Komorn\u00ed hudba je siln\u011b zastoupena v programu pr\u00e1v\u011b prob\u00edhaj\u00edc\u00edho ro\u010dn\u00edku Pra\u017esk\u00e9ho jara, dokazuje to i V\u00edkend komorn\u00ed hudby<\/strong>, kter\u00fd se odehraje 21. a 22. kv\u011btna. P\u0159edstav\u00ed se na n\u011bm tak\u00e9 korejsk\u00fd soubor Arete String Quartet<\/strong>, jednozna\u010dn\u00fd v\u00edt\u011bz Mezin\u00e1rodn\u00ed hudebn\u00ed sout\u011b\u017ee Pra\u017esk\u00e9 jaro v oboru smy\u010dcov\u00e9 kvarteto, kter\u00e1 se uskute\u010dnila v minul\u00e9m roce. \u201eNa sv\u00e9m pra\u017eskojarn\u00edm koncert\u011b soubor nav\u00e1\u017ee na sv\u016fj fin\u00e1lov\u00fd program a uvede Jan\u00e1\u010dk\u016fv <\/em>Prvn\u00ed smy\u010dcov\u00fd kvartet,\u201c<\/em> \u0159\u00edk\u00e1 dramaturg festivalu Josef T\u0159e\u0161t\u00edk. Coby dr\u017eitel Ceny Viktora Kalabise a Zuzany R\u016f\u017ei\u010dkov\u00e9 soubor na program za\u0159adil Kalabis\u016fv Smy\u010dcov\u00fd kvartet \u010d. 2<\/em>, cel\u00fd ve\u010der pak zakon\u010d\u00ed Smy\u010dcov\u00fd kvartet D dur<\/em> C\u00e9sara Francka.<\/p>\n\n\n\n Mlad\u00fd rakousk\u00fd houslista Emmanuel Tjeknavorian<\/strong> o sv\u00fdch mimo\u0159\u00e1dn\u00fdch kvalit\u00e1ch p\u0159esv\u011bd\u010dil p\u0159i \u00fasp\u011b\u0161n\u00e9m debutu po boku Symfonick\u00e9ho orchestru hlavn\u00edho m\u011bsta Prahy FOK v roce 2019. Tentokr\u00e1t vystoup\u00ed ve hv\u011bzdn\u00e9m triu, kter\u00e9 tvo\u0159\u00ed spolu s renomovan\u00fdm n\u011bmeck\u00fdm violoncellistou Danielem M\u00fcllerem-Schottem<\/strong> a ruskou klav\u00edristkou Annou Vinnickajou<\/strong>. Spole\u010dn\u011b zahraj\u00ed klav\u00edrn\u00ed tria Clauda Debussyho, Johannesa Brahmse a Petra Ilji\u010de \u010cajkovsk\u00e9ho. \u201eMoc se t\u011b\u0161\u00edm, \u017ee se sv\u00fdmi p\u0159\u00e1teli a kolegy budeme hr\u00e1t tuto kr\u00e1snou hudbu na \u00fa\u017easn\u00e9m festivalu, jak\u00fdm je Pra\u017esk\u00e9 jaro,\u201c<\/em> \u0159\u00edk\u00e1 violoncellista souboru. \u201eV\u0161echna t\u0159i tria vznikla v kr\u00e1tk\u00e9m \u010dasov\u00e9m obdob\u00ed, v\u0161echna byla nap\u00e1s\u00e1na v 80. letech V\u00edkend komorn\u00ed hudby p\u0159edstav\u00ed celou \u0159adu mlad\u00fdch interpret\u016f. Pestr\u00fd program od baroka po sou\u010dasnost p\u0159inese koncert laure\u00e1tky z roku 2020 Mezin\u00e1rodn\u00ed hudebn\u00ed sout\u011b\u017ee Pra\u017esk\u00e9 jaro fl\u00e9tnistky Chaeyeon You<\/strong>. P\u0159edstav\u00ed se nejenom jako s\u00f3lov\u00e1 hr\u00e1\u010dka, ale i v\u202fkomorn\u00ed sestav\u011b po boku d\u0159\u00edv\u011bj\u0161\u00edch laure\u00e1t\u016f pra\u017eskojarn\u00ed sout\u011b\u017ee \u2013 cembalistky Moniky Knoblochov\u00e9, klarinetistky Anny Paulov\u00e9 a klav\u00edristy Adama Skoumala. <\/p>\n\n\n\n Mlad\u00fd komorn\u00ed soubor Trio Boh\u00e9mo<\/strong> div\u00e1ky p\u0159iv\u00edt\u00e1 v netradi\u010dn\u00edch prostorech vydavatelstv\u00ed Economia. \u201eNa koncert\u011b zahrajeme velmi pestr\u00fd a poslucha\u010dsky atraktivn\u00ed program, kter\u00fd pokryje hudebn\u00ed v\u00fdvoj jednoho stolet\u00ed,\u201c<\/em> uv\u00e1d\u00ed k dramaturgii houslista Matou\u0161 P\u011bru\u0161ka. \u201eNesm\u00edrn\u011b se t\u011b\u0161\u00edme na hudbu \u00c1stora Piazzolly, jeho\u017e tvorba je ovlivn\u011bna mnoha styly a p\u0159itom tak jedine\u010dn\u00e1!\u201c <\/em>dopl\u0148uje ho violoncellistka Kristina Vocetkov\u00e1. Na koncertu d\u00e1le zazn\u00ed hudba Bohuslava Martin\u016f a Josefa Suka.<\/p>\n\n\n\n Hr\u00e1\u010d na bic\u00ed n\u00e1stroje Ladislav Bilan Jr. <\/strong>s velk\u00fdm \u00fasp\u011bchemvystoupil v r\u00e1mci alternativn\u00edho programu Pra\u017esk\u00e9ho jara 2020 na koncert\u011b streamovan\u00e9m z Lichten\u0161tejnsk\u00e9ho pal\u00e1ce. Tentokr\u00e1t svou virtuozitu p\u0159edvede na cel\u00e9 \u0159ad\u011b bic\u00edch n\u00e1stroj\u016f \u2013 od mal\u00fdch bub\u00ednk\u016f po velk\u00e9 melodick\u00e9 bic\u00ed n\u00e1stroje \u2013 v sugestivn\u00edm prost\u0159ed\u00ed dopravn\u00ed haly N\u00e1rodn\u00edho technick\u00e9ho muzea.<\/p>\n\n\n\n \u010cesk\u00fd hobojista Martin Dan\u011bk<\/strong> se stal v\u00edt\u011bzem Mezin\u00e1rodn\u00ed hudebn\u00ed sout\u011b\u017ee Pra\u017esk\u00e9 jaro 2019. Vedle cen finan\u010dn\u00edch je odm\u011bnou mo\u017en\u00e1 nejcenn\u011bj\u0161\u00ed nab\u00eddka vystoupen\u00ed na festivalu. Pro sv\u016fj pra\u017eskojarn\u00ed recit\u00e1l p\u0159ipravil skute\u010dn\u011b znamenit\u00fd program. Dramaturgie kombinuje hudbu francouzsk\u00fdch barokn\u00edch mistr\u016f s tvorbou modern\u00edch autor\u016f, kte\u0159\u00ed se star\u0161\u00ed hudbou pracuj\u00ed. \u201ePropojen\u00ed hudby nap\u0159\u00ed\u010d \u010dasem, jak tomu bude i na na\u0161em koncert\u011b, m\u011b fascinuje a dokl\u00e1d\u00e1 to, jak nad\u010dasov\u00e1 hudba je,\u201c <\/em>vysv\u011btluje hobojista. \u201eFrancouzsk\u00e1 hudba m\u011b velice inspiruje, obzvl\u00e1\u0161t\u011b ta barokn\u00ed. Asi je n\u011bco na tom, \u017ee hoboj, tak jak ho dnes zn\u00e1me, poch\u00e1z\u00ed pr\u00e1v\u011b z Francie \u2013 jeho zvuk se k t\u00e9to hudb\u011b tolik hod\u00ed,\u201c<\/em> dod\u00e1v\u00e1. Vedle francouzsk\u00fdch autor\u016f F. Couperina, J.-P. Rameau a H. Dutilleux uvede tak\u00e9 Sonatu da Caccia <\/em>sou\u010dasn\u00e9ho britsk\u00e9ho skladatele Thomase Ad\u00e8se.<\/p>\n","protected":false},"excerpt":{"rendered":" Komorn\u00ed hudba je siln\u011b zastoupena v programu pr\u00e1v\u011b prob\u00edhaj\u00edc\u00edho ro\u010dn\u00edku Pra\u017esk\u00e9ho jara, dokazuje to i V\u00edkend komorn\u00ed hudby, kter\u00fd se odehraje 21. a 22. kv\u011btna. P\u0159edstav\u00ed se na n\u011bm tak\u00e9 korejsk\u00fd soubor Arete String Quartet, jednozna\u010dn\u00fd v\u00edt\u011bz Mezin\u00e1rodn\u00ed hudebn\u00ed sout\u011b\u017ee Pra\u017esk\u00e9 jaro v oboru smy\u010dcov\u00e9 kvarteto, kter\u00e1 se uskute\u010dnila v minul\u00e9m roce. \u201eNa sv\u00e9m pra\u017eskojarn\u00edm koncert\u011b soubor nav\u00e1\u017ee…<\/p>\n","protected":false},"author":1,"featured_media":10880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[392,998],"tags":[1277,491],"class_list":["post-10879","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba","category-novinky","tag-emmanuel-tjeknavorian","tag-prazske-jaro"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/10879","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=10879"}],"version-history":[{"count":1,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/10879\/revisions"}],"predecessor-version":[{"id":10884,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/10879\/revisions\/10884"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/10880"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=10879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=10879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=10879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
19. stolet\u00ed,\u201c<\/em> dod\u00e1v\u00e1 M\u00fcller-Schott.<\/p>\n\n\n\n