Popul\u00e1rn\u00ed cyklus p\u016fvodn\u011b klav\u00edrn\u00edch skladeb francouzsk\u00fd skladatel dedikoval sv\u00e9 dce\u0159i, kter\u00e9 se \u0159\u00edkalo Chouchou (\u0160u\u0161u). \u201eM\u00e9 drah\u00e9 mal\u00e9 Chouchou, od jej\u00edho otce s l\u00e1skyplnou omluvou za to, co bude n\u00e1sledovat,\u201c<\/em> napsal skladatel do v\u011bnov\u00e1n\u00ed. Jak s\u00e1m Marek Pr\u00e1\u0161il \u0159\u00edk\u00e1, i jeho vedlo k za\u0159azen\u00ed skladby na program pra\u017eskojarn\u00edho debutu jeho otcovstv\u00ed. \u201eInspirac\u00ed pro v\u00fdb\u011br tohoto hrav\u00e9ho a d\u011btsky bezstarostn\u00e9ho d\u00edla je mi \u010das str\u00e1ven\u00fd s m\u00fdm prvn\u00edm synem Maty\u00e1\u0161em,\u201c <\/em>sv\u011b\u0159uje se.<\/em><\/p>\n\n\n\n

Prvn\u00ed polovina ve\u010dera vyvrchol\u00ed proveden\u00edm Koncertu pro klav\u00edr a orchestr \u010d. 23 A dur<\/em> Wolfganga Amadea Mozarta<\/strong>.D\u00edlo vznikalo v sousedstv\u00ed opery Figarova svatba<\/em> a jeho druh\u00e1 v\u011bta v nezvykl\u00e9 t\u00f3nin\u011b fis moll pat\u0159\u00ed k t\u00e9 nejkr\u00e1sn\u011bj\u0161\u00ed a nejj\u00edmav\u011bj\u0161\u00ed hudb\u011b, jakou salcbursk\u00fd rod\u00e1k slo\u017eil.  <\/strong>\u201eJsem nesm\u00edrn\u011b r\u00e1d, \u017ee se na p\u00f3diu setk\u00e1me spole\u010dn\u011b s v\u00edt\u011bzem sout\u011b\u017ee pra\u017esk\u00e9ho jara, s korejsk\u00fdm pianistou Donghaem Leem, pro n\u011bj\u017e, pominu-li samotnou sout\u011b\u017e, bude na\u0161e spolupr\u00e1ce vlastn\u011b tak\u00e9 festivalov\u00fdm debutem,\u201c<\/em> \u0159\u00edk\u00e1 o spolupr\u00e1ci dirigent. \u201eJ\u00e1 osobn\u011b si mysl\u00edm, \u017ee Mozartovy klav\u00edrn\u00ed koncerty jsou l\u00e9pe vystav\u011bn\u00e9 ne\u017e jeho son\u00e1ty,\u201c<\/em> uv\u00e1d\u00ed Dongha Lee. \u201eKoncert A dur miluje mnoho lid\u00ed, je to velmi hlubok\u00e9 d\u00edlo, kter\u00e9 jsem cht\u011bl uv\u00e9st, a\u017e budu star\u0161\u00ed. Ale m\u011bl jsem \u0161t\u011bst\u00ed a dostal p\u0159\u00edle\u017eitost d\u0159\u00edve, ne\u017e jsem \u010dekal,\u201c <\/em>dod\u00e1v\u00e1 s radost\u00ed.<\/p>\n\n\n\n

Druh\u00e1 polovina p\u0159inese kontrast. \u201eBude to oslava p\u0159\u00edrody a folklorismu v tom nejryzej\u0161\u00edm slova smyslu,\u201c <\/em>\u0159\u00edk\u00e1 k tomu Pr\u00e1\u0161il. \u201eZazn\u00ed m\u00e9n\u011b uv\u00e1d\u011bn\u00e1 <\/em>Suita op. 3 Leo\u0161e Jan\u00e1\u010dka<\/strong>, autora, kter\u00fd je m\u00e9mu srdci, a to nejen m\u00edstopisn\u011b, a\u017e bytostn\u011b bl\u00edzk\u00fd a s jeho\u017e hudbou se m\u00e1m to \u0161t\u011bst\u00ed potk\u00e1vat \u010d\u00edm d\u00e1le t\u00edm \u010dast\u011bji,\u201c<\/em> sv\u011b\u0159uje se dirigent. Hukvaldsk\u00fd rod\u00e1k d\u00edlo psal v roce 1891, ale premi\u00e9ra se konala a\u017e v roce 1928 v pod\u00e1n\u00ed spojen\u00fdch rozhlasov\u00fdch orchestr\u016f z Prahy a Brna. Materi\u00e1l si skladatel vyp\u016fj\u010dil ze sv\u00e9 opery Po\u010d\u00e1tek rom\u00e1nu<\/em> a La\u0161sk\u00fdch tanc\u016f<\/em>.<\/p>\n\n\n\n

Cel\u00fd ve\u010der pak zavr\u0161\u00ed Rumunsk\u00fd koncert<\/em> klasika 20. stolet\u00ed Gy\u00f6rgyho Ligetiho<\/strong>. \u201eJe to jedno z jeho ran\u00fdch d\u011bl, je oslavou skladatelova vztahu k transylv\u00e1nsk\u00e9mu folkl\u00f3ru, kter\u00fd intenzivn\u011b studoval,\u201c<\/em> vysv\u011btluje Pr\u00e1\u0161il. Stejn\u011b jako u Ligetiho p\u0159edch\u016fdc\u016f Kod\u00e1lyho a Bart\u00f3ka byl skladatel\u016fv vztah k lidov\u00e9 hudb\u011b velmi intenzivn\u00ed. Poznal ji v d\u011btstv\u00ed, ale pro inspiraci se k n\u00ed vracel i mnohem pozd\u011bji ve zral\u00fdch d\u00edlech, kter\u00e1 psal v emigraci v z\u00e1padn\u00ed Evrop\u011b. \u010cty\u0159v\u011bt\u00e1 kompozice v jednom proudu je hrav\u00e1, rozpustil\u00e1 a divok\u00e1 z\u00e1rove\u0148. Ve \u010dtvrt\u00e9 \u010d\u00e1sti skladatel p\u0159edepisuje hr\u00e1\u010di na lesn\u00ed roh pou\u017e\u00edvat p\u0159irozen\u00e9 lad\u011bn\u00ed bez ventil\u016f. Dne\u0161n\u00edmu poslucha\u010di se nechce ani v\u011b\u0159it, jak jemn\u00e9 stopy modernismu, ostatn\u011b vych\u00e1zej\u00edc\u00ed z lidov\u00e9 hudby, vedly k z\u00e1kazu d\u00edla z roku 1951 v Budape\u0161ti je\u0161t\u011b b\u011bhem zkou\u0161ek. Premi\u00e9ra se tak odehr\u00e1la a\u017e o dlouh\u00fdch 20 let pozd\u011bji. \u201eV\u011b\u0159\u00edm, \u017ee skladba bude efektn\u00edm z\u00e1v\u011brem tohoto festivalov\u00e9ho koncertu,\u201c<\/em> uzav\u00edr\u00e1 Marek Pr\u00e1\u0161il.<\/p>\n\n\n\n

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\u201ePat\u0159\u00ed k nejlep\u0161\u00edm \u010desk\u00fdm dirigent\u016fm sv\u00e9 generace, ale v Praze se doposud na velk\u00e9m p\u00f3diu nep\u0159edstavil,\u201c prohla\u0161uje o Marku Pr\u00e1\u0161ilovi dramaturg Pra\u017esk\u00e9ho jara Josef T\u0159e\u0161t\u00edk. Pr\u00e1\u0161il je hlavn\u00edm hostuj\u00edc\u00edm dirigentem Jiho\u010desk\u00e9 filharmonie v \u010cesk\u00fdch Bud\u011bjovic\u00edch a dirigentem ostravsk\u00e9ho N\u00e1rodn\u00edho divadla moravskoslezsk\u00e9ho. V r\u00e1mci Debutu Pra\u017esk\u00e9ho jara stane v \u00fater\u00fd 24. kv\u011btna v \u010dele PKF \u2013 Prague Philharmonia, s\u00f3listou ve\u010dera bude mlad\u00fd…<\/p>\n","protected":false},"author":1,"featured_media":11122,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[392,383,998],"tags":[498,1303,491],"class_list":["post-11116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba","category-kultura","category-novinky","tag-hudba","tag-marek-prasil","tag-prazske-jaro"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/11116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=11116"}],"version-history":[{"count":3,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/11116\/revisions"}],"predecessor-version":[{"id":11136,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/11116\/revisions\/11136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/11122"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=11116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=11116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=11116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}