ARMENIAN EUROPEAN MAGAZINE "DAYS"
SINCE 1999 IN PRAGUE
20 August, 2018
Կյանքը գնում է, ՕՐԵՐՆ են մնում     Život běží, DNY zůstávají.     Life passes, DAYS remain     Жизнь проходит, ДНИ остаются

Screen icon Susan Sarandon and painter Tigran Tsitoghzhyan star in Arthur Balder’s ‘American Mirror’

The film is expected to debut in the Golden Apricot Film Festival of Armenia 8 to 15 July 2018
13 February, 2018 | 18:44

Tigran and Susan during a setting session for her portrait.

The new film by American director Arthur Balder is completed, and its first trailer is airing on the net and TV braodcasting stations across Armenia, is expected to debut in the Golden Apricot Film Festival of Armenia 8 to 15 July 2018.

‘American Mirror’ has three protagonists. One of them is actress Susan Sarandon, the other the Armenian painter Tigran Tsitoghzhyan, and the main third one is French-Thai actress Florence Faivre (on the rise in the American TV series thanks to stelar interventions lately in such big-impact franchises as ‘Agents of SHIELD’ (Marvel Studios), The Expanse &c.) who actually plays the role of the ever-lasting-never-reachable Muse around whom all Tigrans art seem to gravitate one way or other. This complex relationships between intellect, appreciation of aging and of beauty, and unattainable perfection in life, set the basis of a film that is not a documentary but neither entirely a fiction story.

A montage of Tigran along with some TV interventions.

Arthur Balder recognizes the potent influence of the author of such an iconic movie as ‘The color of the pomegranates’ in saying: “What Parajanov does in that movie sets the basis of an approach that presided my idea since the beginning: instead of talking, reciting or repeating merely the literary merits of a poet, Parajanov tries to reproduce vividly the poetical impressions and images provoked in him by the reading of the poet’s writings. So a cinematic approach to Tigran’s art should be cinematic, in my opinion, letting the particular powers of filmmaking give us glimpses of what is behind the painting instead of clear, objetive answers, so behind and around their making: that is introspection, surrealism. It is impossible to navigate those waters without a allowing a space to poetics in filmmaking. Donald Kuspit, as a sort of ‘Deus ex machina’ appears in a dream of the artist unveiling the hidden meaning of art, while the relationship between the artist and the Muse talks about the impossibility of perfection outside the frame of the canvas.”

Tigran during a night painting session.

The director, honored with two consecutive awards by the Association of Latin Entertainment Critics of New York for his previous works as a filmmaker (‘Little Spain’, ‘Reality of the Imaginary’), as well as the Lady Of the Victory of the Critics Circle of Mexico as a further Latin-American recognition, along with that of the Hispanic Organization of Latin Actors of New York as outstanding documentary filmmaker, has worked hand in hand with American producer David Shara, both taking care of an audiovisual artistic work that in the producer’s words ‘from the set-out was poised to defy the boundaries between documentary and fiction”.

The complete original soundtrack has been authored by New-Zealand-based-in-LA composer Mark Petrie.

Susan Sarandon in the set of ‘American mirror’

Oscar-winning screen icon Susan Sarandon and Armenian painter Tigran Tsitoghzhyan discuss time and identity, and how the apparently in conflict values of beauty and aging are perceived in our modern society dominated by social media, as he limns her portrait during a timeless sitting session.

The film reveals how Tigran, a highly dedicated and painstakingly trained craftsman, brings the ancient spirit of the old masters into a unique post-modern hyperrealism deeply interwoven with NYC’s culture and social landscape. Shot over the period of three years, the film takes us on a rare, thought-provoking, timeless reality-and-fiction setting to reveal how one of the most striking artists in recent art history climbs up the art-world ranks on the winding journey to success and recognition.

Tigran drives across Times Square, Manhattan, while ths screen blink with his own paintings images.

The director commented on the experience of working Sarandon: ”Nothing I could say about the co-star of ‘Thelma and Louise’ would be new. Apart from what is evident about her natural, great talent, I can add from a personal perspective after working with her that she is an extraordinarily generous woman and above all she is a strong personality.”

The film also counts with the participation of The Pyramid star Ashley Hinshaw, and such topmodels as Hilary Rhoda and Sirey Moran, Miss Universe Honduras, jewelry designer and casting director Morgan Shara, Melissa Wood, Sasha Rukoskaya, Natalia Golba, opera singer Bella Jazmin de la Guia. The NY Housewives star Jules Wainstein also has a cameo in the film. Ryan Ross, an expert in art, also participates, but the highlight Donald Kuspit, the eight-times doctorate author of what is probably the most influential and climacteric book on art philosophy ever published in the last decades: ‘The Death of Art’.

Official Movie Website: www.tigransmovie.com
Production: Armenia, Switzerland, USA.
Director: Arthur Balder
Producer: David Shara
Main Cast: Susan Sarandon, Ashley Hinshaw, Florence Faivre, Donald Kuspit.

orer.eu


Florence Faivre, as the Muse again, finds the artist in a night club in Manhattan.

Tigran looks up as banners of an imaginary exhibition of his works are wafted by the wind in Downtown Manhattan.

Susan and Florence Faivre: the artist tries to reach the Muse, but she is a perfect figment of his imagination.

Another sitting session.

Donald Kuspit, as a sort of ‘Deus ex machina’ appears in a dream of the artist unveiling the hidden meaning of art.

Tigran keeps painting over and over the Muse


Florence Faivre, the Muse, walks towards the golden gate of Manhattan Henge.


Related news
1. The Cafesjian Center for the Arts (CCA) Announces the Opening of the Exhibition, Tigran Tsitoghdzyan: Mirrors

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