{"id":10710,"date":"2022-05-19T22:45:46","date_gmt":"2022-05-19T19:45:46","guid":{"rendered":"https:\/\/orer.eu\/?p=10710"},"modified":"2022-05-21T14:30:59","modified_gmt":"2022-05-21T11:30:59","slug":"tjeknavorian-muller-schott-vinnickaja-v","status":"publish","type":"post","link":"https:\/\/orer.eu\/cs\/2022\/05\/19\/tjeknavorian-muller-schott-vinnickaja-v\/","title":{"rendered":"Emmanuel Tjeknavorian- N\u00e1vrat charismatick\u00e9ho houslisty. Festival Pra\u017esk\u00e9 jaro"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Emmanuel_Tjeknavorian_FOTO_Ivan_Maly_PJ2019_2-1024x678.jpg\" alt=\"\" class=\"wp-image-10689\" srcset=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Emmanuel_Tjeknavorian_FOTO_Ivan_Maly_PJ2019_2-1024x678.jpg 1024w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Emmanuel_Tjeknavorian_FOTO_Ivan_Maly_PJ2019_2-300x199.jpg 300w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Emmanuel_Tjeknavorian_FOTO_Ivan_Maly_PJ2019_2-768x509.jpg 768w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Emmanuel_Tjeknavorian_FOTO_Ivan_Maly_PJ2019_2.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Pra\u017esk\u00e9 jaro s Tjeknavorianem, M\u00fcller-Schottem a Vinnickajou<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>22&nbsp;\/&nbsp;05&nbsp;\/&nbsp;2022 Ned\u011ble 20.00<br>P\u0159edpokl\u00e1dan\u00fd konec 22.00<\/p>\n\n\n\n<p><a href=\"https:\/\/festival.cz\/misto-konani\/rudolfinum-dvorakova-sin\/\">Rudolfinum \u2013 Dvo\u0159\u00e1kova s\u00ed\u0148<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PROGRAM<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Claude Debussy<\/strong>: Klav\u00edrn\u00ed trio G dur<\/li><li><strong>Johannes Brahms<\/strong>: Trio c moll op. 101<\/li><li><strong>Petr Ilji\u010d \u010cajkovskij<\/strong>: Klav\u00edrn\u00ed trio a moll op. 50<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">INTERPRETI<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Emmanuel Tjeknavorian<\/strong>&nbsp;&#8211; housle<\/li><li><strong>Daniel M\u00fcller-Schott<\/strong>&nbsp;&#8211; violoncello<\/li><li><strong>Anna Vinnickaja<\/strong>&nbsp;&#8211; klav\u00edr<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">N\u00e1vrat charismatick\u00e9ho houslisty<\/h3>\n\n\n\n<p>Mlad\u00fd rakousk\u00fd houslista&nbsp;<strong>Emmanuel Tjeknavorian<\/strong>&nbsp;pat\u0159\u00ed mezi nejlep\u0161\u00ed a nejv\u00fdrazn\u011bj\u0161\u00ed um\u011blce sv\u00e9 generace. Na Pra\u017esk\u00e9 jaro se vrac\u00ed po \u00fasp\u011b\u0161n\u00e9m debutu po boku Symfonick\u00e9ho orchestru hlavn\u00edho m\u011bsta Prahy FOK v&nbsp;roce 2019, aby tentokr\u00e1t vystoupil ve hv\u011bzdn\u00e9m triu, kter\u00e9 tvo\u0159\u00ed spolu s renomovan\u00fdm n\u011bmeck\u00fdm violoncellistou Danielem M\u00fcllerem-Schottem a ruskou klav\u00edristkou Annou Vinnickajou. <\/p>\n\n\n\n<p>Spole\u010dn\u011b zahraj\u00ed klav\u00edrn\u00ed tria Clauda Debussyho, Johannesa Brahmse a Petra Ilji\u010de \u010cajkovsk\u00e9ho.<\/p>\n\n\n\n<p><strong>Emmanuel Tjeknavorian<\/strong>&nbsp;(nar. 1995) je navzdory sv\u00e9mu v\u011bku pova\u017eov\u00e1n u\u017e nikoli za talent a vych\u00e1zej\u00edc\u00ed hv\u011bzdu, ale za respektovan\u00e9ho um\u011blce. A to nejen coby s\u00f3lista hraj\u00edc\u00ed na vz\u00e1cn\u00e9 stradiv\u00e1rky z roku 1698, ale tak\u00e9 jako dirigent. V sezon\u011b 2020\/21 m\u011bl dirigentsk\u00e9 debuty u v\u00edde\u0148sk\u00e9ho Tonk\u00fcnstler Orchestra, Cameraty Salzburg a Sinfonieorchester Basel.&nbsp;Kritika hovo\u0159\u00ed o intelektu\u00e1ln\u00ed hloubce jeho hry, z\u00e1rove\u0148 Tjeknavorian v\u00fdte\u010dn\u011b ovl\u00e1d\u00e1 komunikaci s publikem a r\u00e1d o hudb\u011b hovo\u0159\u00ed. Na rozhlasov\u00e9 stanici Klassik Stephansdom moderuje vlastn\u00ed po\u0159ad Klassik-Tjek.&nbsp;Na Pra\u017esk\u00e9m jaru debutoval v&nbsp;roce 2019&nbsp;<em>Houslov\u00fdm koncertem<\/em>&nbsp;Jeana Sibelia za doprovodu Pra\u017esk\u00fdch symfonik\u016f FOK a dirigenta Alexandera Vedernikova.&nbsp;<em>\u201eJeho stradiv\u00e1rky maj\u00ed mimo\u0159\u00e1dn\u011b p\u011bkn\u00fd, nosn\u00fd zvuk a pianissima, kter\u00e1 zn\u011bj\u00ed, jako by je housle hr\u00e1ly samy,\u201c<\/em>&nbsp;napsal tehdy pro server Klasika plus Petr Veber. &nbsp;Tjeknavorian m\u00e1 p\u0159ed sebou \u0159adu presti\u017en\u00edch koncert\u016f \u2013 \u010dekaj\u00ed jej vystoupen\u00ed s Kr\u00e1lovskou stockholmskou filharmoni\u00ed, s WDR Sinfonieorchester v Kol\u00edn\u011b nad R\u00fdnem \u010di s Orchestrem lipsk\u00e9ho Gewandhausu a dirigentem Franzem Welser-M\u00f6stem.&nbsp;Coby nejmlad\u0161\u00ed reziden\u010dn\u00ed um\u011blec v historii v\u00edde\u0148sk\u00e9ho Musikvereinu vytvo\u0159il vlastn\u00ed koncertn\u00ed \u0159adu.&nbsp;Tjeknavorian se v\u011bnuje tak\u00e9 nahr\u00e1vac\u00ed \u010dinnosti. Za sv\u00e9 prvn\u00ed album nazvan\u00e9 Solo, vydan\u00e9 u spole\u010dnosti Sony Classical, z\u00edskal cenu OPUS Klassik 2018. V&nbsp;sou\u010dasn\u00e9 dob\u011b m\u00e1 exkluzivn\u00ed smlouvu s&nbsp;labelem Berlin Classics, u kter\u00e9ho v&nbsp;roce 2020 nahr\u00e1l album s houslov\u00fdmi koncerty Jeana Sibelia a sv\u00e9ho otce, skladatele Lorise Tjeknavoriana, spolu se Symfonick\u00fdm orchestrem Hessensk\u00e9ho rozhlasu a dirigentem Pablem Gonz\u00e1lezem.<\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Daniel-Mu\u0308ller-Schott-2-682x1024.jpg\" alt=\"\" class=\"wp-image-10701\" srcset=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Daniel-Mu\u0308ller-Schott-2-682x1024.jpg 682w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Daniel-Mu\u0308ller-Schott-2-200x300.jpg 200w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Daniel-Mu\u0308ller-Schott-2-768x1153.jpg 768w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Daniel-Mu\u0308ller-Schott-2-1023x1536.jpg 1023w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Daniel-Mu\u0308ller-Schott-2.jpg 1066w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">S ohnivou technikou<\/h3>\n\n\n\n<p><strong>Daniel M\u00fcller-Schott<\/strong>&nbsp;pat\u0159\u00ed mezi nejvyhled\u00e1van\u011bj\u0161\u00ed a nejcen\u011bn\u011bj\u0161\u00ed violoncellisty sou\u010dasnosti. V&nbsp;superlativech se o n\u011bm mluv\u00ed u\u017e od roku 1992, kdy zv\u00edt\u011bzil v&nbsp;\u010cajkovsk\u00e9ho sout\u011b\u017ei v&nbsp;Moskv\u011b. New York Times o n\u011bm p\u00ed\u0161\u00ed jako o um\u011blci&nbsp;<em>\u201eintenzivn\u00ed expresivity\u201c<\/em>&nbsp;a&nbsp;<em>\u201eneboj\u00e1cn\u00e9m hr\u00e1\u010di s ohnivou technikou.\u201c&nbsp;<\/em>N\u011bmeck\u00fd um\u011blec, jeho\u017e v za\u010d\u00e1tc\u00edch podpo\u0159ili osobnosti jako Anne-Sophie Mutter a Mstislav Rostropovi\u010d, je dnes pevn\u011b etablov\u00e1n na mezin\u00e1rodn\u00edch p\u00f3di\u00edch. O respektu, jak\u00e9mu se t\u011b\u0161\u00ed ve sv\u00e9 zemi, sv\u011bd\u010d\u00ed nap\u0159\u00edklad to, \u017ee u p\u0159\u00edle\u017eitosti historick\u00e9 oslavy Dne n\u011bmeck\u00e9 jednoty v roce 2018 hr\u00e1l v Berl\u00edn\u011b u Braniborsk\u00e9 br\u00e1ny pro p\u016fl milionu p\u0159ihl\u00ed\u017eej\u00edc\u00edch. V&nbsp;jeho obs\u00e1hl\u00e9 diskografii najdeme jak kompletn\u00ed z\u00e1kladn\u00ed violoncellov\u00fd reperto\u00e1r, tak d\u00edla, kter\u00e1 s\u00e1m inicioval nebo vynesl na sv\u011btlo ze zapomn\u011bn\u00ed. Cellov\u00e9 koncerty pro n\u011bj napsali sir Andr\u00e9 Previn a Peter Ruzicka, spolu s&nbsp;houslistkou Anne-Sophie Mutter a klav\u00edristou Lambertem Orkisem premi\u00e9roval&nbsp;<em>Ghost Trio<\/em>&nbsp;americk\u00e9ho skladatele Sebastiana Curriera. V&nbsp;pop\u0159ed\u00ed jeho z\u00e1jmu stoj\u00ed tak\u00e9 projekty pro mlad\u00e9, kter\u00fdm se v\u011bnuje zejm\u00e9na v&nbsp;r\u00e1mci projektu nazvan\u00e9ho&nbsp;<em>Rhapsody in School<\/em>.<\/p>\n\n\n\n<p><em>\u201eMoc se t\u011b\u0161\u00edm, \u017ee se sv\u00fdmi p\u0159\u00e1teli a kolegy budeme hr\u00e1t tuto kr\u00e1snou hudbu na \u00fa\u017easn\u00e9m festivalu, jak\u00fdm je Pra\u017esk\u00e9 jaro,\u201c<\/em>&nbsp;\u0159\u00edk\u00e1 violoncellista souboru.&nbsp;<em>\u201eV\u0161echna t\u0159i tria vznikla v&nbsp;kr\u00e1tk\u00e9m \u010dasov\u00e9m obdob\u00ed, v\u0161echna byla nap\u00e1s\u00e1na v&nbsp;80. letech 19. stolet\u00ed,\u201c<\/em>&nbsp;dod\u00e1v\u00e1 M\u00fcller-Schott.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"733\" height=\"440\" src=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Anna-Vinnitskaya_FOTO-Gela-Megrelidze-990x440-1.jpg\" alt=\"\" class=\"wp-image-10693\" srcset=\"https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Anna-Vinnitskaya_FOTO-Gela-Megrelidze-990x440-1.jpg 733w, https:\/\/orer.eu\/wp-content\/uploads\/2022\/05\/Anna-Vinnitskaya_FOTO-Gela-Megrelidze-990x440-1-300x180.jpg 300w\" sizes=\"auto, (max-width: 733px) 100vw, 733px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">V\u00edt\u011bzstv\u00ed v Sout\u011b\u017ei kr\u00e1lovny Al\u017eb\u011bty<\/h3>\n\n\n\n<p>Rusk\u00e1 klav\u00edristka&nbsp;<strong>Anna Vinnickaja<\/strong>&nbsp;na sebe upozornila v\u00edt\u011bzstv\u00edm v Sout\u011b\u017ei kr\u00e1lovny Al\u017eb\u011bty v Bruselu 2007, kterou z\u00edskala jako teprve druh\u00e1 \u017eena v historii.&nbsp;Klav\u00edristka z hudebn\u00ed rodiny na\u010derpala to nejlep\u0161\u00ed z rusk\u00e9 \u0161koly. Jej\u00ed reperto\u00e1r sah\u00e1 od Bacha a\u017e po soudobou rusko-tatarskou skladatelku Sofii Gubajdulinu, zvl\u00e1\u0161tn\u00ed vztah ji pout\u00e1 k Rachmaninovovi, Prokofjevovi \u010di \u0160ostakovi\u010dovi.&nbsp;D\u00edky udivuj\u00edc\u00ed technice a mimo\u0159\u00e1dn\u011b barevn\u00e9mu t\u00f3nu svou hrou dok\u00e1\u017ee vt\u00e1hnout publikum do hudebn\u00edho p\u0159\u00edb\u011bhu.&nbsp;<em>\u201eNau\u010dila jsem se nejen hr\u00e1t noty spr\u00e1vn\u011b ve smyslu dynamiky a techniky, ale v&nbsp;ka\u017ed\u00e9m momentu b\u00fdt v&nbsp;hudb\u011b p\u0159\u00edtomn\u00e1,\u201c<\/em>&nbsp;vysv\u011btluje sama um\u011blkyn\u011b.&nbsp;Jej\u00ed hry si vysoce cen\u00ed tak\u00e9 odborn\u00e1 kritika.&nbsp;<em>\u201eVinnickaja je za klaviaturou skute\u010dnou lvic\u00ed, kter\u00e1 po\u017e\u00edr\u00e1 i ty nejt\u011b\u017e\u0161\u00ed str\u00e1nky s&nbsp;nezlomnou silou,\u201c<\/em>&nbsp;napsal o jej\u00ed h\u0159e Washington Post. BBC Music Magazine zase p\u00ed\u0161e, \u017ee&nbsp;<em>\u201enelze pop\u0159\u00edt \u010dirou kr\u00e1su a plnost jej\u00edho zvuku.\u201c<\/em>&nbsp;Spolupracuje s&nbsp;t\u011bmi nejlep\u0161\u00edmi orchestry a dirigenty na cel\u00e9m sv\u011bt\u011b \u2013 za v\u0161echny m\u016f\u017eeme jmenovat Berl\u00ednsk\u00e9 filharmoniky a Kirilla Petrenka, se kter\u00fdmi v&nbsp;roce 2021 vystoupila na Salcbursk\u00e9m festivalu v&nbsp;<em>Prvn\u00edm klav\u00edrn\u00edm koncertu<\/em>&nbsp;Sergeje Prokofjeva.&nbsp;Za sv\u00e9 nahr\u00e1vky z\u00edskala \u0159adu ocen\u011bn\u00ed, v\u010detn\u011b presti\u017en\u00edch Diapason d\u2019Or a Editor\u2019s Choice \u010dasopisu Gramophone. V&nbsp;roce 2021 vydala zat\u00edm sv\u00e9 posledn\u00ed album s&nbsp;baladami a impromptu Fryderyka Chopina.<\/p>\n\n\n\n<p>Koupit vstupenky-<\/p>\n\n\n\n<p><a href=\"https:\/\/festival.cz\/koncerty\/tjeknavorian-muller-schott-vinnickaja\/\">Tjeknavorian &amp; M\u00fcller-Schott &amp; Vinnickaja \u2014 Pra\u017esk\u00e9 jaro (festival.cz)<\/a><\/p>\n\n\n\n<p>orer.eu<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pra\u017esk\u00e9 jaro s Tjeknavorianem, M\u00fcller-Schottem a Vinnickajou 22&nbsp;\/&nbsp;05&nbsp;\/&nbsp;2022 Ned\u011ble 20.00P\u0159edpokl\u00e1dan\u00fd konec 22.00 Rudolfinum \u2013 Dvo\u0159\u00e1kova s\u00ed\u0148 PROGRAM Claude Debussy: Klav\u00edrn\u00ed trio G dur Johannes Brahms: Trio c moll op. 101 Petr Ilji\u010d \u010cajkovskij: Klav\u00edrn\u00ed trio a moll op. 50 INTERPRETI Emmanuel Tjeknavorian&nbsp;&#8211; housle Daniel M\u00fcller-Schott&nbsp;&#8211; violoncello Anna Vinnickaja&nbsp;&#8211; klav\u00edr N\u00e1vrat charismatick\u00e9ho houslisty Mlad\u00fd rakousk\u00fd houslista&nbsp;Emmanuel&#8230;<\/p>\n","protected":false},"author":1,"featured_media":10689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[133,392,168,174],"tags":[1277,491],"class_list":["post-10710","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-czech-armenian-news-cs","category-hudba","category-concerts-cs","category-meetings-cs","tag-emmanuel-tjeknavorian","tag-prazske-jaro","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/10710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/comments?post=10710"}],"version-history":[{"count":7,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/10710\/revisions"}],"predecessor-version":[{"id":10866,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/posts\/10710\/revisions\/10866"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media\/10689"}],"wp:attachment":[{"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/media?parent=10710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/categories?post=10710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/orer.eu\/cs\/wp-json\/wp\/v2\/tags?post=10710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}